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George Singleton, who's had many stories published in the best literary journals, has recently burst into the big time with appearances in Playboy, Zoetrope, The Atlantic Monthly, Harper's Magazine and Book. The stories in his new collection are wild and wooly - or maybe we should say wild and half-wooly. In any case, they're definitely not for the creationist crowd or for the laughter impaired. For example: - A self-described "primitive artist," getting rich off religious canvases, is mistaken for a faith healer. - A lovelorn dad woos his third grader's teacher with very special show-and-tells, including long lost love letters to Shakespeare from Anne Hathaway, to Fred Astaire from Ginger Rogers, and to Henry VIII from all of his wives. - A boy's reputation is ruined forever when he accepts the starring role in a documentary on diagnosing head lice. Off-the-wall. But also utterly believable and written with tremendous affection for the people and their place-a place called Forty-Five, part of the contemporary South that's far removed from big city Atlanta or proper Charleston and, in fact, much like Singleton's own hometown of Dacusville, South Carolina. As he says of his characters, "They're regular people just trying to get by. Most of them aren't jaded by everyday life, though perhaps they should have been long ago. There are some with physical and mental limitations, but I hope all of them have heart." They do indeed, just like their stories.
Presents a collection of short stories that captures the lives of such characters as a boy whose reputation is ruined forever after he stars in a documentary on diagnosing head lice and a lovelorn father who woos his child's third-grade teacher.
These fourteen funny stories tell the tale of a beleaguered boyhood down home where the dogs still run loose. As a boy growing up in the tiny backwater town of Forty-Five, South Carolina (where everybody is pretty much one beer short of a six-pack), all Mendal Dawes wants is out. It's not just his hometown that's hopeless. Mendal's father is just as bad. Embarrassing his son to death nearly every day, Mr. Dawes is a parenting guide's bad example. He buries stuff in the backyard—fake toxic barrels, imitation Burma Shave signs (BIRD ON A WIRE, BIRD ON A PERCH, FLY TOWARD HEAVEN, FIRST BAPTIST CHURCH), yardstick collections. He calls Mendal "Fuzznuts" and makes him recite Marx and Durkheim daily and befriend a classmate rumored to have head lice. Mendal Dawes is a boy itching to get out of town, to take the high road and leave the South and his dingbat dad far behind—just like those car-chasing dogs. But bottom line, this funky, sometimes outrageous, and always very human tale is really about how Mendal discovers that neither he nor the dogs actually want to catch a ride, that the hand that has fed them has a lot more to offer. On the way to watching that light dawn, we also get to watch the Dawes's precarious relationship with a place whose "gene pool [is] so shallow that it wouldn't take a Dr. Scholl's insert to keep one's soles dry." To be consistently funny is a great gift. To be funny and cynical and empathetic all at the same time is George Singleton's special gift, put brilliantly into play in this new collection.
Toddlers—and drunks—bang around hitting walls, tables, chairs, the floor, and other people, trying to find their legs. Writing fiction is a similar process. Sometimes it might take a while before the story gets some balance and moves forward. Sometimes the story takes off as if motor-driven, then crashes into something not foreseen or expected. Learning to be a writer is all about finding your legs, and doing your best to convince onlookers that you know what you're doing and where you're going. In Pep Talks, Warnings & Screeds, acclaimed Southern story writer and novelist George Singleton serves up everything you ever need to know to become a real writer (meaning one who actually writes), in bite-sized aphorisms. It's Nietzsche's Beyond Good & Evil meets Anne Lamott's Bird by Bird. It's cough syrup that tastes like chocolate cake. In other words, don't expect to get better unless you get a good dose of it, maybe two. Accompanied by more than fifty original full-color illustrations by novelist Daniel Wallace, these laugh-out-loud funny, candid, and surprisingly useful lessons will help you find your own writerly balance so you can continue to move forward.
From a prizewinning young writer whose stories have been anthologized in "The Best American Short Stories" and "New Stories from the South" comes a heartwarming and hugely appealing debut collection that explores the way our choices and relationships are shaped by the menace and beauty of the natural world.
This compilation of smart, hilarious stories from one of the funniest, wisest, and most surprising Southern writers of his generation is peppered with unforgettable characters--people who are trying to make sense of modern absurdities.
High Cotton is an extraordinarily rich account of the dreams and inner turmoils of a new generation of the black upper middle class, capturing the essence of a part of American society that has mostly been ignored in literature. The novel's protagonist journeys from his childhood home in the midwest to college, a stint in New York publishing, and Europe, yet the issue of his "blackness" remains at the heart of his being.
Jake McGowan-Lowe is a boy with a very unusual hobby. Since the age of 7, he has been photographing and blogging about his incredible finds and now has a worldwide following, including 100,000 visitors from the US and Canada. Follow Jake as he explores the animal world through this new 64-page book. He takes you on a world wide journey of his own collection, and introduces you to other amazing animals from the four corners of the globe. Find out what a cow's tooth, a rabbit's rib and a duck's quack look like and much, much more besides.
Part family memoir, part political commentary, part apologia, Dream State is all Floridian, telling the grand and sometimes crazy story of the twenty-seventh state through the eyes of one of its native daughters. Acclaimed journalist and NPR commentator Diane Roberts has many family secrets and she's ready to tell them. Like the time her cousin state Senator Luther Tucker wrapped his Caddy around a tree, allegedly with a jug of moonshine on the seat next to him. Or how cousin Susan Branford was given an African girl for her eighth birthday. Or the time when cousin Enid Broward was made the May Queen of 1907, even though her daddy the governor shocked the state by trying to drain the entire Everglades. Roberts' ancestors helped settle Florida, kill off its pesky Indians, enslave some of its inhabitants, clear its forests, lay its train tracks, and pave its roads, all the time weaving themselves into the very fabric of this dangling chad of a state. With a storyteller's talent for setting great scenes, Roberts lays out the sweeping history of eight geberations of Browards and Bradfords, Tuckers anf Robertses, even as she Forest Gumps them into situations with more historically familiar names. Whether it's the American court of Catherine de Médicis, the Tallahassee court of Katherine Harris, Henry Flagler's boardroom -- not to mention his bedroom -- or Jeb Bush's statehouse, you're likely to find a branch or a root of the Roberts family growing entangled nearby. Starting in the recent past with the botched presidential election of 2000, Roberts introduces the many sides of the debate, coincidentally peopled with cousins both kissing and close. She then goes back to Florida's first inhabitants, showing how this alluring peninsula many called a paradise played a role in the destiny of those who settled there. Following their colorful progress up to the present, she renders them all with a deep, familial affection. Florida has forced itself into the collective American unconscious with its messed-up elections, anthrax scares, shark attacks,boat lifts, snowbirds, and the Bush dynasty. While exposing the real people whom Carl Hiaasen and Elmore Leonard have been fictionalizing for years, Dream State ultimately reveals the cogs and wheels that make the state tick.
A quirky tale of a hard-drinking artist by an author who “writes about the rural South without sentimentality . . . but with plenty of sharp-witted humor” (NPR Morning Edition). Renegade artist Harp Spillman is lower than a bow-legged fire ant. Because of an unhealthy relationship with the bottle, he’s ruined his reputation as one of the South’s preeminent commissioned metal sculptors. And his desperate turn to ice sculpting might’ve led to a posse of angry politicians on his trail. With the help of his sane and practical wife, Raylou, Harp understands that it’s time to get his act together and prove that he can complete a series of twelve-foot-high metal angels—welded completely out of hex nuts—for the city of Birmingham. Is it pure chance that the Elbow Boys, with arms voluntarily fused together so they can’t drink, show up in order to help Harp? And why did his neighbor smuggle anteaters into the desolate little South Carolina town of Ember Glow? Harp is drying out, but somehow being sober isn’t making the world seem any less confusing . . . “Engagingly comic . . . Singleton has a flair for capturing Southern eccentricity, and Raylou’s imperturbable patience is just as funny in its way as Harp’s self-loathing.” —Publishers Weekly “If there is a fiction genre blending the riotous, bleary-eyed excess and absurdity of gonzo journalism with the rather earnest sensitivity of a John Irving hero—who always does right by his wife in the end—Work Shirts belongs to it. . . . It’s a fun read . . . An adventure to be undertaken.” —Newsweek