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The present volume curates papers presented at an international conference organized at OUCIP to engage with the oceanic turn in different fields of knowledge embracing Social Sciences, Humanities and, Physical Sciences to project the Indian Ocean as the new frontier of research across various disciplines. The papers are divided into four sections: The Oceanic Reach has papers reflecting on the received knowledge regarding the historical role and reach of the Indian Ocean and providing new insights in the evolving dynamics of the region. The section on Literature and Culture has essays reflecting the different trajectories within Humanities and Cultural Studies through which Indian Ocean has stimulated the imagination of scholars, intellectuals, diasporic writers, and culture historians. The section on Roots and Routes includes accounts of the historical, cultural, religious, trade and diasporic linkages across oceanic communities inhabiting the vast expanse of the Indian Ocean. The final section on Power Games includes papers that deal with the increasing interests of various international powers in the Indian Ocean region particularly in the context of the shift from the Asian land mass to the enormous presence of the Indian Ocean, and the economic, political and strategic significance that it has for the entire region. Taken together these contributions offer both an opportunity and a challenge for interested scholars to engage with Indian Ocean as a new frontier of knowledge with enormous potential for research and exploration. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka
The main character was from Guangdong, China, who migrated to Indonesia to make his livelihood in 1930. In his first job to sell coffee throughout Java, he built a distribution network for himself; and his entrepreneur journey began when he partnered a fellow clansman in garments, and also bought into a leather tanning factory. He was detained during the Japanese occupation, but found an opportunity subsequently to provide assistance to the Independence Freedom Fighters. After the war, he received support to start a bank and provided micro credit loans and funded shop houses development. However, impacted by the devaluation of the Rupiah in 1959, and growing political uncertainty, the ‘Jakarta Tiger’ moved his base to Hong Kong. With funds which he brought out of Indonesia, he started in real estate development and became one of its early successes, in addressing the growing manufacturing and housing needs in the territory. But as ill luck would have it, the bank deposit run in 1965 hit his business hard, and he decided to relocate back to Indonesia. His last ventures there included banking, as well as starting a high school for Chinese students who had to suspend their education previously.
The Indian Ocean in World History explores the cultural exchanges that took place in this region from ancient to modern times.
This book vibrantly demonstrates how the study of music allows for identification and interpretation of the forces that form Taiwanese society, from politics and policy to reactions to and assertions of such policies. Contributors to this edited volume explore how music shapes life — and life shapes music — in Taiwan, focusing on subjects ranging from musical life under Japanese colonial rule (1895–1945) through to the contemporary creations of Indigenous musicians, popular music performance and production, Christian religious music, traditional ritual music and theatre, conceptions about sound and noise, and garbage truck music's role in reducing household waste. The volume’s twelve chapters present diverse approaches to their sounding subjects, some deeply rooted in the methods and concerns explored by Taiwan's first generation of ethnomusicologists. Others employ current social theories. Presenting a window into the cultural lives of the residents of this multicultural, politically contested island, Resounding Taiwan will appeal to students and scholars of musicology and ethnomusicology, anthropology and Asian studies more widely.
An eye-opening and soul-nourishing journey through Chinese food around the world. From Cape Town, South Africa, to small-town Saskatchewan, family-run Chinese restaurants are global icons of immigration, community and delicious food. The cultural outposts of far-flung settlers, bringers of dim sum, Peking duck and creative culinary hybrids, Chinese restaurants are a microcosm of greater social forces. They are an insight into time, history, and place. Author and film-maker Cheuk Kwan, a self-described “card-carrying member of the Chinese diaspora,” weaves a global narrative by linking the myriad personal stories of chefs, entrepreneurs, labourers and dreamers who populate Chinese kitchens worldwide. Behind these kitchen doors lies an intriguing paradox which characterizes many of these communities: how Chinese immigrants have resisted—or have often been prevented from—complete assimilation into the social fabric of their new homes. In both instances, the engine of their economic survival—the Chinese restaurant and its food—has become seamlessly woven into towns and cities all around the world. An intrepid travelogue of grand vistas, adventure and serendipity, Have You Eaten Yet? charts a living atlas of global migration, ultimately revealing how an excellent meal always tells an even better story.
Although the "Han" Chinese constitute about 95 percent of the population of the PRC, they are much more diverse than most Westerners realize. The numerous subgroups of Han speak dialects that seem almost like different languages, and they have a wide range of cultural traditions (differing cuisines, operatic forms, life styles, and attitudes toward