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LUST. LOVE. REVENGE. COMING-OUT. An emperor's search for love destroys the very person he most adores. Crime/mystery/romance historical fiction based upon real events and characters of pagan Rome. Set two centuries before Rome's recognition of Christians, it is an era of intrigue, torrid relations, raging ambition, wild sensuality, & unconventional love. Caesar Hadrian's 'favorite' is found one dawn beneath the waters of the River Nile. Is it a prank gone wrong, a suicide, murder, or something far more sinister? Barrister & historian, Suetonius Tranquillus, & his upmarket courtesan companion Surisca are allowed two days to uncover the truth on pain of penalty. They discover more than they bargained for ...
LUST. LOVE. REVENGE. COMING-OUT, Romance, ancient Roman-style. 130 years after Christ, but two centuries before Christians received legal recognition, Rome is ruled by pagan values. Caesar Hadrian's search for love destroys the very person he most adores. His loved one is found dead one dawn beneath the waters of Egypt's River Nile. Is it a youthful prank gone wrong, a suicide, a murder, or something even more sinister? Hadrian assigns historian Suetonius Tranquillus & his courtesan paramour Surisca to investigate. The Hadrian Enigma is the hidden record of Caesar's investigation into one of history's most intriguing, suspicious deaths. Hadrian learns more than he wanted in an era which sanctions unbridled sensuality in a macho culture of pride, honor, & shame.
Chronicles the passionate relationship between the Emperor Hadrian and the beautiful Greek youth Antinous, a relationship that ended in 130 A.D. when the body of Antinous was found in the river Nile
Hadrian's reign (AD 117-138) was a watershed in the history of the Roman Empire. Hadrian abandoned his predecessor Trajan's eastern conquests - Mesopotamia and Armenia - trimmed down the lands beyond the lower Danube, and constructed new demarcation lines in Germany, North Africa, and most famously Hadrian's Wall in Britain, to delimit the empire. The emperor Hadrian, a strange and baffling figure to his contemporaries, had a many-sided personality. Insatiably ambitious, and a passionate Philhellene, he promoted the 'Greek Renaissance' extravagantly. But his attempt to Hellenize the Jews, including the outlawing of circumcision, had disastrous consequences, and his 'Greek' love of the beautiful Bithynian boy Antinous ended in tragedy. No comprehensive account of Hadrian's life and reign has been attempted for over seventy years. In Hadrian: The Restless Emperor, Anthony Birley brings together the new evidence from inscriptions and papyri, and up-to-date and in-depth examination of the work of other scholars on aspects of Hadrian's reign and policies such as the Jewish war, the coinage, Hadrian's building programme in Rome, Athens and Tivoli, and his relationship with his favourite, Antinous, to provide a thorough and fascinating account of the private and public life of a man who, though hated when he died, left an indelible mark on the Roman Empire.
Born and bred in what is now northern Spain to a family of olive-oil magnates, Hadrian was lucky enough to benefit from the patronage of his maternal cousin, Trajan, who would later become emperor, and who named Hadrian his successor on his death in AD 117. After suppressing the Jewish revolt that had started under Trajan (memorably depicted in Josephus' Jewish War), Hadrian brought years of turbulence to an end. He presided over Rome's expansion to its greatest extent, travelling all over his empire to fortify its borders and, notably, building a wall to demarcate its northern extreme in the island of Britain (as well as another in Germany). Hadrian also 'Hellenized' the cultural life of the empire, and left an extraordinary legacy, yet he remains one of the least-known of Rome's emperors. Using exhaustive research, Anthony Everitt unveils the private life and character of this most successful of emperors, in the most vivid and exciting retelling of his story to date.
Reprint of the original, first published in 1876.
When Cyril Hadrian still considered truth knowable and virtue measurable, he had charge of a great fortress of learning and scholarship called the Lord Institute. Those within the fortresss thick walls had gathered together to battle common enemiesignorance, illness, and poverty. Hadrian, a man committed to rationality and to the notion that science in the service of humanity could accomplish at least a limited happiness on earth, did not then concern himself with philosophical questions or with those seemingly unanswerable questions regarding God, time, and purpose until his wife, Melanie, took her life. After Melanies suicide, Hadrian found his old life of power repugnant, and it gave him a glimpse of the underside of nature. For the first time in his life, Hadrian allowed himself to admit the possible existence of forces, relationships, and complexities that he had never before even considered, like the utter, stark certitude of death. Forced to resign as director of the Lord Institute, betrayed by trusted and esteemed colleagues, and abandoned by the woman he thought loved him, Hadrian set out with his infant daughter, Mica Stella, on a quest to find and experience what he calls sigmathe ultimate sense of connectedness between God, himself, and the universe. Hadrian hopes that even a pale facsimile of the symmetry glimpsed by saints and magi would in that instant of insight free him from his dread of death and that he would achieve the serenity that some men seemed to possess by nature. But the ultimate moment that Hadrian dubs the sigma experience from the mathematical sign meaning a sum or a total, this elemental flash eludes him. He wanders for years in search of sigma, ending up among a tribe of Indians called the Gigantes, where he transforms himself into their enchanter. One day Hadrians old enemies from the Lord Institute find themselves in the gardens of the enchanter. Hadrian, seeking revenge, puts them on trial for judgment and sentencing.
Armies and empires, statesmen and tyrants--the acclaimed historian Robin Lane Fox vividly recounts the history of two great civilizations and one thousand years that forged the Western world
In this book, Curtis Gruenler proposes that the concept of the enigmatic, latent in a wide range of medieval thinking about literature, can help us better understand in medieval terms much of the era’s most enduring literature, from the riddles of the Anglo-Saxon bishop Aldhelm to the great vernacular works of Dante, Chaucer, Julian of Norwich, and, above all, Langland’s Piers Plowman. Riddles, rhetoric, and theology—the three fields of meaning of aenigma in medieval Latin—map a way of thinking about reading and writing obscure literature that was widely shared across the Middle Ages. The poetics of enigma links inquiry about language by theologians with theologically ambitious literature. Each sense of enigma brings out an aspect of this poetics. The playfulness of riddling, both oral and literate, was joined to a Christian vision of literature by Aldhelm and the Old English riddles of the Exeter Book. Defined in rhetoric as an obscure allegory, enigma was condemned by classical authorities but resurrected under the influence of Augustine as an aid to contemplation. Its theological significance follows from a favorite biblical verse among medieval theologians, “We see now through a mirror in an enigma, then face to face” (1 Cor. 13:12). Along with other examples of the poetics of enigma, Piers Plowman can be seen as a culmination of centuries of reflection on the importance of obscure language for knowing and participating in endless mysteries of divinity and humanity and a bridge to the importance of the enigmatic in modern literature. This book will be especially useful for scholars and undergraduate students interested in medieval European literature, literary theory, and contemplative theology.