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A look inside one of the greatest minds of the 20th century.
One of the most influential thinkers of his era, H.G. Wells is primarily known for his science fiction writings that looked ahead in time to teach and warn. These novels and stories inspired many filmmakers to bring his visions (if often greatly altered or misfocused) to life on screen. He himself wrote screenplays and closely supervised the production of some of his work. This book is a study of every theatrically released film from 1909 to 1997 that is based, even loosely, on the writings of H.G. Wells, including The Time Machine, The Island of Dr. Moreau, The Invisible Man, The War of the Worlds, The First Men in the Moon, The Food of the Gods and The Empire of the Ants, to name a few. For each film, the author discusses the circumstances surrounding its creation, its plot, how it compares with the literary work, its production and marketing, and its strengths and weaknesses based on aesthetic qualities.
An unlikely lothario, one of the most successful writers of his time, a figure at the heart of the age's political and artistic debates—H. G. Wells' life is a great story in its own right When H. G. Wells left school in 1880 at 13 he seemed destined for obscurity—yet he defied expectations, becoming one of the most famous writers in the world. He wrote classic science-fiction tales such as The Time Machine, The Invisible Man, and The War of the Worlds; reinvented the Dickensian novel in Kipps and The History of Mr Polly; pioneered postmodernism in experimental fiction; and harangued his contemporaries in polemics which included two bestselling histories of the world. He brought equal energy to his outrageously promiscuous love life—a series of affairs embraced distinguished authors such as Dorothy Richardson and Rebecca West, the gun-toting travel writer Odette Keun, and Russian spy Moura Budberg. Until his death in 1946 Wells had artistic and ideological confrontations with everyone from Henry James to George Orwell, from Churchill to Stalin. He remains a controversial figure, attacked by some as a philistine, sexist, and racist, praised by others as a great writer, a prophet of globalization, and a pioneer of human rights. Setting the record straight, this authoritative biography is the first full-scale account to include material from the long-suppressed skeleton correspondence with his mistresses and illegitimate daughter.
Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.
A literary history of Arthur Conan Doyle's work with the Strand Magazine in the twentieth centuryYou know Arthur Conan Doyle as the stereotypically 'Victorian' author of the Sherlock Holmes stories which, on the lavishly-illustrated pages of the Strand Magazine, captivated and defined the late nineteenth-century marketplace for popular fiction and magazine publishing. This book tells the story of that relationship and the aftermath its enormous success as author and publication sought to shepherd their determinedly Victorian audience through the problems and crises of the early twentieth century. Here you can discover the Conan Doyle who used his public platform to fight for divorce reform, for the rights of colonised peoples, for State welfare programmes, for the abolition of blood sports and who, even in his last years, foresaw the coming of the Second World War, the Cold War and the age of weapons of mass destruction. The twentieth-century Conan Doyle was not a man with his eyes fixed upon the past but determinedly responding to a changing world with as much vigour and commitment as any modernist writer.Key FeaturesOriginal approach to Conan Doyle as a 'popular modernist'Analyses many forgotten and neglected novels, short stories, letters, pamphlets and non-fiction pieces, many of which have gone entirely unremarked within existing criticismProvides new periodical context by using forgotten material from the Strand to situate the work of Conan Doyle (and other popular writers from the period) within their historical moment Draws on original research into the artistic and business history of the Strand magazine, its writers and its employees