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Most people think they know the story of the Gunpowder Plot, and of how a bloody catastrophe was averted at the eleventh hour when Guy Fawkes was caught lurking in the shadows beneath the Houses of Parliament.But what if it wasnt like that at all? How was it that a group of prominent, disaffected Catholics were able to plot for months with apparent impunity? How could they openly rent a house next door to the House of Lords and use it as their base right under the nose of the leading spymaster of the age, Robert Cecil? How could they have hacked a tunnel towards their target and dispose of tonnes of spoil without alerting anyone and why is there no record of anyone ever having seen such a tunnel?This book explores the idea that the government was not only aware of what the plotters were up to long before Fawkes arrest, but that agent-provocateurs may have given them a helping hand or have even instigated the plot themselves.
From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural imagination. In Theaters of Pardoning, Bernadette Meyler traces the roots of contemporary understandings of pardoning to tragicomic "theaters of pardoning" in the drama and politics of seventeenth-century England. Shifts in how pardoning was represented on the stage and discussed in political tracts and in Parliament reflected the transition from a more monarchical and judgment-focused form of the concept to an increasingly parliamentary and legislative vision of sovereignty. Meyler shows that on the English stage, individual pardons of revenge subtly transformed into more sweeping pardons of revolution, from Shakespeare's Measure for Measure, where a series of final pardons interrupts what might otherwise have been a cycle of revenge, to later works like John Ford's The Laws of Candy and Philip Massinger's The Bondman, in which the exercise of mercy prevents the overturn of the state itself. In the political arena, the pardon as a right of kingship evolved into a legal concept, culminating in the idea of a general amnesty, the "Act of Oblivion," for actions taken during the English Civil War. Reconceiving pardoning as law-giving effectively displaced sovereignty from king to legislature, a shift that continues to attract suspicion about the exercise of pardoning. Only by breaking the connection between pardoning and sovereignty that was cemented in seventeenth-century England, Meyler concludes, can we reinvigorate the pardon as a democratic practice.
Lying in Early Modern English Culture is a major study of ideas of truth and falsehood in early modern England from the advent of the Reformation to the aftermath of the failed Gunpowder Plot. The period is characterised by panic and chaos when few had any idea how religious, cultural, and social life would develop after the traumatic division of Christendom. While many saw the need for a secular power to define the truth others declared that their allegiances belonged elsewhere. Accordingly there was a constant battle between competing authorities for the right to declare what was the truth and so label opponents as liars. Issues of truth and lying were, therefore, a constant feature of everyday life and determined ideas of individual identity, politics, speech, sex, marriage, and social behaviour, as well as philosophy and religion. This book is a cultural history of truth and lying from the 1530s to the 1610s, showing how lying needs to be understood in action as well as in theory. Unlike most histories of lying, it concentrates on a series of particular events reading them in terms of academic theories and more popular notions of lying. The book covers a wide range of material such as the trials of Ann Boleyn and Thomas More, the divorce of Frances Howard, and the murder of Anthony James by Annis and George Dell; works of literature such as Othello, The Faerie Queene, A Mirror for Magistrates, and The Unfortunate Traveller; works of popular culture such as the herring pamphlet of 1597; and major writings by Castiglione, Montaigne, Erasmus, Luther, and Tyndale.
Every child has heard of Guy Fawkes and will most likely have watched a 'guy' being burnt on a bonfire and fireworks lighting up the night sky on Bonfire Night. This book answers the questions of history that lie behind the celebrations of 5 November. Who was Guy Fawkes and how to did he come to be below the chamber of the House of Lords in the first hour of 5 November 1605? What desperation drove those involved to plan a horrific massacre of the Protestant royal family and government? Alan Hayne's probing analysis offers the clearest, most balanced view yet of often conflicting evidence, as he disentangles the threads of disharmony, intrigue, betrayal, terror and retribution. In this updated edition he gathers together startling evidence to uncover the depth and extent of the plot, and how close the plotters came to de-stabilising the government in one of the most notorious terrorist plots of British history. This enthralling book will grip the general reader, while the scope of its detailed research will require historians of the period to consider again the commanding importance of the plot throughout the seventeenth century.
"What was the Gunpowder Plot? The Traditional Story Tested by Original Evidence, written by John Gerard, presents a meticulous examination of the infamous Gunpowder Plot in English history. Gerard's thorough analysis dissects the traditional narrative by scrutinizing original evidence and historical records. This book challenges common perceptions and sheds light on the complexities and motivations surrounding this pivotal event, making it an enlightening read for history enthusiasts and those curious about historical accuracy."