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In a near-future America on the verge of civil war, a gay detective investigates ritual killings, conspiracies, and what might be black magic. In the summer of 2045, Atlanta is a city on the verge of panic. A killer is stalking her people, leaving behind eerily beautiful crime scenes painted with occult symbols. Is he an insane artist, carving his work out of flesh and blood? A satanic sorcerer, hoping to bring about the end of days? Or a political operative, trying to terrify the electorate into voting for his party? A handful of people have the pieces to the puzzle, but they are scattered through the city’s subcultures: A wisecracking gay detective hunting for his kidnapped partner. A black cop, trying to use high-tech forensics to solve crimes that seem to be right out of the Middle Ages. A Wiccan journalist who employs search engines and scrying spells with equal skill. A televangelist with an eye on the White House, and the Christian rock star who wants to take him down. A transgender Cherokee shaman trying to right a wrong from the 1800s. And Benji, the fourteen-year-old boy at the center of it all. Who thinks that his biggest problem is what will happen when his strict Baptist parents find out that his new girlfriend is a witch. Together, they might be able to stop what’s coming. If they can stay alive long enough to find each other. - Winner of two Spectrum Awards for LGBT-themed science fiction. - - A double finalist for the Lambda Literary Awards in the Mystery and Speculative Fiction categories - "There's a great SF premise here...the writing is tight, the drama tense." -- Locus "Hartman's character's are smart. His world-building is broad, convincing, and exciting: his choice of detail is exquisite. Compelling and engrossing, this book grabbed me and didn't let me go until long after the end." -- Nina Kiriki Hoffman, winner of the Nebula and Bram Stoker Awards. "Like his hero, loved his plot, and envied his style." --Mike Resnick, five-time winner of the Hugo Award.
Male prostitutes, vampire wannabes, and a cloned movie star . . . 2045 is shaping up to be a rough year for detective Drew Parker. What started off as a simple case involving a deaf woman and her cheating boyfriend is getting complicated. It doesn’t help that the boyfriend is one of five identical actors cloned from the frozen corpse of a dead movie star. Or that he’s up to his neck in a convoluted blackmail plot. Or that the guy is being stalked by a secret agent, some dame in a clown mask with the combat skills of a ninja. And besides, Drew has his own problem to deal with. A personal matter involving a rent boy, a privatized version of the KGB, and a vampire sex cult. Well at least his Wiccan partner, Jen, is back to help him out. He may not believe in all her psychic mumbo-jumbo, but she sure gets results. And there’s no one he’d rather have at his back in a fight. The exciting sequel to The Gumshoe, the Witch, and the Virtual Corpse. "Like its predecessor, it employs the same irresistible zaniness and wit, multiple viewpoints, high sexual content (both gay and straight) and cheerfully chaotic narrative technique. The author has produced another engagingly weird novel of the near future, satirizing everything he can get his word processor on and doing most of it extremely well." -- Publishers Weekly
In a near future America on the verge of civil war, a gay detective investigates ritual killings, conspiracies, and what might be black magic. In the summer of 2045, Atlanta is a city on the verge of panic. A killer is stalking her people, leaving behind eerily beautiful crime scenes painted with occult symbols. Is he an insane artist, carving his work out of flesh and blood? A satanic sorcerer, hoping to bring about the end of days? Or a political operative, trying to terrify the electorate into voting for his party? A handful of people have the pieces to the puzzle, but they are scattered through the city's subcultures: A street-smart gay detective hunting for his kidnapped partner. A black cop, trying to use high tech forensics to solve crimes that seem to be right out of the Middle Ages. A Wiccan journalist who employs search engines and scrying spells with equal skill. A televangelist with an eye on the White House, and the Christian rock star who wants to take him down. A transgendered Cherokee shaman trying to right a wrong from the 1800s. And Benji, the fourteen year old boy at the center of it all. Who thinks that his biggest problem is what will happen when his strict Baptist parents find out that his new girlfriend is a witch. Together, they might be able to stop what's coming. If they can stay alive long enough to find each other. - Winner of two Spectrum Awards for LGBT-themed science fiction. - - Picked as one of the "Ten Best Mysteries of the Year" by The Drood Review of Mysteries. - *Wisecracking gay PI and his Wiccan partner in a near future high tech occult science fiction mystery coming of age social satire with politics and occasional sex. Read at your own risk.*
Welcome to 21st century Atlanta. During your stay, depending on your tastes, you can cruise gay midtown (I hear that the Inquisition Health Club has introduced manacles and chains to the aerobics class) or check out the Reverend-Senator Stonewall's headquarters at Freedom Plaza (watch out for the Christian Militia guarding it, though) or attend a sky-clad Wiccan sabbat (by invitation only). Avoid the courthouse, where the Cherokee have turned out in full war-paint to renegotiate a nineteenth century land deal. Also stay away from all cemeteries, at least until the police find out why someone is disinterring and crucifying corpses. As you can tell, this is a lively novel, full of intricate plotting and engaging off-beat characters. Among the latter are a gay detective, a Wiccan family, an ambitious televangelist with an eye on the White House, an artist whose medium is flesh and blood, a Cherokee drag queen--and then there's poor Benji, who would just like to make it to his fifteenth birthday, assuming the MIBS don't get him first or his Baptist parents don't ground him for life because his new girlfriend is a witch. Picked as one of the eight best mysteries of 1999 by The Drood Review of Mysteries. Winner of Two Spectrum Awards ("Best Novel" and "People's Choice") Nominated for Two Lambda Awards ("Best Science Fiction / Fantasy Book" and "Best Men's Mystery".)
The Essential Cult TV Reader is a collection of insightful essays that examine television shows that amass engaged, active fan bases by employing an imaginative approach to programming. Once defined by limited viewership, cult TV has developed its own identity, with some shows gaining large, mainstream audiences. By exploring the defining characteristics of cult TV, The Essential Cult TV Reader traces the development of this once obscure form and explains how cult TV achieved its current status as legitimate television. The essays explore a wide range of cult programs, from early shows such as Star Trek, The Avengers, Dark Shadows, and The Twilight Zone to popular contemporary shows such as Lost, Dexter, and 24, addressing the cultural context that allowed the development of the phenomenon. The contributors investigate the obligations of cult series to their fans, the relationship of camp and cult, the effects of DVD releases and the Internet, and the globalization of cult TV. The Essential Cult TV Reader answers many of the questions surrounding the form while revealing emerging debates on its future.
A Companion to Crime Fiction presents the definitive guide to this popular genre from its origins in the eighteenth century to the present day A collection of forty-seven newly commissioned essays from a team of leading scholars across the globe make this Companion the definitive guide to crime fiction Follows the development of the genre from its origins in the eighteenth century through to its phenomenal present day popularity Features full-length critical essays on the most significant authors and film-makers, from Arthur Conan Doyle and Dashiell Hammett to Alfred Hitchcock and Martin Scorsese exploring the ways in which they have shaped and influenced the field Includes extensive references to the most up-to-date scholarship, and a comprehensive bibliography
Coming of age after the end of the world. The Bunker was humanity’s last hope. An underground town, sealed away from the radiation that killed everything on the surface. A lifeboat, with its own water and power and hydroponic farms to see us through the long nuclear winter. But radiation isn’t the only thing that can kill you, and life in the Bunker has its own dangers. There are a half dozen factions that rule this town, and it’s a bad idea to get on the wrong side of any of them. I’m one of the Brats, the kids who were born in this place and have never seen the open sky. But I’ve never fit in with the rest of them. I’m not one of the Cools, or the Geeks, or the Chosen. I’m just the weird boy who sits in the library, reading stories about the world that’s gone. But still, this is my home, too. And now it’s dying. The Bunker is failing. One by one, the lights are going out, and the farms are going dark. Soon there won’t be enough food to go around. And the factions are already starting to turn on each other. Sometimes it takes an outsider to see what’s really going on. Somebody with nothing to lose. So if anyone is gonna save this place, I guess it will have to be me. • Post-apocalyptic new adult dystopian science fiction noir mystery with occasional sex loosely based on Plato’s Allegory of the Cave. Read at your own risk. •
Annotation Congregations in Conflict examines nine churches that were split by disagreements over gay and lesbian issues, and how the congregations resolved them. Keith Hartman shows some churches coming through their struggles stronger and more unified, while others irrevocably split. Most importantly, he illuminates how people with a passionate clash of beliefs can still function together as a community of faith.
“Written for both fans of the Coen brothers and the philosophically curious, without the technical language . . . educational and entertaining.” —Library Journal Joel and Ethan Coen have made films that redefined the gangster movie, the screwball comedy, the fable, and the film noir, but no matter what genre they’re playing with, they consistently focus on the struggles of complex characters to understand themselves and their places in the strange worlds they inhabit. To borrow a phrase from Barton Fink, all Coen films explore “the life of the mind” and show that the human condition can often be simultaneously comic and tragic, profound and absurd. The essays in this book explore the challenging moral and philosophical terrain of the Coen repertoire. Several address how Coen films often share film noir’s essential philosophical assumptions: power corrupts, evil is real, and human control of fate is an illusion. In Fargo, not even Minnesota’s blankets of snow can hide Jerry Lundegaard’s crimes or brighten his long, dark night of the soul. The tale of love, marriage, betrayal, and divorce in Intolerable Cruelty transcends the plight of the characters to illuminate competing theories of justice. Even in lighter fare, such as Raising Arizona and The Big Lebowski, the comedy emerges from characters’ journeys to the brink of an amoral abyss. However, the Coens often knowingly and gleefully subvert conventions and occasionally offer symbolic rebirths and other hopeful outcomes. At the end of The Big Lebowski, for example, the Dude abides, his laziness has become a virtue, and the human comedy is perpetuating itself with the promised arrival of a newborn Lebowski. The Philosophy of the Coen Brothers sheds new light on the work of these cinematic visionaries. From Blood Simple to No Country for Old Men, the Coens’ characters look for answers—though in some cases, their quest for answers leads, at best, only to more questions.
Writers, game designers, teachers, and students ~this is the book youve been waiting for! Written by storytellers for storytellers, this volume offers an entirely new approach to word finding. Browse the pages within to see what makes this book different: