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Playing Guitar in Jazz Band is for beginning to intermediate guitarists who are interested in playing in a jazz big band. Playing this style of guitar can be challenging, as the chord changes are often complex, yet the guitar parts should remain simple enough to avoid detracting from the overall sound of the band. This book breaks down that process by substituting difficult chord shapes with more flexible voicings that are designed to sound good on the guitar. Learn a wide variety of rhythmic patterns and work with authentic chord charts that are exactly like the ones you will encounter in real-life situations. This is the perfect crash course for students who have just joined their first jazz band and the ideal companion for music teachers who want to better understand the role of the guitar in their ensemble. A CD demonstrating the examples from the book is included.
Guitarist and composer Andrew York presents the ultimate guide to jazz for classical guitarists. The first two sections of this three-part book cover jazz harmony and chord/melody, focusing on comping, chord voicings, voice leading, and arranging for solo guitar. Part three looks at improvisation, which may be the most exciting---yet foreign---aspect of jazz for classical guitarists. York shows you that improvisation is a skill that can be learned and practiced just like any other. By practicing the ear training and visualization exercises in this book, you will learn how to turn the music you hear in your mind's ear into imaginative, great-sounding jazz solos. The CD contains the exercises and examples performed by the author.
The Director's Guide to the Jazz Ensemble offers a variety of information on rehearsal technique and specific information on instruments and their role in the jazz band. Included are subjects such as: equipment, recommended texts, recommended players, instrument brands, troubleshooting, lead playing, section playing, performance technique, comping, and more. Directors and performers alike will find the information contained within useful in the development of their directing or performance career.
This study shows rock and folk guitarist's how to make the most useful jazz chords and jazz progressions in the easiest way possible without reading music.
You know your scales, understand how to play over a chord progression, and learned enough music theory to fill an encyclopedia, but you still aren't satisfied with your solos. This book teaches jazz guitarists how to apply their knowledge of scales, chord progressions, and music theory towards creating great guitar solos. Eight full-length solos in a variety of styles are studied in detail, including analysis of chord progressions and the material used to improvise over them, techniques, and structural characteristics. Styles range from classic standards and Gypsy jazz to Latin, modal and smooth jazz. All eight solos are performed on the accompanying CD.
"Tom Dempsey, noted guitarist and author, will take you through the sometimes intimidating world of music theory in this friendly and easy-to-understand video. If you've ever found it difficult to learn music theory by reading about it, here is your chance to learn by watching!"--DVD.
(Guitar Educational). The Guitarist's Guide to Music Reading features detailed step-by-step instruction, loads of sight-reading examples, invaluable tips and secrets from an industry pro, and over 600 audio files. "If you are reading this book I am excited for you. What you have in front of you is a powerful tool to help you understand the language of music. Chris Buono's explanations are sharply focused and designed for guitarists who have had minimal exposure to the concepts behind music notation. This is consistent with his approach to teaching guitar fundamentals. He has a gift for breaking down sophisticated musical concepts and replacing them with the salient points that kickstart your learning process." Dweezil Zappa
"This book is for guitarists who are new to jazz, but not beginners on guitar."--page 3.
(Meredith Music Resource). A new dimension in band performance! Improve rehearsal efficiency through a more effective learning environment with access to the students' fullest musical potential. Emphasis is placed upon auditory and visual imagery techniques. Thinking skills and internal pulse are synchronized to assure consistent performance qualities throughout all types of literature demands.
This book presents material that will help the intermediate guitarist improve the playing and sight-reading of big band guitar parts, while expanding their knowledge of the instrument at the same time. Extensive exercises dealing with the various chord qualities and the corresponding voicings are included, as well as sections on reading, improvising, and sample big band guitar parts.-