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This publication presents a lightly modernized, fully corrected, reliable edition of Francisco Tárrega’s more idiomatic transcriptions and arrangements for the classic guitar. Tárrega, who was also an able pianist, chose works by diverse composers such as Ludwig van Beethoven, Frédéric Chopin, and Robert Schumann to arrange for his own guitar performances, greatly expanding the concert guitar repertoire of his time.This publication provides today’s players with a dependable edition of these works that can be seamlessly incorporated into any modern concert program. Written in standard notation only for the intermediate to advanced guitarist, this collection features pieces that were less commonly heard on the guitar and sound remarkably fresh to this day.
The importance of Francisco Tarrega in the history of the classic guitar is immeasurable. With his original compositions and transcriptions, Tarrega broughtthe classical guitar to new heights by giving it a repertoire of its own and consequently influencing virtually every modern day classical guitarist. In thisvolume, Ben Boldt presents 29 pieces by Tarrega in standard notation and tablature. Titles include: Lagrima; Preludes in G, A, and D major; Danza Mora; Marieta! (Mazurca); Mazurca en sol; Maria; Minuetto; Adelita (Mazurca); Pavana; La Alborada; Capricho Arabe; and many others. Text in English, Spanish, French, and Japanese
(Guitar). The edition Schumann for Guitar is an interesting attempt to transfer Robert Schumann's romantic, lyrical music to the guitar. As a consequence, new tonal possibilities present themselves for the guitar repertoire, particularly in view of the fact that Schumann himself never composed an original piece for guitar. This volume naturally contains pieces from the famous piano cycles Album fur die Jugend, Kinderszenen and Albumblatter, but also some lieder like Mondnacht and Im wunderschonen Monat Mai. Special highlights of the volume are the original Schumann transcriptions by Francisco Tarrega (1852-1909) which prove that guitarists studied Schumann's music as early as the 19th century. Schumann for Guitar is ideal for concerts and music lessons, but also for private music-making. The pieces are of easy to intermediate technical difficulty so that even amateur guitar players will enjoy the pieces!
Principally original works for guitar by Francisco Taarrega; the penultimate work by J. Arcas, arranged by Taarrega.
Leonardo Garcia's Mastering Tremolo is an extensive guide for all aspiring guitarists wishing to develop solid tremolo technique. From a multitude of preliminary technical exercises and drills to develop a foundation for your tremolo and invigorate your technique, to more than a dozen active practice techniques detailed with musical examples to develop rhythmic precision, note consistency, tone, and speed, to the mental game of playing tremolo, this book will help improve your playing regardless of your level.
This new collected edition contains all Trrega's compositions which were published in early Spanish editions. They are presented as unaltered Reprints dating from 1902-1920.
The international acclaim of audiences and critics alike established Laurindo Almeida as one of the world's truly great concert guitarists. with these transcriptions of Isaac Albeniz' unique piano compositions, he takes the guitar to new heights. These pieces illustrate Almeida's skill as a transcriber and arranger for the guitar. Each work is presented first in standard notation followed by a tablature version. Technical notes addressing specific problem areas accompany each piece. Selections include: Sevilla; Danza Espanola No. 3 (Serenata Andaluza); Leyenda; Malaguena; Tango; Cadiz (from Suite Espanola); and Zambra Granadina. Text is in English and Spanish.
Twelve classic pieces from one of Spain's most significant composers, Isaac Albeniz.
A three-movement work. The greatest Barrios composition for solo guitar.