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A day after Sandra files the missing complaint of her husband, Ayaan Gill is found dead. A bracelet is found along with the body. Can that bracelet lead to the murderer? While the case unfolds in an unfamiliar manner, Steve Jensen gives his best to find the murderer. Ayaan had his way of picking fights. He has never listened to anyone and lived life on his terms, which made him an enemy to many. Despite being a loving husband, a caring father, and a true friend, the suspicion is that he was killed by his known. Who could it be? His anxious wife; mean business partner; egoistic client; or the ex revenging for the past. Though there is a list of suspects, there aren't many clues. With every new lead, a new question about Ayaan starts to float. Was he as good as he seemed to be? Did he become the victim of someone's crime or was he guilty of many wrongs?
“Liberals seem to have hit upon a reverse Christ story as their belief system. He suffered and died for our sins; liberals make the rest of us suffer for sins we didn’t commit.” Who are the victims here? To hear liberals tell it, you’d think they do nothing but suffer at the hands of ruthless entities like the “Republican Attack Machine” and Fox News. Really? It’s just another instance of the Big Lie, of course, told so often that some people have actually started to believe it. In Guilty, Ann Coulter explodes this myth to reveal that when it comes to bullying, no one outdoes the Left. Citing case after case, ranging from the hilariously absurd to the shockingly vicious, Coulter dissects these so-called victims who are invariably the oppressors. For instance: •Single mothers: Getting pregnant isn’t like catching the flu. There are volitional acts involved–someone else explain it to Dennis Kucinich. By this purposeful act, single mothers cause irreparable harm to other human beings–their own children–as countless studies on the subject make clear. •The myth of the Republican Attack Machine: The most amazing thing liberals have done is create the myth of a compliant right-wing media with Republicans badgering baffled reporters into attacking Democrats. It’s so mad, it’s brilliant. It’s one kind of lie to say the Holocaust occurred when the Swedes killed the Jews. But it’s another kind of lie entirely to say the Holocaust occurred when the Jews killed the Nazis. •“Brave” liberals: In addition to being beautiful, compassionate tribunes of the downtrodden, liberals are brave. I know that because they’re always telling me how brave they are. Why, five nights a week, MSNBC’s Keith Olbermann courageously books guests who completely agree with him. It doesn’t get much braver than that. •Obambi’s luck: While B. Hussein Obama piously condemned attacks on candidates’ ­families, his media and campaign surrogates ripped open the court-sealed divorce records of his two principal opponents in his Senate race in Illinois. •The offenders are offended!: Republican senator George Allen’s career was destroyed when he made a joking remark to a privileged Indian American harassing him at campaign stops. When did rich kids become a new protected category that must be shielded from words that are insulting in other languages? How did Sidarth become a specially anointed victim? What did we ever do to India? And why didn’t we ever hear about the far more offensive anti-Semitic flyers of Allen’s opponent Jim Webb? One essential and recurring truth about self-righteous liberals, says Coulter, is that “they viciously attack all while wailing that they are the true victims.” With Guilty–a mordantly witty and shockingly specific catalog of offenses that liberals would rather we ignore and forget–Ann Coulter presents exhibits A through Z.
"Guilty Victim explores Austria's search for an internationally credible identity for itself after the Nazi era. But Hella Pick shows how the old ghosts will not go away. It is not just the saga of President Kurt Waldheim's Nazi past which has haunted Austria's graceful glide to rehabilitation and respectability. The spectacular success of Jorg Haider and his far right-wing politics have raised grave worries inside and outside Austria. How will Haider's xenophobia and the dangers of revisionism towards the third Reich sit in the new Europe, where Austria has gained a respected place ?" "Guilty Victim provides sobering insights into one of the most troubling questions facing Europe today."--BOOK JACKET.
How do people cope with having "caused" a terrible accident? How do they cope when they survive and have to live with the consequences ever after? We tend to blame and forget professionals who cause incidents and accidents, but they are victims too. They are second victims whose experiences of an incident or adverse event can be as traumatic as that of the first victims’. Yet information on second victimhood and its relationship to safety, about what is known and what organizations might need to do, is difficult to find. Thoroughly exploring an emerging topic with great relevance to safety culture, Second Victim: Error, Guilt, Trauma, and Resilience examines the lived experience of second victims. It goes through what we know about trauma, guilt, forgiveness, and injustice and how these might be felt by the second victim. The author discusses how to conduct investigations of incidents that do not alienate second victims or make them feel even worse. It explores the importance support and resilience and where the responsibilities for creating it may lie. Drawing on his unique background as psychologist, airline pilot, and safety specialist, and his own experiences with helping second victims from a variety of backgrounds, Sidney Dekker has written a powerful, moving account of the experience of the second victim. It forms compelling reading for practitioners, risk managers, human resources managers, safety experts, mental health workers, regulators, the judiciary, and many other professionals. Dekker provides a strong theoretical background to promote understanding of the situation of the second victim and solid practical advice about how to deal with trauma that continues after an event leading to preventable harm or even avoidable death of a patient, consumer, or colleague. Listen to Sidney Dekker speak about his book
’MASTERFUL...PERCEPTIVE AND DISTURBING’ Guardian ‘DARK, THRILLING, IMPOSSIBLE TO PREDICT’ Erin Kelly, author of Sunday Times bestseller He Said/She Said
David Levine and Mathew Bowker explore cultural and political trends organized around the conviction that the world we live in is a dangerous place to be, that it is dominated by hate and destruction, and that in it our primary task is to survive by carrying on a life-long struggle against hostile forces. Their method involves the analysis of public fantasies to reveal their hidden meanings. The central fantasy explored is the fantasy of a destroyed world, which appears most commonly in the form of post-apocalyptic and dystopian narratives. Their special concern in the book is with defenses against the painful consequences of the dominance of this fantasy in the inner world, especially defenses involving the use of guilt to assure that something can be done to repair the destroyed world. Topics explored include: the formation of internal fortresses and their projection into the world outside, forms of guilt including bystander guilt and survivor guilt, the loss of and search for home, and manic forms of reparation.
Agatha Christie and the Guilty Pleasure of Poison examines Christie’s female poisoners in the context of Christie’s own experience in pharmacy and of detective fiction. In doing so, it uncovers an overlooked dynamic in which female poisoners deliver well-deserved comeuppance for gendered and classed wrongdoing ordinarily accepted in everyday life. While critics have long recognized male outlaws, like Robin Hood, who use crime to oppose a corrupt system, this book contends that female outlaws – witches and poisoners – offer a similar heritage of empowered femininity. Far from cozy and formulaic, Agatha Christie’s outlaw poisoners offer readers the surprising pleasures of comeuppance, and they set the stage for contemporary detective fiction writers, more recent films depicting poisoning as empowering, and even poison gardens, which are tourist destinations that offer visitors the guilty pleasure of poison.
On the morning that his headline-grabbing divorce trial is set to begin, Terrence Wyler is found dead on the kitchen floor of his million-dollar home, the victim of countless stab wounds. Detective Ari Greene arrives minutes before the international press, who have been egged on by Wyler's torrid affair with a young Hollywood starlet. The dead man has left a strange clue. Toronto is going through a crime wave and the heat is on Greene. Hours after the funeral, Wyler's ex-wife, a strange beauty named Samantha from an old mining town in northern Ontario, is charged with murder.