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Full of Arriaga's trademark humor and irony present in his films and novels, The Guillotine Squad takes us back to one of the most exciting times in Mexican history. Feliciano Velasco y Borbolla de la Fuente, a lawyer, sells his famous invention, the guillotine, to Pancho Villa, the renowned insurgent general of the Mexican Revolution. Soon Feliciano finds himself immersed in the logic of this simultaneously bizarre, heroic, and cruel world of Villa's troops.
Written for every sports fan who follows the Yankees, this account goes behind the scenes to peek into the private world of the players, coaches, and decision makers—all while eavesdropping on their personal conversations. From the New York locker room to the field, the book includes stories from Roy White about Bucky Dent, Mickey Mantel, Billy Martin, Joe Pepitone, and Mickey Rivers, among others, allowing readers to relive the highlights and the celebrations.
How long did the guillotine’s blade hang over the heads of French criminals? Was it abandoned in the late 1800s? Did French citizens of the early days of the twentieth century decry its brutality? No. The blade was allowed to do its work well into our own time. In 1974, Hamida Djandoubi brutally tortured 22 year-old Elisabeth Bousquet in an apartment in Marseille, putting cigarettes out on her body and lighting her on fire, finally strangling her to death in the Provencal countryside where he left her body to rot. In 1977, he became the last person executed by guillotine in France in a multifaceted case as mesmerizing for its senseless violence as it is though-provoking for its depiction of a France both in love with and afraid of The Foreigner. In a thrilling and enlightening account of a horrendous murder paired with the history of the guillotine and the history of capital punishment, Jeremy Mercer, a writer well known for his view of the underbelly of French life, considers the case of Hamida Djandoubi in the vast flow of blood that France's guillotine has produced. In his hands, France never looked so bloody...
The socialist agenda is being crammed down the throat of Americans in the veiled political movement called progressivism that has spanned many generations. The hated despots in power have conspired to infect the entire nation with PC (political correctness) poison brewed by the witches of the Left Coast, Great Flakes, and North Least. However, one man is immune to their poison because he has patriotic blood. This man begins a movement to counteract the psychos in power finding love, a revival of the true American spirit, and a course to take well into the future for all freedom loving people. This story brings to life some of the principles upon which the USA is built and a hope that the story line will bear witness to the reader. One must answer the question after reading: is it a nice little fairy tale or is it a fore tell of events to come if America continues on the course set by the polecats in Washington?
Luminous writing characterizes this novel of love, passion, betrayal, and mental illness which revolves around the mysterious suicide of Gregorio, a charismatic yet troubled young man who was betrayed by the two people he trusted most.
Hiding the Guillotine examines the question of state involvement in violence by tracing the evolution of public executions in France. Why did the state move executions from the bloody and public stage of the guillotine to behind prison doors? In a fascinating exploration of a grim subject, Emmanuel Taïeb exposes the rituals and theatrical form of the death penalty and tells us who watched, who participated in, and who criticized (and ultimately brought an end to) a spectacle that the state called "punishment." France's abolition of the death penalty in 1981 has long overshadowed its suppression of public executions over forty years earlier. Since the Revolution, executions attracted tens of thousands of curious onlookers. But, gradually, there was a shift in attitude and the public no longer saw this as a civilized pastime. Why? Combining material from legal archives, police files, an executioner's notebooks, newspaper clippings, and documents relating to 566 executions, Hiding the Guillotine answers this question. Taïeb demonstrates the ways in which the media was at the vanguard of putting an end to the publicity surrounding the death penalty. The press had ample reason to be critical: cities were increasingly being used for leisure activity and prisons for those accused of criminal activity. The agitation surrounding each execution, coupled with a growing identification with the condemned, would blur these boundaries. Ranked among the top hundred history books by the website, Café du Web Historizo, Hiding the Guillotine has much to impart to students of legal history, human rights, and criminology, as well as to American historians.
Across the English Channel, Napoleon has massed a great invasion flotilla. English forces, under Lord Nelson, are all but paralyzed—not knowing the size, strength, or time of the foreign onslaught. In a brilliant yet daring spy scheme to protect Britain's shores, Lieutenant Lord Nicholas Ramage is chosen to plumb the secrets of the French High Command—and the penalty for failure is the guillotine.
This collection asks questions about the received wisdom of the debate about capital punishment. Woven through the book, questions are asked of, and remedies proposed for, a raft of issues identified as having been overlooked in the traditional discourse. It provides a long overdue review of the disparate groups and strategies that lay claim to abolitionism. The authors argue that capital litigators should use their skills challenging the abuses not just of process, but of the conditions in which the condemned await their fate, namely prison conditions, education, leisure, visits, medical services, etc. In the aftermath of successful constitutional challenges it is the beneficiaries (arguably those who are considered successes, having been ’saved’ from the death penalty and now serving living death penalties of one sort or another) who are suffering the cruel and inhumane alternative. Part I of the book offers a selection of diverse, nuanced examinations of death penalty phenomena, scrutinizing complexities frequently omitted from the narrative of academics and activists. It offers a challenging and comprehensive analysis of issues critical to the abolition debate. Part II offers examinations of countries usually absent from academic analysis to provide an understanding of the status of the debate locally, with opportunities for wider application.
FROM THE BESTSELLING AUTHOR OF RANDOM AND MURDERABILIA - John Callum is fleeing his past, but has run straight into danger. When John Callum arrives on the wild and desolate Faroe Islands, he vows to sever all ties with his previous life. He desperately wants to make a new start, and is surprised by how quickly he is welcomed into the close-knit community. But still, the terrifying, debilitating nightmares just won't stop. Then the solitude is shattered by an almost unheard of crime on the islands: murder. A specialist team of detectives arrives from Denmark to help the local police, who seem completely ill-equipped for an investigation of this scale. But as tensions rise, and the community closes rank to protect its own, John has to watch his back. But far more disquieting than that, John's nightmares have taken an even more disturbing turn, and he can't be certain about the one thing he needs to know above all else. Whether he is the killer … Brilliant crime fiction for fans of Stuart MacBride and Ian Rankin, Craig Robertson's debut thriller Random was shortlisted for the CWA New Blood Dagger. Praise for Craig Robertson: 'Robertson is doing for Glasgow what Rankin did for Edinburgh' Mirror 'I can't recommend this book highly enough' MARTINA COLE 'Brace yourself to be horrified and hooked' EVA DOLAN 'Fantastic characterisation, great plotting, page-turning and gripping. The best kind of intelligent and moving crime fiction writing' LUCA VESTE 'Really enjoyed Murderabilia - disturbing, inventive, and powerfully and stylishly written. Recommended' STEVE MOSBY 'A great murder mystery witha brilliantly realised setting and deftly painted characters' JAMES OSWALD 'Takes a spine-tingling setting and an original storyline and adds something more' Scottish Daily Record 'A perfectly constrcuted police procedural with real psychological depth' Crimefictionlover