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Chicagos Near West Side was and is the citys most famous Italian enclave, earning it the title of Little Italy. Italian immigrants came to Chicago as early as the 1850s, before the massive waves of immigration from 1874 to 1920. They settled in small pockets throughout the city, but ultimately the heaviest concentration was on or near Taylor Street, the main street of Chicagos Little Italy. At one point a third of all Chicagos Italian immigrants lived in the neighborhood. Some of their descendents remain, and although many have moved to the suburbs, their familial and emotional ties to the neighborhood cannot be broken. Taylor Street: Chicagos Little Italy is a pictorial history from the late 19th century and early 20th century, from when Jane Addams and Mother Cabrini guided the Italians on the road to Americanization, through the areas vibrant decades, and to its sad story of urban renewal in the 1960s and its rebirth 25 years later.
When Margery Latimer died in childbirth in 1932 at the age of 33, she left behind a small body of published and unpublished fiction. These stories reveal a writer working in a distinctly modern idiom--ironic, distancing, and somewhat surreal, Margery Latimer explores sexuality and the unconscious in a recognizable midwestern setting.
In Lone Star Steeples: Historic Places of Worship in Texas, Carl J. Christensen Jr. and Pixie Christensen present sixty-five captivating and historically significant structures in exquisite watercolor illustrations accompanied by brief summaries and convenient, handcrafted maps. Ranging from stately edifices of brick and stone located in urban centers to more humble wood-frame chapels in rural surroundings, the houses of faith shown in these pages have one important trait in common: They have all served as centers of cultural identity, spiritual comfort, and public service to the communities in which they arose. In their introduction, the Christensens write, “The journey behind Lone Star Steeples crisscrossed the state along back roads, farm roads, and state highways. In these journeys and in the stories that were told, certain patterns began to emerge: the pride of the people in building their churches debt-free, the perseverance of the people who endured their beloved church being destroyed by natural disaster once, twice, or even three times . . . the people’s recognition of the church as their cultural foundation, their moral foundation, their social center.” As the Christensens demonstrate, Texas is home to a remarkable diversity of people, and their places of worship reflect and celebrate that diversity.
The possibility of life after death is a significant theme in cinema, in which ghosts return to the world of the living to wrap up unfinished business, console their survivors, visit lovers or just enjoy a well-wreaked scaring. This work focuses on film depictions of survival after death, from meetings with the ghost of Elvis to AIDS-related ghosts: apparitions, hauntings, mediumship, representations of heaven, angels, near-death experiences, possession, poltergeists and all the other ways in which the living interact with the dead on screen. The work opens with a historical perspective, which outlines the development of pre-cinematic technology for "projecting" phantoms, and discusses the use of these skills in early ghost cinema. English-language sound films are then examined thematically with topics ranging from the expiation of sins to "hungry" ghosts. Six of the most significant films, Dead of Night, A Matter of Life and Death, The Innocents, The Haunting, The Shining, and Jacob's Ladder, are given a detailed analysis. A conclusion, filmography, and bibliography follow.
"When Pierre Jovanovic was a reporter for Quotidien de Paris, he had just finished an interview and was driving home on a Silicon Valley freeway when he was suddenly hurled to the side of the car by a mysterious force. Seconds later, a bullet crashed through the windshield and buried itself in the back of the passenger's seat. Highway patrolmen told him that if he hadn't moved, he would have been killed instantly." "Shaken and curious, he began to compare notes with other journalists, many of whom were war-zone survivors. Most had had some kind of comparable experience of being snatched from death by an unseen hand." "Pierre began to interview authorities on near-death experience: Melvin Morse, Kenneth Ring, and Elisabeth Kubler-Ross. He collected first-hand accounts of the appearance of spiritual beings from adults and children all over the world. Voraciously, he began to read about the lives and Angelic accounts of the saints." "The book is the sum of his investigations and includes eyewitness accounts of the experiences of pilots, doctors, and journalists; interviews with leading near-death researchers and scientists; interviews with modern saints and visionaries on their mystical experiences from the Middle Ages to the present."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved