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A “treasure trove” of insider accounts of the movie business from its earliest beginnings to the present day—“exceedingly savvy . . . astute and entertaining” (Variety). The Grove Book of Hollywood is a richly entertaining anthology of anecdotes and reminiscences from the people who helped make the City of Angels the storied place we know today. Movie moguls, embittered screenwriters, bemused outsiders such as P. G. Wodehouse and Evelyn Waugh, and others all have their say. Organized chronologically, the pieces form a history of Hollywood as only generations of insiders could tell it. We encounter the first people to move to Hollywood, when it was a dusty village on the outskirts of Los Angeles, as well as the key players during the heyday of the studio system in the 1930s. We hear from victims of the blacklist and from contemporary players in an industry dominated by agents. Coming from a wide variety of sources, the personal recollections range from the affectionate to the scathing, from the cynical to the grandiose. Here is John Huston on his drunken fistfight with Errol Flynn; Cecil B. DeMille on the challenges of filming The Ten Commandments; Frank Capra on working for the great comedic producer Mark Sennett; William Goldman on the strange behavior of Hollywood executives in meetings; and much more. “A masterly, magnificent anthology,” The Grove Book of Hollywood is a must for anyone fascinated by Hollywood and the film industry (Literary Review, London).
“Long and short stories from one of our most distinctive prose stylists,” the author of the National Book Award finalist, Florida: A Novel (New York, “The Best Books of the Year So Far”). Hailed by George Saunders as “a truly gifted writer,” with Pure Hollywood & Other Stories, Pulitzer Prize finalist and O Henry Prize winner Christine Schutt returns to the short story form that launched her acclaimed career and her inimitable style that John Ashbery once described as “pared down but rich, dense, fevered, exactly right and even eerily beautiful.” In 11 captivating tales, Pure Hollywood brings us into private worlds of corrupt familial love, intimacy, longing, and danger. From an alcoholic widowed actress living in desert seclusion, to a young mother whose rejection of her child has terrible consequences, a newlywed couple who ignore the violent warnings of a painter burned by love, to an eerie portrait of erotic obsession, each story in Pure Hollywood is an imagistic snapshot of what it means to live and learn love and hurt. In league with JD Salinger, Katherine Mansfield and Guy De Maupassant, in Pure Hollywood Schutt gives us sharply suspenseful and masterfully dark interior portraits of ordinary lives, infused with her signature observation and surprise. Timeless, incisive, and precise, these tales are a rush of blood to the head, portals through which we open our eyes and see the world anew. “Schutt’s haunting yet lyrical words linger long after the final page.”—Los Angeles Times “Think Gatsby with a twist of Didion.”—BBC.com “Schutt writes stories that don’t have an ounce of melodrama in them—they feel unusually alive and honest—and few writers capture bereavement with Schutt’s precision and elegance.”—Oprah.com
A World War II veteran and Hollywood gas station attendant describes how his good looks and open bisexuality culminated in liaisons with numerous celebrities, providing a chronicle of Hollywood's sexual underground in the 1940s and 1950s.
In this thoroughly revised and updated edition of his popular book, Brian Godawa guides you through the place of redemption in film, the tricks screenwriters use to communicate their messages, and the mental and spiritual discipline required for watching movies.
You are invited to the rest of your life. Three women, from coast to coast and in between, open their mailboxes to the same intriguing invitation. Although leading entirely different lives, each has found herself at a similar, jarring crossroads. Right when these women thought they’d be comfortably settling into middle age, their carefully curated futures have turned out to be dead ends. The sender of the invitation is Willa Silvester, who is reeling from the untimely death of her beloved husband and the reality that she must say goodbye to the small mountain town they founded together. Yet as Willa mourns her losses, an impossible question keeps staring her in the face: So now what? Struggling to find the answer alone, fiercely independent Willa eventually calls a childhood friend who happens to be in her own world of hurt—and that’s where the idea sparks. They decide to host a weeklong interlude from life, and invite two other friends facing their own quandaries. Soon the four women converge at Willa’s Montana homestead, a place where they can learn from nature and one another as they contemplate their second acts together in the rugged wilderness of big sky country.
Provides information on how to make and distribute independent productions, and gives examples of different styles, budgets, and financial arrangements used
"An epic, original reinvention of the Gothic novel, taking the characters of our greatest novels, myths, and nightmares - the werewolf, the vampire, Frankenstein - and reimagining them for our time"--
The author, a Hollywood producer, describes how movies are made, sharing his experiences working with Robert De Niro, Brian De Palma, Sean Penn, and Sean Connery
Using 25 lost structures as a launching point to tell the history of the movie business in Hollywood, Wallace covers such vanished landmarks as Marion Davies's Ocean House, called "Xanadu by the Sea", the Hollywood Canteen, the Garden of Allah, the Brown Derby, and the legendary Pickfair. 22 photos.
The “shrewd, entertainingly dark Hollywood novel” that inspired the award-winning Robert Altman film (The New York Times Book Review). Hollywood insider Michael Tolkin perfectly skewers the movie-making business through the mind of Griffin Mill, senior vice president of production at a major Hollywood studio. Ruthlessly ambitious, Mill is driven to control the levers of America’s dream-making machinery. He listens to writers pitch him stories all day, sitting in judgment of their fantasies, their lives. But now one writer whose pitch he responded to so glibly is sending him mortally threatening postcards. Squeezed between the threat to his life and the threat to his job, Mill’s deliberate and horrifying response spins him into a nightmare. Then he meets the sad and beautiful June Mercator and his obsession for her threatens to destroy them both. “One of the most wounding and satirical of all Hollywood exposes.” —Los Angeles Times “In its wry, acerbic description of life behind the studio gates Tolkin’s book recalls F. Scott Fitzgerald . . . and the vengeful comedy of Nathaniel West’s The Day of the Locust.” —The Philadelphia Inquirer