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Recent years have seen the arrival of new approaches to writing about landscape. Partly to do with new eco-sensibilities, this is however also due to a realisation that landscape writing need not be confined to literary tourism, and to the injection of radical poetic styles. This is the first volume to engage with this new wave of writing.
Arrogant aristocrats are bloody pieces, and powerful wizards wake up again and again in nightmares
Landscape from a Dream is Elisabeth Bletsoe's first collection in ten years and offers startling evidence of a powerful voice that should be better known. Very much a poet of place, Elisabeth Bletsoe fuses elements of folklore, botany, literature, myth and narrative into a poetry that is at once feminist in spirit, forthright, and - to a certain extent - at odds with the prevailing British poetic styles, whether conservative or radical. Rooted in the landscape of her native Dorset, this is poetry of deep observation, but within that she also gives voice to some of Thomas Hardy's heroines - not just Tess Durbeyfield, but lesser-known female characters such as Marty South in The Woodlanders - characters who are much a part of this Dorset landscape as Bletsoe's poetry is. And the voices they gain are not the voices in Hardy's narratives, but strong, independent voices who have thrown off their creator.
Winner of the ASLE-UKI Book Prize 2023. The commons and enclosure are among the most vital ways of thinking about poetry today, posing urgent ecological and political questions about land and resource ownership and use. Poetry & Commons is the first study to read postwar and contemporary poetry through this lens, by putting it in dialogue with the Romantic experience of agrarian dispossession. Employing an innovative transhistorical structure, the book demonstrates how radical Anglophone poetries since 1960 have returned to the 'enclosure of the commons' in response to political and ecological crises. It identifies a 'commons turn' in contemporary lyric that contests the new enclosures of globalized capital and resource extraction. In lucid close readings of a rich field of experimental poetries associated with the 'British Poetry Revival', as well as from Canada and the United States, it analyses a landscape poetics of enclosure in relationship with Romantic verse. Canonical Romantic poetry by Wordsworth and Clare is understood through the fine-grain textures of the period’s vernacular and radical verse and discourse around enclosure, which the book demonstrates contain the seeds of neoliberal political economy. Engaging with the work of Anne-Lise François and Anna Tsing, Poetry & Commons theorizes commoning as marking out subsistence 'rhythms of resource', which articulate plural, irregular, and tentative relations between human and nonhuman lifeworlds.
Art and Science in Word and Image explores how discovery and innovation have functioned inter-dependently across art, literature and the sciences, focusing on engagements with natural forms and forces, and other fields of knowledge across a spectrum of creative media.
This authoritative collection of rigorous but accessible essays investigates the exciting new interdisciplinary field of environmental literary criticism.
Collected critical essays examine contemporary poetry in terms of cultural geography. Key themes are place and identity; literary cartographies; walking as trope and spatial practice; the poetics of edges, margins, and peripheries; landscape, language, and form.