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“The Grey Wig” is a 1923 collection of short stories by British author Israel Zangwill (1864–1926). They include: “The Grey Wig”, “Chassé-Croisé”, “The Woman Beater”, “The Eternal Feminine”, “The Silent Sisters”, “The Big Bow Mystery”, “Merely Mary Ann”, “The Serio-Comic Governess”, etc. Israel Zangwill was a leading figure in cultural Zionism during the 19th century, as well as close friend of father of modern political Zionism, Theodor Herzl. In later life, he renounced the seeking of a Jewish homeland in Palestine. A notable portion of Zangwill's work concentrated on ghetto life and earned him the nickname "the Dickens of the Ghetto". Other notable works by this author include: “Dreamers of the Ghetto” (1898), “Grandchildren of the Ghetto” (1892 ), and “Children of the Ghetto: A Study of a Peculiar People” (1892). This classic work is being republished now in a new edition complete with an introductory chapter from “English Humourists of To-Day” by J. A. Hammerton.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
"The Grey Wig: Stories and Novelettes" by Israel Zangwill Israel Zangwill was a British author at the forefront of cultural Zionism during the 19th century. This book is a collection of his most beloved tales that portray Jewish culture. The volume contains: The Grey Wig, Chassé-croisé, The Woman Beater, The Eternal Feminine, The Silent Sisters, The Big Bow Mystery, Merely Mary Ann, and The Serio-comic Governess.
This book is both a celebration of the life and career of the eminent literary scholar, critic, and journalist John Sutherland and an extension of Sutherland’s work in various fields, including nineteenth- and twentieth-century Anglo-American literature, the publishing industry, and its impact upon creativity and literary puzzles. With contributions from over twenty-five distinguished critics, literary journalists and scholars, this book goes beyond merely describing Sutherland’s work. The essayists pay homage to Sutherland while also staking their own critical/scholarly claims. From investigating the publishing dimension, Victorians major and minor, the complexities of Dickens and George Eliot, the “archeology” of Pride and Prejudice to examining the implications of Shakespearean souvenirs, literary puzzles, and Non-Victorians, the essays offer fresh dimensions to Sutherland’s rich career as a professor, critic, and journalist.