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The Grey House Performing Arts offers unequaled coverage of the Performing Arts over 8,500 listings of the major performance Organizations, Facilities and Information Resources. This level of comprehensiveness is not available in any other directory on the market place today. Features include: Organized by discipline, with detailed information on Dance Companies, Instrumental Music Programs, Opera Companies, Vocal Groups, Theater Companies, Performing Arts Series, Artist Management Groups and Performing Arts Facilities; Listings include mailing address, phone & fax numbers, e-mails & web sites, mission statement, key management contacts, income sources, type & capacity of each facility, affiliations, performance season & type, annual attendance, founding year and much more; a chapter on Information Resources that covers hundreds of Performing Arts Associations, Magazines, Newsletters, Trade Shows, Directories, Databases and Industry Web Sites; and Five indexes: Entry Name Index, Executive Name Index, Performance Facilities Index, Geographic Index and Information Resources Index. The Grey House Performing Arts Directory pulls together thousands of Performing Arts Organizations, Facilities and Information Resources into an easy-to-use source -this kind of comprehensiveness and extensive detail is not available in any other resource on the market place today.
Now in its 36th edition, and compiled in association with the Publishers Association, this is the most authoritative, detailed trade directory available for the United Kingdom and the Republic of Ireland, listing over 900 book publishers. Comprehensive entries include, where available: - full contact details including addresses and websites - details of distribution and sales and marketing agents - key personnel - listing of main fields of activity - information on annual turnover, numbers of new titles and numbers of employees - ISBN prefixes including those for imprints and series - details of trade association membership - information on overseas representation - details of associated and parent companies. In addition to the detailed entries on publishers, the Directory offers in-depth coverage of the wider UK book trade and lists organizations associated with the book trade: packagers, authors' agents, trade and allied associations and services. The directory is also available to purchase as an online resource, for more information and a free preview please visit www.continuumbooks.com/directoryofpublishing
Comprehensive trade directory of the UK publishing industry and allied book trade suppliers, associations and services.
Now in its 37th edition, and compiled in association with the Publishers Association, this is the most authoritative, detailed trade directory available for the United Kingdom and the Republic of Ireland, listing over 900 book publishers. Comprehensive entries include, where available: - full contact details including addresses and websites - details of distribution and sales and marketing agents - key personnel - listing of main fields of activity - information on annual turnover, numbers of new titles and numbers of employees - ISBN prefixes including those for imprints and series - details of trade association membership - information on overseas representation - details of associated and parent companies. In addition to the detailed entries on publishers, the Directory offers in-depth coverage of the wider UK book trade and lists organizations associated with the book trade: packagers, authors' agents, trade and allied associations and services. The directory is also available to purchase as an online resource, for more information and a free preview please visit www.continuumbooks.com/directoryofpublishing
"This is criticism at its best." —Carolyn Kellogg, Los Angeles Times Writing in the tradition of Susan Sontag and Elaine Scarry, Maggie Nelson has emerged as one of our foremost cultural critics with this landmark work about representations of cruelty and violence in art. From Sylvia Plath’s poetry to Francis Bacon’s paintings, from the Saw franchise to Yoko Ono’s performance art, Nelson’s nuanced exploration across the artistic landscape ultimately offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.