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This work allows the user to make a record of a baby's first year landmarks, such as first smile, first crawl and first steps with checklists of physical and behavioural development.
The Kate Greenaway pattern book is a collection of Kate Greenaway's designs featuring adorable old fashioned children.Many of these designs were created from Victorian quilt and doily patterns. All the designs were based on Kate Greenaway's Artwork. Inside this book you will find The 12 Zodiac scenes, The 12 months of the year, The 4 seasons, The 26 letters of the Kate Greenaway's alphabet and many others. Enough to make a quilt or two.
Hark! hark! the dogs bark,The beggars are coming to town;Some in rags and some in tags,And some in a silken gown.Some gave them white bread,And some gave them brown,And some gave them a good horse-whip,And sent them out of the town.Little Jack Horner sat in the corner,Eating a Christmas pie;He put in his thumb, and pulled out a plum,And said, oh! what a good boy am I.
Horror and Religion provides new readings of contemporary horror fiction in conjuncture with debates in religious studies and theology. It gives a broad analysis of a wide range of contemporary and historical horror texts in a new interdisciplinary way. This study establishes the importance of discussing theology and contemporary horror fiction in present scholarship.
Since the 1960s, British multi-media artist Peter Greenaway has shocked and intrigued audiences with his avant-garde approach to filmmaking and other artistic ventures. From early experimental films to provocative features, Greenaway has deployed strategies associated with structuralist cinema, only to challenge or critique the very limits of that cinema and of film in general. In this collection of essays, scholars from a variety of disciplines explore various postmodern and poststructuralist aspects of Greenaway's films, starting with his early shorts and delving into his feature-length works, including The Draughtman's Contract, The Belly of an Architect, A Zed and Two Noughts, The Cook, the Thief, His Wife and Her Lover, The Baby of M%con, and The Pillow Book. Other artistic productions, including his paintings and installations are also discussed. These essays examine the filmmaker's position within British and avant-garde cinema and his interest in constructing and deconstructing representational systems. In the years since the first edition of this book, Greenaway has enjoyed continued success in creating hybridized media projects for the stage and screen, as evidenced by additional essays for this revised edition. A new chapter addresses how Dutch political events and Dutch art have been crucial in shaping Greenaway's aesthetic, focusing on The Draughtsman's Contract, the 1991 opera Writing to Vermeer, and Nightwatching, the audio-visual installation and 2007 film of the same name, which were inspired by Rembrandt's Night Watch. Also new to this collection is an essay that examines Greenaway's most ambitious endeavor to date, The Tulse Luper Suitcases, which exists as four feature films, multiple websites, an online game, several books and installations, and a number of theatrical events. Peter Greenaway's Postmodern/Poststructuralist Cinema, Revised Edition explores the cultural, historical, and philosophical implications of this hybrid artist whose paintings, drawings, exhibitions, installations, and operatic productions are an intrinsic part of his work in film. This collection of diverse essays, which includes two texts by Greenaway, two interviews with the director, and a revised filmography, will interest students, teachers, critics and lovers of both postmodern art and cinema.
-Nani learns that there is more to being a princess than fine clothes when a real Hawaiian princess comes to save the town of Hilo from Mauna Loa's volcanic lava flow. Based on the historical events of the 1880-1881 eruption of Mauna Loa on the Island of Hawai'i---
Twenty-eight full-page, ready-to-color illustrations from one of the most beautiful books of the early Middle Ages depict Celtic spirals and interlacings, celestial figures, saints, Celtic crosses, and other finely detailed elements.
"Irresistible... a Golden Age homage, an elegantly constructed mystery that on every page reinforces the message that everyone counts." –New York Times Book Review AGATHA AWARD WINNER! Recommended by New York Times Book Review • Wall Street Journal • Parade • Country Living • Chicago Tribune • South Florida Sun-Sentinel • The Free-Lance Star • St. Louis Post-Dispatch • CrimeReads • Nerd Daily • Red Carpet Crash • and many more! From the award-winning author of The Day I Died and The Lucky One, a captivating suspense novel about nurses during World War II who come to Agatha Christie’s holiday estate to care for evacuated children, but when a body is discovered nearby, the idyllic setting becomes host to a deadly mystery. Bridey Kelly has come to Greenway House—the beloved holiday home of Agatha Christie—in disgrace. A terrible mistake at St. Prisca’s Hospital in London has led to her dismissal as a nurse trainee, and her only chance for redemption is a position in the countryside caring for children evacuated to safety from the Blitz. Greenway is a beautiful home full of riddles: wondrous curios not to be touched, restrictions on rooms not to be entered, and a generous library, filled with books about murder. The biggest mystery might be the other nurse, Gigi, who is like no one Bridey has ever met. Chasing ten young children through the winding paths of the estate grounds might have soothed Bridey’s anxieties and grief—if Greenway were not situated so near the English Channel and the rising aggressions of the war. When a body washes ashore near the estate, Bridey is horrified to realize this is not a victim of war, but of a brutal killing. As the local villagers look among themselves, Bridey and Gigi discover they each harbor dangerous secrets about what has led them to Greenway. With a mystery writer’s home as their unsettling backdrop, the young women must unravel the truth before their safe haven becomes a place of death . . .