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Authoritative edition of Hafiz’s most important poems, including original Persian and brilliant English translations Recent translations of Hafiz have been controversial. Omid Safi, an Islamic studies scholar at Duke, notes that “there are so many fake translations of Hafiz floating around, offering ‘versions’ that have no earthly connection to anything that the Persian poet and sage of Shiraz named Hafiz ever said. Elizabeth Gray offers us something different: poetic translations rooted in close readings of the original Persian, developed in consultation with a native speaker scholar.” A “ghazal” is usually understood to mean lyric poetry concerned with love. But what had been a courtly love lyric concerned with wine and physical beauty became, in the hands of Sufis like Farid ud-Dín ‘Attar and Jalal ud-Dín Rumi, a way to describe a mystic’s relationship with God. Ghazals also became a means of veiling from theological and political conservatives the Sufi belief in the possibility of an intuitive, personal union with God. Háfiz became the greatest of all Sufi poets, called the “Tongue of the Invisible” and the “Interpreter of Mysteries.” His command of the ghazal’s traditional imagery and themes blends eroticism, mysticism, and panegyric into verse of unsurpassed beauty. His eighty ghazals are presented in this book. Persian originals appear on facing pages to brilliant English translations of Gray and Anvar. In the afterword, Persian scholar Daryush Shayegan notes how “there is no antagonism between the earthly wine and the divine wine, just as there is none between profane love and the love of God, since one is the necessary initiation to the other.”
Light Upon Light is a book to touch the heart, and awaken the spirit. It takes the lives of some of the great spiritual masters of the last millennium, from Rumi, to twentieth century saint Darshan Singh, and illuminates their inner quests. More than simply biography, Light Upon Light delves into their perceptions of the world, the innermost workings of their minds, and the life incidents that led them to enlightenment. In this sense Light Upon Light is not about the spiritual path; it is designed to take the reader and carry them into the spiritual path, and perceive the wisdom of the masters from within. While author Andrew Vidich PhD has exemplary academic credentials, he writes from the heart, and calls the reader to a direct experience, a "felt sense" of the core of these masters' teachings. He also emphasizes meditation as the universal constant taught by all masters, and has provocative exercises in each chapter to stimulate self-reflection, contemplation, and to give the reader experience of practical meditation techniques. This is a book to be treasured by both long-time spiritual students, and those new to the great masters of the path.
Beginning in the mid-fifteenth century, the regions bordering the western Indian Ocean – 'the green sea,' as it was known – underwent vast transformation and an era of commercial and cultural exchange blossomed. In Across the Green Sea , Sanjay Subrahmanyam recounts the history of this ocean from a variety of shifting viewpoints. He sets the scene with the withdrawal of China's Ming Dynasty and explores how the western Indian Ocean was transformed by the growth and increasing prominence of the Ottoman Empire and the continued spread of Islam into East Africa. He examines how several cities, including Mecca and the vital Indian port of Surat, grew and changed during these centuries, when various powers interacted, until famines and other disturbances upended the region in the seventeenth century. Rather than proposing an artificial model of a dominant centre and its dominated peripheries, Across the Green Sea reveals the complexity of a truly dynamic and polycentric system through the use of connected histories, a method which Subrahmanyam himself has pioneered.
A collection of Gnostic texts spanning centuries, geographical locations, and cultural traditions—“a wonderful achievement” (Elaine Pagels, author of The Gnostic Gospels) Gnosticism was a wide-ranging religious movement of the first millennium CE—with earlier antecedents and later flourishings—whose adherents sought salvation through knowledge and personal religious experience. Gnostic writings offer striking perspectives on both early Christian and non-Christian thought. For example, some gnostic texts suggest that god should be celebrated as both mother and father, and that self-knowledge is the supreme path to the divine. Only in the past fifty years has it become clear how far the gnostic influence spread in ancient and medieval religions—and what a marvelous body of scriptures it produced. The selections gathered here in poetic, readable translation represent Jewish, Christian, Hermetic, Mandaean, Manichaean, Islamic, and Cathar expressions of gnostic spirituality. Their regions of origin include Egypt, the Greco-Roman world, the Middle East, Syria, Iraq, China, and France. Also included are introductions, notes, an extensive glossary, and a wealth of suggestions for further reading.
The great three-sided war continues: Rome against Persia against the tribes of the desert now commanded by Mohammed of Mekkah. But there is hope for the West. Prince Maxian, horrified at being the cause of so many deaths, has come to realize that the Oath need not be broken; it can be changed by a skilled sorcerer. (July)
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
From the author of the acclaimed Dinner with Persephone comes a radically original novel about four women who invite us to imagine the divine anew: what if “a woman’s point of view” were also God’s? Patricia Storace’s Eve begins by telling us her version of what happened in Eden, and by revealing that our familiar constellations conceal other heavens we have never allowed ourselves to see. Each of the four subsequent chapters is the story of one of these new zodiacs, featuring images central to women: a knife, a cauldron, a garden, a pair of embracing lovers. The four women whose stories they tell are Job’s daughter, the Queen of Sheba, a polytheistic cook, and a transformed Sarah, wife of Abraham. Storace brilliantly reimagines the worlds of these women, freeing them from the old tales in which they were trapped and putting them in the foreground of their stories and of the Old Testament itself.