Download Free The Green Girls Book in PDF and EPUB Free Download. You can read online The Green Girls and write the review.

Emma, Lily, and Fadila want to save the planet . . . but no one around them seems to care. Frustrated, they name themselves the Green Girls, take to social media, and launch a series of bold protests. Alongside their classmate and aspiring Green Girl Silas, the crew risks getting in trouble (and stirs some up) to raise awareness about container ship pollution, palm oil overproduction, and more environmental hazards. With a mix of livestreams, spray paint, and bungee cords, they're out to make a difference—and get their followers to do the same.
Green is the color of beginnings, of memory and regeneration, of the "fluid arc of what has been, / forever becoming us." John Blair's debut poetry collection, The Green Girls, takes the reader on a journey through life as it explores such subjects as marriage, family, and sex. Written in several voices, from husband and wife, brother and sister, young and old, the poems remind us that paradise "doesn't invite us back." Although filled with sadness and pain, Blair's elegantly written free years resonates with a quiet optimism even while discussing losses and lapses that give life both its terror and its potential for redemption.
'I didn't know that you're only supposed to have one personality. I didn't realise that having lots of voices in your head was abnormal. But you are protecting yourself. You are protecting your soul, and that's what I did.' An intelligent, poised woman, Jeni Haynes sat in court and listened as the man who had abused her from birth, a man who should have been her protector, a man who tortured and terrified her, was jailed for a non-parole period of 33 years. The man was her father. The abuse that began when Jeni was only a baby is unimaginable to most. It was physically, psychologically and emotionally sadistic and never-ending. The fact she survived may be called a miracle by some - but the reality is, it is testament to the extraordinary strength of Jeni's mind. What saved her was the process of dissociation - Multiple Personality Disorder (MPD) or Dissociative Identity Disorder (DID) - a defence mechanism that saw Jeni create over 2500 separate personalities, or alters, who protected her as best they could from the trauma. This army of alters included four-year-old Symphony, teenage motorcycle-loving Muscles, elegant Linda, forthright Judas and eight-year-old Ricky. With her army, the support of her psychiatrist Dr George Blair-West, and a police officer's belief in her, Jeni fought to create a life for herself and bring her father to justice. In a history-making ruling, Jeni's alters were empowered to give evidence in court. In speaking out, Jeni's courage would see many understand MPD for the first time. THE GIRL IN THE GREEN DRESS is an unforgettable memoir from a woman who refused to be silenced. Jeni Haynes is an inspiration and her bravery and determination to live is a powerful reminder of the resilience of the human spirit. This is a unique and profoundly important book as it is not only a story of survival, it also includes incredible insight from Dr George Blair-West, Jeni's psychiatrist and an expert in DID.
Unlike her two sisters, Lucy was happier at home—if only she could find Mr. Right to share it with! But when she had almost given up her search for such a man, the eminent pediatrician William Thurloe came into her life. Attractive and dynamic, he was the answer to her dreams. But why would he be interested in her when the glamorous Fiona made it clear she was also available? Originally published in 1991.
DigiCat Publishing presents to you this special edition of "The Girl with the Green Eyes" (A Play in Four Acts) by Clyde Fitch. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Hailed for her “remarkably accomplished and poignant work” (Washington Post), acclaimed author Elizabeth McGregor returns with a haunting love story about two lost souls brought together by chance—and bonded forever by a mystery that transcends madness, tragedy, and time itself.... Catherine Sergeant is adept at going through the motions. After losing her parents at an early age, she buried her grief in the study of antiquities. Now, deserted by her husband without warning or explanation, she reports to work at Pearson’s auction house, exchanging pleasantries with colleagues, never revealing her pain. Cocooned in loneliness, she couldn’t be more surprised to find herself opening up to a total stranger—a new client, no less. In widowed architect John Brigham, Catherine finds a kindred spirit. The two share a fascination with Richard Dadd, an early Victorian painter who lived most of his life incarcerated in an insane asylum. There he produced his most stunning works—works that have deeply moved Catherine and now draw her inexorably to John. Soon the two are falling in love. The reawakening of passion in a woman like Catherine is more than John ever hoped for. But when she discovers his possession of an unknown Dadd, it is just the first in a series of revelations that leave her wondering if she knows this man who has shown her life’s true beauty. For John, it may be a last chance to free himself from the priceless secrets he has been harboring too long. Secrets about a soul laid bare on canvas, and a legacy that could shatter all he holds dear in the space of a heartbeat… A compelling blend of human drama, art, and history, this intriguing tale casts a spell that lingers far beyond the final page—and celebrates the strength we all must find within our hearts. From the Hardcover edition.
A shared obsession with a Victorian painter brings together two strangers in Elizabeth Cooke’s extraordinary novel about the timelessness of art and love Catherine Sergeant loses people. First her parents died, leaving her alone in the world. Now her husband, Robert, has just walked out without warning or explanation. Catherine conceals her pain and sticks to life’s comforting routines, reporting for work as usual at the fine-arts auction house she co-owns. Then she meets widowed architect John Brigham. Catherine and John feel an immediate connection. They are both fascinated by the paintings of Richard Dadd, a Victorian artist who murdered his father and was locked away in an insane asylum. Interweaving the present with fleeting snapshots of the past—Dadd in moments of lunacy and lucidity that culminate in the act of creation—The Girl in the Green Glass Mirror takes readers to that exalted place where reality and creativity intersect. Filled with vibrant, unforgettable characters, it is a novel of discovery, reawakened passion, and the ability of art to shape lives and transcend madness, tragedy, and even time itself.
The second book in the Ghost Roads series returns to the highways of America, where hitchhiking ghost Rose Marshall continues her battle with her killer--the immortal Bobby Cross. Once and twice and thrice around, Put your heart into the ground. Four and five and six tears shed, Give your love unto the dead. Seven shadows on the wall, Eight have come to watch your fall: One’s for the gargoyle, one’s for the grave, And the last is for the one you’ll never save. For Rose Marshall, death has long since become the only life she really knows. She’s been sweet sixteen for more than sixty years, hitchhiking her way along the highways and byways of America, sometimes seen as an avenging angel, sometimes seen as a killer in her own right, but always Rose, the Phantom Prom Date, the Girl in the Green Silk Gown. The man who killed her is still out there, thanks to a crossroads bargain that won’t let him die, and he’s looking for the one who got away. When Bobby Cross comes back into the picture, there’s going to be hell to pay—possibly literally. Rose has worked for decades to make a place for herself in the twilight. Can she defend it, when Bobby Cross comes to take her down? Can she find a way to navigate the worlds of the living and the dead, and make it home before her hitchhiker’s luck runs out? There’s only one way to know for sure. Nine will let you count the cost: All you had and all you lost. Ten is more than time can tell, Cut the cord and ring the bell. Count eleven, twelve, and then, Thirteen takes you home again. One’s for the shadow, one’s for the tree, And the last is for the blessing of Persephone.
Providing an alphabetical listing of sexual language and locution in 16th and 17th-century English, this book draws especially on the more immediate literary modes: the theatre, broadside ballads, newsbooks and pamphlets. The aim is to assist the reader of Shakespearean and Stuart literature to identify metaphors and elucidate meanings; and more broadly, to chart, through illustrative quotation, shifting and recurrent linguistic patterns. Linguistic habit is closely bound up with the ideas and assumptions of a period, and the figurative language of sexuality across this period is highly illuminating of socio-cultural change as well as linguistic development. Thus the entries offer as much to those concerned with social history and the history of ideas as to the reader of Shakespeare or Dryden.
Glowing green and bold as brass, Cara the ghost girl gives Jonathan's life a shake-up! She teaches Jonathan's nasty classmates a lesson with her pranks, and the child-hating caretaker of his apartment building, Mrs Krakenhuber, also gets a taste of Caras ghostly powers. With his new green friend, Jonathan finally gets to have fun again, and the move to Berlin turns out to be not so bad. But then Cara suddenly loses her powers, and Jonathan must do everything he can to help her...