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This anthology has thirty-one Odia short stories translated into English. Each story gives a new taste in so far as treatment of the subject matter and style are concerned.
Focusing on the early literary experiences of women in the east Indian state of Orissa, this volume offers valuable insights into the conditions for these women at a time when the region witnessed the advent of Brahmo Samaj, the campaign for widow remarriage, the legal movement for the abolition of untouchability, the rise of women's education and trade union movements, and the struggle for national independence. The author explores such questions as: What were the features of this body of writing? How did contemporary history, politics, gender and culture impinge on the generation and dissemination of this body of literature? and How did such writing contribute to the making of literary/cultural consciousness in conjunction with and in contrast to developments at the national level?
Annotation Fakir Mohan Senapati's Six Acres and a Third, originally published in 1901 as Chha Mana Atha, is a wry, powerful novel set in colonial India.
Selected and translated by renowned writer, editor and translator Arunava Sinha, the twenty-one stories in this anthology represent the finest example of the genre. Some of the world's finest short fiction has originated (and continues to flow) from) the cities, villages, rivers, forests and plains of Bengal. This selection features twenty-one of the very best stories from the region. Here, the reader will find one of Rabindranath Tagore's most revered stories 'The Kabuliwallah' in a glinting new translation, memorable studies of ordinary people from Tarashankar and Bibhutibhushan Bandyopadhyay, the iconic Sarat Chandra Chattopadhyay's wrenching study of Bengali society, 'Mahesh', as well as over a dozen other astounding stories by some of the greatest practitioners of the form-Buddha deva Bose, Ashapurna Debi, Premendra Mitra, Satyajit Ray, Ritwik Ghatak, Mahasweta Devi, Sunil Gangopadhyay and Nabarun Bhattacharya, among others. These are stories of anger, loss, grief, disillusionment, magic, politics, trickery, humour and the darkness of mind and heart. They reimagine life in ways that make them unforgettable.
The twenty-five stories in The Greatest Hindi Stories Ever Told represent the finest short fiction in Hindi literature. Selected and translated by editor, writer, and translator Poonam Saxena, and ranging from early literary masters of the form such as Premchand, Chandradhar Sharma Guleri, Bhisham Sahni, Harishankar Parsai, Mannu Bhandari, and Shivani to contemporary greats such as Asghar Wajahat, Uday Prakash, Sara Rai, and others, the collection has stories of darkness, hope, triumph, anger, and irony. In Premchand's 'The Thakur's Well', 'low-caste' Gangi struggles to find drinking water for her ill husband; in 'The Times Have Changed' by Krishna Sobti, the matriarch Shahni bids a heart-breaking farewell to her village during Partition; Krishna Baldev Vaid's 'Escape' is a telling story about women's yearning for freedom; Yashpal's 'Phoolo's Kurta' is a sharp commentary on child marriage and notions of female modesty; in Bhisham Sahni's 'A Feast for the Boss' and Usha Priyamvada's 'The Homecoming', ageing parents find themselves tragically out of sync with their family; Amarkant's 'City of Death' looks at the fragile thread that holds together communal peace; Phanishwarnath Renu's 'The Third Vow' features the lovable bullock-cart driver Hiraman; Bhagwaticharan Varma's 'Atonement' and Harishankar Parsai's 'The Soul of Bholaram' are scathing satires; and 'Tirich' by contemporary writer Uday Prakash is a surreal tale-these and other stories in the collection are compelling, evocative, and showcase an unforgettable range of brilliant styles, forms, and themes
The Greatest Assamese Stories Ever Told spans more than a century of work by some of the finest writers of short fiction in the language. The storytellers range from literary masters such as Lakhminath Bezbaroa, Mamoni Raisom Goswami, Saurav Kumar Chaliha, Birendra Kumar Bhattacharyya, and Homen Borgohain to contemporary writers like Harekrishna Deka, Debabrata Das, and Kuladhar Saikia. Among the gems to be found in this selection are Lakhminath Bezbaroa's 'Patmugi' which is a searing portrayal of the injustices of society, especially towards women; Mamoni Raisom Goswami's 'Values', an unforgettable depiction of a destitute woman, for whom her Brahmin ancestry is the only thing that she can take pride in; Harekrishna Deka's 'The Captive', a poignant account of the relationship between a kidnapper and his victim; Homen Borgohain's well-known story 'Looking for Ismael Sheikh', which deals with the effects of religious violence on a community; and Sheelabhadra's 'Sweet Acacia', a romance as evocative as the delicate fragrance of the flower that permeates it. Selected and edited by Mitra Phukan, these and the other stories in this volume offer a fascinating glimpse of a culture and a people that will resonate with readers everywhere.
The twenty-three stories in The Greatest Gujarati Stories Ever Told represent some of the finest short fiction in Gujarati literature. Selected and edited by translator and writer Rita Kothari, this collection features established literary masters such as K. M. Munshi, Dhumketu, Himanshi Shelat, Dalpat Chauhan, Nazir Mansuri, and Mona Patrawalla, as well as accomplished new voices such as Panna Trivedi, Abhimanyu Acharya, Raam Mori, and others. In K. M. Munshi's epistolary 'A Letter', a childbride is worked to her death as she yearns for her husband's affection; in Neerav Patel's 'Creamy Layer', the politicized, urban, and upwardly mobile Mr and Mrs Vaghela must confront the deep chasm that has grown between them and their family in the village; in Panna Trivedi's 'Maajo', the story's eponymous young narrator longs for butter-soft skin and a Shah Rukh-like glance from a young man on the train; in 'Saubhagyavati: The Fortunate Wife', Dwiref explores the selfish and oppressive nature of marital sex; in 'A Drop of Blood' Jayant Khatri looks at how violent acts engender more violence; Mona Patrawalla explores the tribal region of the Dangs and paints a hair raising picture of the violent forms of power wielded by the Parsi landlords there in 'The Black Horse'; in Dashrath Parmar's 'Nandu', the narrator struggles to hide his caste in the face of insistent questions; in 'Jumo Bhishti' by Dhumketu, we see the wonderful bond between Jumo and his beloved buffalo, Venu; and in Abhimanyu Acharya's 'Chunni', a young woman, Shaili, navigates the world of dating in a city far away from home-these and other stories in the collection are passionate, profound, and timeless, showcasing a range of styles and offering a variegated and singular picture of Gujarat.