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This is a brief analysis of a painting by an Italian Jesuit artist in the Manchu court of the 18th century. Considered by some as the last official Jesuit in China, this artist spent over 50 years of his life in the Qing Dynasty court.
"Empresses of China's Forbidden City: 1644-1912 accompanies the exhibition of the same title organized by the Peabody Essex Museum in Salem, Massachusetts, the Freer]Sackler, Smithsonian Institution, in Washington, DC, and the Palace Museum, Beijing, China."
"This is an outstanding piece of work: timely, essential, authoritative, and original. Cahill throws light on obscure artists, emerging styles and regional traditions, unexplored aspects of cultural life, enigmatic iconographies, and questions of authorship and authenticity, leaving the reader richly informed and full of new ideas."--Susan Nelson, Indiana University "Cahill brings the vast body of 'vernacular' painting into the legitimate venue of art historical criticism, giving connoisseurs, viewers, and readers a more capacious and accurate grasp of the world of Chinese pictorial art."--Susan Mann, author of The Talented Women of the Zhang Family
Published to accompany an exhibition of the same name, this volume contains reproductions of all works featured, together with scholarly essays exploring the themes that link them and the society that produced them.
For the Chinese, the drive toward growing political and economic power is part of an ongoing effort to restore China's past greatness and remove the lingering memories of history's humiliations. This widely praised book explores the 1500–1800 period before China's decline, when the country was viewed as a leading world culture and power. Europe, by contrast, was in the early stages of emerging from provincial to international status while the United States was still an uncharted wilderness. D. E. Mungello argues that this earlier era, ironically, may contain more relevance for today than the more recent past. Building on the author's decades of research and teaching, this compelling book illustrates the vital importance of history to readers trying to understand China’s renewed rise.
Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.
For the Chinese, the drive toward growing political and economic power is part of an ongoing effort to restore China's past greatness and remove the lingering memories of history's humiliations. This widely praised book explores the 1500-1800 period before China's decline, when the country was viewed as a leading world culture and power. D. E. Mungello argues that this earlier era, ironically, may contain more relevance for today than the more recent past. This fully revised fourth edition retains the clear and concise quality of its predecessors, while drawing on a wealth of new research on Sino-Western history and the increasing contributions of Chinese historians. Building on the author's decades of research and teaching, this compelling book illustrates the vital importance of history to readers trying to understand China's renewed rise.
Despite their powerful presence and exquisite quality, Chinese ancestor portraits have never been studied as a genre. This illustrated text explores the artistic, historical, and religious significance of these paintings and places them in context with other types of commemorative portraiture. During the late Ming (1368-1644) and Quing (1644-1911) dynasties, full-length portraits of individual men and women came into vogue. These ancestor portraits were important objects of veneration, and the practice continued into the 20th century, when paintings were gradually replaced by photographs. The authors explore the works in depth, presenting a fascinating glimpse of Chinese life and culture and providing biographies of the sitters. Worshiping the Ancestors should appeal to connoisseurs of Chinese art and to all those interested in social history, portraiture, and devotional art.