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A remarkable record of fifteen trophies in thirteen seasons at Ibrox, plus two with East Fife, should be enough to give any manager legendary status. Especially when the same man became the first manager in Britain to take his club to a European final. Scot Symon did all that and more - and yet he is now an almost forgotten Rangers manager. Scot Symon actually took Rangers to two European finals and had he won one, his place in history would have been assured. Instead, he became Ibrox's forgotten man, his contribution woefully neglected. Now, in Great Scot, David Leggat tells the fascinating story of Scot Symon and shows how he helped shape the history of Rangers, managing legendary players such as John Greig, Willie Henderson and the greatest of them all, Jim Baxter - who gave his genius to Symon's most outstanding team. And among the biggest names in Scottish football, past and present, who tell their Symon stories, there is a heartfelt tribute to Scot Symon from the last signing he made for Rangers - Sir Alex Ferguson. With such support, Great Scot sets out to show that James Scotland Symon was one of the most remarkable managers Scotland has ever produced and why he now deserves his rightful, prominent place in the history of Rangers and Scottish football.
Robert Bruce was Scotland's greatest king ever. The Bruce, as he was known, was crowned King of Scots in 1306, a time when the ancient kingdom of Scotland was under English occupation. When King Robert began his reign, his first two battles were losses. Yet from 1307- 1313, The Bruce won battle after battle.
The brainchild of bestselling author Alexander McCall Smith, historian Alistair Moffat and artist Andrew Crummy, the Great Tapestry of Scotland is an outstanding celebration of thousands of years of Scottish history and achievement, from the end of the last Ice Age to Dolly the Sheep and Andy Murray's Wimbledon victory in 2013. This book tells the story of this unique undertaking from its original conception and creation by teams of dedicated stitchers to its grand unveiling at the Scottish Parliament in 2013, its subsequent touring and the creation of its permanent home in the Scottish Borders.
A political anthology from the front lines of American poetics.
Writing on a small island in the Firth of Forth in the 1440s, Walter Bower set out to tell the whole story of the Scottish nation in a single huge book, the Scotichronicon—'a history book for Scots'. It begins with the mythical voyage of Scota, the Pharaoh's daughter, from Egypt with the Stone of Destiny. The land that her sons discovered in the Western Ocean was named after her: Scotland. It goes on to describe the turbulent events that followed, among them the wars of the Scots and the Picts (begun by a quarrel over a dog); the poisoning of King Fergus by his wife; Macbeth's usurpation and uneasy reign; the good deeds of Margaret, queen and saint; Bruce's murder of the Red Comyn; the founding of Scotland's first university at St Andrews; the 'Burnt Candlemas'; and the endless troubles between Scotland and England. Weaving in and out of the events of Bower's factual history, like a wonderful pageant, are other subjects that fascinated him: harrowing visions of hell and purgatory, extraordinary miracles; the exploits of knights and beggars, merchants and monks; the ravages of flood and fire; the terrors of the plague; and the answers to such puzzling questions as what makes a good king, and why Englishmen have tails. In 1998 Donald Watt and his team of scholars completed the first modern edition and translation of Scotichronicon in nine volumes. It has been described as 'a massive achievement for Scottish cultural history' (Sally Mapstone) and 'an open invitation to join a voyage of discovery' (Books in Scotland). This selection from the whole of Scotichronicon puts Bower's epic of Scotland into the hands of the general reader. It is a marvellous and unforgettable story. Perhaps its importance is best summed up by Bower himself, who wrote at the end of it: Non Scotus est Christe cui liber non placet iste—Christ! He is not a Scot who is not pleased with this book! A History Book for Scots is selected from the complete edition of Scotichronicon by Walther Bower, edited by D.E.R. Watt and a team of scholars, in nine volumes.
Anthony Lane on Con Air— “Advance word on Con Air said that it was all about an airplane with an unusually dangerous and potentially lethal load. Big deal. You should try the lunches they serve out of Newark. Compared with the chicken napalm I ate on my last flight, the men in Con Air are about as dangerous as balloons.” Anthony Lane on The Bridges of Madison County— “I got my copy at the airport, behind a guy who was buying Playboy’s Book of Lingerie, and I think he had the better deal. He certainly looked happy with his purchase, whereas I had to ask for a paper bag.” Anthony Lane on Martha Stewart— “Super-skilled, free of fear, the last word in human efficiency, Martha Stewart is the woman who convinced a million Americans that they have the time, the means, the right, and—damn it—the duty to pipe a little squirt of soft cheese into the middle of a snow pea, and to continue piping until there are ‘fifty to sixty’ stuffed peas raring to go.” For ten years, Anthony Lane has delighted New Yorker readers with his film reviews, book reviews, and profiles that range from Buster Keaton to Vladimir Nabokov to Ernest Shackleton. Nobody’s Perfect is an unforgettable collection of Lane’s trademark wit, satire, and insight that will satisfy both the long addicted and the not so familiar.
The true Scot's insider's guide to the very best Scotland has to offer. Whether you live in Scotland or are visiting, why settle for anything second-rate when you can be guided to so much that is superb? Peter Irvine's personal guide points you towards the best places to stay (whatever your budget), the best beaches, the best ice-cream, the best hill walks, the best bakers, the best spooky places, the best seafood, the best places for kids, the best ceildhs, and so the list goes on. However well you know Scotland, Peter Irvine will guide you to something excitingly new. That's why it remains the only guide to Scotland that the Scots themselves buy. Scotland the Best was first published in 1993. Since then its reputation has grown and it has been widely praised in reviews, won awards from the Tourist industry and, above all, delighted readers from all over the world. In this new edition, every recommendation has been reassessed to see whether it is still worthy of inclusion, and the selection criteria has become even more stringent. With clear colour mapping from Collins and website links for all entries, planning your trip has never been easier. Quirky, personalized and informed, Peter Irvine's guide gives you what other travel guides only claim to - a true Scot's insider's guide.
History has always mattered to Scots, and rarely more so than now at the outset of a new century, with a new census appearing in 2011 and after more than ten years of a new parliament. An almost limitless archive of our history lies hidden inside our bodies and we carry the ancient story of Scotland around with us. The mushrooming of genetic studies, of DNA analysis, is rewriting our history in spectacular fashion. In The Scots: A Genetic Journey, Alistair Moffat explores the history that is printed on our genes, and in a remarkable new approach, uncovers the detail of where we are from, who we are and in so doing colour vividly a DNA map of Scotland.
This book argues that while Anglo-Saxon culture has given rise to virtually no myths at all, myth has played a central role in the historical development of Scottish identity. Hugh Trevor-Roper explores three myths across 400 years of Scottish history: the political myth of the "ancient constitution" of Scotland; the literary myth, including Walter Scott as well as Ossian and ancient poetry; and the sartorial myth of tartan and the kilt, invented--ironically, by Englishmen--in quite modern times. Trevor-Roper reveals myth as an often deliberate cultural construction used to enshrine a people's identity. While his treatment of Scottish myth is highly critical, indeed debunking, he shows how the ritualization and domestication of Scotland's myths as local color diverted the Scottish intelligentsia from the path that led German intellectuals to a dangerous myth of racial supremacy. This compelling manuscript was left unpublished on Trevor-Roper's death in 2003 and is now made available for the first time. Written with characteristic elegance, lucidity, and wit, and containing defiant and challenging opinions, it will absorb and provoke Scottish readers while intriguing many others. "I believe that the whole history of Scotland has been coloured by myth; and that myth, in Scotland, is never driven out by reality, or by reason, but lingers on until another myth has been discovered, or elaborated, to replace it."-Hugh Trevor-Roper