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Titles include the famous '18th Variation on a Theme of Paganini,' along with selected transcriptions ('The Bumble-Bee,' 'Minuet' from L'Arlesienne Suite, and 'Liebeslied'). Etude-Tableau, Moment Musicals, Preludes, other individual pieces, and the complete 'Variations on a Theme of Chopin' round out this unique collection that is not available from any other publisher. This publication contains 29 pieces.
Together for the first time in a single collection are the Prelude in C-sharp Minor; 3 Etudes-Tableaux from Op. 33 and 39; 7 Preludes from Opp. 23 and 32; 3 Moments Musicaux from Op. 16; more.
Internationally renowned concert pianist Joseph Banowetz presents this inspired collection of Sergei Rachmaninoff's most cherished original masterworks. This volume includes a comprehensive preface with detailed performance notes on the music, vintage photographs, and the composer's biography. The companion CD features a brilliant performance by Joseph Banowetz. Titles: Untitled Composition, Op. posth. * Flight of the Bumble Bee * Humoresque, Op. 10, No. 5 (second version) * Nocturne, Op. 10, No. 1 * Morceau de fantaisie (Fantasy Piece) * Elégie, Op. 3, No. 1 * Romance, Op. 10, No. 6 * Polichinelle, Op. 3, No. 4 * Prélude, Op. 3, No. 2 * Moment musical, Op. 16, No. 5 Joseph Banowetz graduated with a First Prize from the Vienna Akademie für Musik und darstellende Kunst. Banowetz has been a piano recitalist and orchestral soloist on five continents. He was awarded the Liszt Medal by the Hungarian Liszt Society in recognition of his outstanding performances of Liszt and the Romantic literature.
Surveys the careers and personalities of the great pianists from Clementi and Mozart to the present day.
Throughout his career as composer, conductor, and pianist, Sergei Rachmaninoff (1873-1943) was an intensely private individual. When Bertensson and Leyda’s 1956 biography appeared, it lifted the veil of secrecy from several areas of Rachmaninoff’s life, especially concerning the genesis of his compositions and how their critical reception affected him. The authors consulted a number of people who knew Rachmaninoff, who worked with him, and who corresponded with him. Even with the availability of such sources and full access to the Rachmaninoff Archive at the Library of Congress, Bertensson and Leyda were tireless in their pursuit of privately held documents, particularly correspondence. The wonderfully engaging product of their labors masterfully incorporates primary materials into the narrative. Almost half a century after it first appeared, this volume remains essential reading. Sergei Bertensson, who knew Rachmaninoff, published other works on music and film, often with a documentary emphasis.
The six "Musical Moments" Opus 16 are a set of separate solo works for piano composed by Rachmaninoff in 1896. They present forms characteristic of previous musical eras, such as nocturne, song without words, barcarolle, etude, and theme and variations. Titles: No. 1 in B-Flat Minor * No. 2 in E-Flat Minor * No. 3 in B Minor * No. 4 in E Minor * No. 5 in D-Flat Major * No. 6 in C Major.
From an earlier Belwin Mills edition, this is Volume 4 of a series of the piano works of the great Russian-American composer. Titles: * Piece in D Minor * Nocturne No. 1 * Nocturne No. 2 * Nocturne No. 3 * Elegie, Opus 3, No. 1 * Prelude in C# Minor, Opus 3, No. 2 * Melodie, Opus 3, No. 3 (Revised) * Polichinelle, Opus 3, No. 4 * Serenade, Opus 3, No. 5 * Prelude (Posthumous) * Oriental Sketch * Fragments * Melodie, Opus 3, No. 3 (Original) * 18th Variation on a Theme of Paganini.
From an earlier Belwin Mills edition, this is Volume 6 of a series of the piano works of the great Russian-American composer. This book contains Variations on a Theme of Chopin, Opus 22, which is based on Chopin's C-Minor Prelude, Opus 28, No. 20; and also Variations on a Theme of Corelli, Opus 42, which is based on Corelli's Sonata for violin, violone, and harpsichord, Op. 5, No. 12 (which itself is a set of variations of the European musical theme, La Folia).
This historic reference edition of Sergei Rachmaninoff’s Piano Concerto No. 1, in F-sharp minor, Op. 1 is composed of three movements: Vivace, Andante cantabile and Allegro scherzando. This concerto, written in 1891 when Rachmaninoff was only 18, is the original version that was later reworked by the composer into a more virtuosic version in 1917. This original version, while less difficult than the revised version, remains an important pedagogical work.