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Cultural Life In Ottoman Civilisation The Ideology of The Sultanate and Ottoman Art / Prof. Dr. Filiz Yenişehirlioğlu [s.3-8] Emir Sultan and His Erguvan Fasli / Prof. Dr. Hüseyin Algül [s.9-18] The Ottoman Shahzadah (Price’s) Sanjaks / Prof. Dr. Mustafa İsen [s.19-29] Reception of Turkish Culture and Art In Poland / Prof. Dr. Tadeusz Majda [s.30-35] The Ottomans and The Islamic Sacred Relics / Assoc. Prof. Dr. Süleyman Beyoğlu [s.36-44] The Kinds, Subject and Nature of The ‘Surname’s / Assoc. Prof. Dr. Mehmet Arslan [s.45-68] The Role of Dervish Lodges In The Development of Turkish Culture / Assoc. Prof. Dr. Saim Savaş [s.69-77] The Clothing of Ottoman Women / Dr. Sevgi Gürtuna [s.78-92] Ottoman Cuisine / Nevin Halıcı [s.93-103] The Turks In Croatian During The Ottoman Period / Prof. Dr. Yusuf Hamzaoğlu [s.104-112] Cumanian Anthroponymics In Bulgaria During The 15th Century / Prof. Dr. Valery Stoyanov [s.113-126] Language: Ottoman Turkish Ottoman Turkish / Prof. Dr. Ahmet B. Ercilasun [s.129-138] Ottoman Turkish In Pre-Ottoman Anatolia / Prof. Dr. Mustafa Özkan [s.139-151] The 19th Century Ottoman Turkish Language / Prof. Dr. İsmail Parlatır [s.152-166] Esperanto In The Ottoman Empire The First Artifical Language "Balaybelen" / Dr. Mustafa Koç [s.167-172] Ottoman Literature The Poetry of 700 Years / Prof. Dr. İskender Pala [s.175-184] A View On Turkish Literature of The Ottoman Period In Terms of Commons of Folk and Divan Literatures / Prof. Dr. Cemal Kurnaz [s.185-198] The Century of Style and Deep Meaning In Literature: The 17th Century / Prof. Dr. Namık Açıkgöz [s.199-209] Some Significant Aspects of The Lale Devri (Tulip Era): 1718-1730 / Asst. Prof. Dr. Cemal Bayak [s.210-222] Literature As The Reflecting Area of New Ideas (1859-1923) / Prof. Dr. İnci Enginün [s.223-236] The Tradition of Letter Writing In The Ottoman State / Asst. Prof. Dr. I. Çetin. Derdiyok [s.237-248] Female Poets In Ottomans / Assoc. Prof. Dr. Nazan Bekiroğlu [s.249-260] The Concept of Aesthetics Among The Ottomans A Review of The Ottoman World of Aesthetic / Beşir Ayvazoğlu [s.263-275] An Essay On The Aesthetics In Ottoman City / Prof. Dr. Sadettin Ökten [s.276-286] Ottoman Aesthetics / Prof. Dr. Jale N. Erzen [s.287-298] Ottoman Architecture A General View of Ottoman Turkish Arthitecture Turkish Architecture In Ottoman Era / Prof. Dr. Semavi Eyice [s.303-322] A General View To The Development of Ottoman Architecture / Prof. Dr. M. Oluş Arık [s.323-337] Ottoman Medreses / Prof. Dr. Zeynep Ahunbay [s.338-345] The Architectural Style of Castles During The Ottoman Period / Asst. Prof. Dr. Ali Boran [s.346-363] The Darüssifas In The Ottoman Period / Prof. Dr. Gönül Çantay [s.364-373] Anatolia Clock Towers / Prof. Dr. Hakkı Acun [s.374-379] Menzil Roads and Menzil Complexes In The Ottoman Empire / Asst. Prof. Dr. Fatih Müderrisoğlu [s.380-388] Turkish House, Ottoman House / Prof. Dr. Haşim Karpuz [s.389-396] Kitchen As A Residential Area In Anatolian Turkish Architecture and Examples of Ottoman Era / Asst. Prof. Dr. Emine Karpuz [s.397-403] The Sebils in the Ottoman Architecture / Assoc. Prof. Dr. Nur Urfaloğlu [s.404-409] The Sebils In The Ottoman Architecture / Prof. Dr. Ömür Bakırer [s.410-420] The Golden Age of Ottoman Architecture and Mimar Sinan Ottoman Architecture In The Classical Period / Prof. Dr. Abdüsselam Uluçam [s.423-449] Sinan / Prof. Dr. Doğan Kuban [s.450-463] The Place of ‘Hassa Architects Guild’: Its In The Development of Ottoman Architecture / Assoc. Prof. Dr. Zeki Sönmez [s.464-470] City Architects In Ottoman Architecture / Dr. Abdülkadir Dündar [s.471-479] The Modular System In Mimar Sinan’s Works of Arts and Ebced Accounting / Prof. Dr. İsmail Yakıt [s.480-485] Acoustic Solutions In Classic Ottoman Architecture / Prof. Dr. Mutbul Kayılı [s.486-493] The Relationship of Architectural Design and Mathematics In The Works of Mimar Sinan / Zafer Sagdıç [s.494-497] The Ottoman Architecture In The Balkans / Asst. Prof. Dr. Mehmet Ibrahimgil [s.498-510] The Influence of Ottoman Architecture On Mosques of Aleppo / Dr. Najwa Othman [s.511-525] Ottoman Architecture In North Africa / Asst. Prof. Dr. Kadir Pektaş [s.526-532] Turkish Musical Theory and Musicians The Turkish Music and Instruments In The ottoman State / Ethem Ruhi Üngör [s.535-547] Musicians In The Ottoman Empire and Central Asia In The 15th Century According To An Unknown Work of Aydinli Semseddin Nahifi / Dr. Recep Uslu [s.548-555] A Glance At Sufi Music In The History of Ottoman Music / Ömer Tuğrul İnancer [s.556-561] The Concept of Ottoman Fasil / Dr. Eugenia Popescu-Judetz [s.562-570] Classical Western Music In The Ottoman Empire / Vedat Kosal [s.571-586] Poet and Composer Ottoman Sultans / Osman Nuri Özpekel [s.587-608] Music In The Tanzimat Era Sultans and Their Music Understandings / Gülay Karamahmutoğlu [s.609-620] Janissary Music / Sbylee Tura [s.621-626] Ney and Ney-Players In The 18th Century / Assoc. Prof. Dr. Süleyman Erguner [s.627-642] The Prince Musician Kantemiroglu / Dr. Eugenia Popescu-Judetz [s.643-650] The Tradition of Turkish Music Therapy / Asst. Prof. Dr. Rahmi Oruç Güvenç [s.651-656] Traditional Ottoman Arts The Ottoman Calligraphy / Prof. Dr. h.c. M. Uğur Derman [s.659-668] The Art of Illumination In The Ottomans / Prof. Dr. Zeren Tanındı [s.669-675] The Arts of Tezhip (Gilding) In The Ottoman Centuries With Its Styles And Artists / Assoc. Prof. Dr. F. Çiçek Derman [s.676-690] The Ottoman Miniature Painting / Prof. Dr. Oktay Aslanapa [s.691-700] Ebru Art of Marbling / Hikmet Barutçugil [s.701-706] Tiles In The Early Ottoman Empire / Prof. Dr. Gönül Öney [s.707-714] Iznik In The Ottoman Tile Manufacturing / Prof. Dr. Ara Altun [s.715-722] The Art of Metalwork In The Ottomans / Prof. Dr. Tercan Yılmaz [s.723-729] The Ottoman Jewellery / Asst. Prof. Dr. Aygün Ülgen [s.730-748] Painted Ottoman Decoration / Prof. Dr. Yıldız Demiriz [s.749-755] An Ottoman Art Kept Alive In Morocco: Nahil-Work (WaxWork Tree Decoration) / Prof. Dr. Metin Akar [s.756-763] The Carpets In The ottoman Period / Prof. Dr. Bekir Deniz [s.764-780] Ottoman Plastic Arts Portraiture of The Ottoman Sultans / Prof. Dr. Günsel Renda [s.783-791] The Ottomans In 18th and 19th Century European Art Turquerie and Orientalism / Assoc. Prof. Dr. Seyfi Başkan [s.792-805] An Outline of The Development of Sculpture In The Ottoman Empire / Dr. Kıymet Giray [s.806-811] Photography In Ottoman Empire / Engin Özendes [s.812-826] Ottoman Drama Major Festivities Organized During The Reign of Mahmud II / Prof. Dr. Özdemir Nutku [s.829-840] The Traditional Turkish Theatre / Asst. Prof. Dr. Dilaver Düzgün [s.841-853] From Darülbedayi To The City Theatres of Istanbul / Prof. Dr. Özdemir Nutku [s.854-864] Libraries and Books In The Ottoman Empire The Ottoman Libraries and The Ottoman Librarian Tradition / Prof. Dr. İsmail E. Erünsal [s.867-885] Second Hand Book Sellers And Travellers Bookselling In The Ottoman State / Yahya Erdem [s.886-896] The Book In Ottoman Family / Asst. Dr. Fahri Sakal [s.897-903] Index of Authors / [s.904-906]
Administration, society and intellectual life of the Turkish Empire during the two centuries that followed the capture of Constantinople in 1453.
This book places the Ottoman Empire within the global context and provides insight into the multifaceted transimperial and transnational connections that characterized it in different periods. It focuses on the connections, interactions, exchanges, networks and flows in and around the Ottoman Empire. Contributions in the book reflect the evolving and dynamic nature of the Ottoman Empire from different angles. Contributors are Ali Atabey, Serpil Atamaz, Lee Beaudoen, Emine Evered, Kyle Evered, Richard Eaton, Ziad Fahmy, Gülsüm Gürbüz-Küçüksarı, Onur İnal, Christine Isom-Verhaaren, Myrsini Manney-Kalogera, Claudia Römer, Alexander Schweig, Gül Şen, Baki Tezcan, Fariba Zarinebaf.
From ancient Mesopotamia into the 20th century, "the Circle of Justice" as a concept has pervaded Middle Eastern political thought and underpinned the exercise of power in the Middle East. The Circle of Justice depicts graphically how a government’s justice toward the population generates political power, military strength, prosperity, and good administration. This book traces this set of relationships from its earliest appearance in the political writings of the Sumerians through four millennia of Middle Eastern culture. It explores how people conceptualized and acted upon this powerful insight, how they portrayed it in symbol, painting, and story, and how they transmitted it from one regime to the next. Moving towards the modern day, the author shows how, although the Circle of Justice was largely dropped from political discourse, it did not disappear from people’s political culture and expectations of government. The book demonstrates the Circle’s relevance to the Iranian Revolution and the rise of Islamist movements all over the Middle East, and suggests how the concept remains relevant in an age of capitalism. A "must read" for students, policymakers, and ordinary citizens, this book will be an important contribution to the areas of political history, political theory, Middle East studies and Orientalism.
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
In the late sixteenth century, a prominent Albanian named Antonio Bruni composed a revealing document about his home country. Historian Sir Noel Malcolm takes this document as a point of departure to explore the lives of the entire Bruni family, whose members included an archbishop of the Balkans, the captain of the papal flagship at the Battle of Lepanto--at which the Ottomans were turned back in the Eastern Mediterranean--in 1571, and a highly placed interpreter in Istanbul, formerly Constantinople, the capital of the Eastern Roman Empire that fell to the Turks in 1453. The taking of Constantinople had profoundly altered the map of the Mediterranean. By the time of Bruni's document, Albania, largely a Venetian province from 1405 onward, had been absorbed into the Ottoman Empire. Even under the Ottomans, however, this was a world marked by the ferment of the Italian Renaissance. In Agents of Empire, Malcolm uses the collective biography of the Brunis to paint a fascinating and intimate picture of Albania at a moment when it represented the frontier between empires, cultures, and religions. The lives of the polylingual, cosmopolitan Brunis shed new light on the interrelations between the Ottoman and Christian worlds, characterized by both conflict and complex interdependence. The result of years of archival detective work, Agents of Empire brings to life a vibrant moment in European and Ottoman history, challenging our assumptions about their supposed differences. Malcolm's book guides us through the exchanges between East and West, Venetians and the Ottomans, and tells a story of worlds colliding with and transforming one another.
This book is a post-revisionist history of the late Ottoman Empire that makes a major contribution to Ottoman scholarship.
The first volume of the book series Ottoman Empire and European Theatre focuses on the period between 1756 and 1808, the era of W. A. Mozart (1756-1791) and Sultan Selim III (1761-1808). These historical personalities, whose life-spans overlap, were towering figures of their time: Mozart as an extraordinary composer and Selim III as both a politician and a composer. Inspired by the structure of opera, the forty-four contributions of Volume I are arranged in eight sections, entitled Ouverture, Prologue, Acts I-V and Epilogue. The Ouverture includes the opening speeches of diplomats, politicians, and scholars as well as a memorial text for the "Genius of Opera", Turkish prima donna Leyla Gencer (1928-2008). The Prologue, "The Stage of Politics", features texts by distinguished historians who give an historical overview of the Ottoman Empire and Europe in the late eighteenth century, from both Turkish and Austrian points of view. Act I features texts concerning "Diplomacy and Theatre", and Act II takes the reader to "Europe South, West and North". Act III has contributions concerning theatre in "Central Europe", while Act IV deals with "Mozart" and the world of the seraglio. Act V turns our attention to the Ottoman "Sultan Selim III", and the Epilogue considers literary and theatrical adventures of "The Hero in the Sultan's Harem". Contributions by Metin And, Emre Araci, Tülay Artan, Esin Akalin, Thomas Betzwieser, Annemarie Bönsch, Emil Brix, Christian Brunmayr, Bertrand Michael Buchmann, Aysin Candan, Helga Dostal, Erich Duda, Wolfgang Greisenegger, Heidemaria Gürer, Matthew Head, Caroline Herfert, Bent Holm, Frank Huss, Michael Hüttler, Nadja Kayali, Hans-Peter Kellner, Alexandre Lhâa, Isabelle Moindrot, Ilber Ortayli, Zeynep Oral, Cemal Öztas, William F. Parmentier, Matthias J. Pernerstorfer, Gabriele C. Pfeiffer, Walter Puchner, Günsel Renda, Mustafa Fatih Salgar, Ulrike Schneider, Selin Ipek, Käthe Springer-Dissmann, Suna Suner, Marianne Travén, B. Babür Turna, Derek Weber, Mehmet Alaaddin Yalçinkaya, Selim Yenel.
During the era of Sultan Abdülhamid II, modern state institutions were established in Palestine, while national identities had not yet developed. Hamidian Palestine explores how the inhabitants of the Ottoman District of Jerusalem interacted with each other and how they organised their interests in a historical moment before ‘Arabs’ and ‘Jews’ emerged as the central political categories in the country. Based on a wide range of Arabic, Turkish and Hebrew sources, the book examines the social and political relations of Palestinians from a wide variety of perspectives. By situating individual case studies within larger contexts such as modernisation, regionalisation and state-building, it allows Palestinian society to be compared with other local societies within the Ottoman Empire and beyond.
No detailed description available for "Slaves Without Shackles".