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In an introduction written for this edition, Alexander Saxton reveals that he does not regret having been a Communist, even though his political convictions cost him job opportunities.
Leading journalists between the coasts offer perspectives on immigration, drug addiction, climate change, and more that you won’t find in national mainstream media. After the 2016 presidential election, the national media fretted over what they could have missed in the middle of the country, launching a thousand think pieces about so-called “Trump Country.” Yet in 2020, the polling was way off—again. Journalists between the coasts could only shake their heads at the persistence of the false narratives around the communities where they lived and worked. Contributor Ted Genoways foresaw how close the election in 2016 would be and, in its aftermath, put out a public call on Facebook, calling on writers from those midland states to help answer the national media’s puzzlement. Representing a true cross-section of America, both geographically and ethnically, these writers highlight the diversity of the American experience in essays and articles that tell the hidden local truths behind the national headlines. For instance: -Esther Honig describes the effects of the immigration crackdown in Colorado -C.J. Janovy writes about the challenges of being an LGBTQ+ activist in Kansas -Karen Coates and Valeria Fernández show us the children harvesting our food -And Sydney Boles chronicles a miner’s protest in Kentucky. For readers willing to look at the American experience that the pundits don’t know about or cover, Midland is an invaluable peek into the hearts and minds of largely unheard Americans.
An industrial accident in a wire factory and the chance discovery of a birth certificate. Church services held in a ruined swimming pool. An unidentified elephant skull. Midland tells the stories of three young women as they fight to find their feet amidst the accumulated rubble of the twentieth century. From the bombsites of the 1940s to the construction sites of the 1960s and the school halls and decaying tower blocks of the 1980s, Honor Gavin has created an ingenious narrative of one Midlands family that is also a startling, anarchic history of a city. Composed in electric prose that soars and dives, blending keenly observed dialect with urban theory, cinema, farcical digressions and surrealist timekeeping, Midland is a novel out of time but in the middle of everything.
The saga of the famed mountain man and Indian-hater. The film Jeremiah Johnson was based on this work.