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B&W photos throughout
Includes 675 transcribed licks and phrases from five of the greatest jazz guitarists of all time: Tal Farlow, Pat Martino, Wes Montgomery, Joe Pass, and Jimmy Raney. The phrases are separated into five sections; major lines, minor lines, major ii/V7/I lines, minor ii/V7/I lines, and dominant 7 lines. These "textbook" jazz phrases are perfect for all instruments---not just guitar. Spiral bound for easy opening and page-turning. Over 100 pages.
The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.
(Guitar Book). From Charlie Christian and Django Reinhardt to Wes Montgomery, Pat Metheny, Kenny Burrell and beyond, take an inside look at the genesis of jazz guitar. The book and audio compendium provides solo transcriptions in standard notation and tablature, lessons on how to play them, guitarist biographies, equipment, photos, history and much more. The accompanying audio features full-band demonstrations of every guitar solo in the book!
The Total Jazz Guitarist is an exciting journey through the diverse world of jazz guitar playing. You start with basic lessons on the major scale and end up playing intricately beautiful chord melodies and soloing over tricky jazz chord progressions. This wide-ranging study is for all players from beginning to advanced. The beginning-to-intermediate student will find all the tools needed to become a great guitarist, while the more advanced player will find lots of useful tips and a fresh perspective on jazz guitar. Whether this is your first jazz guitar book or you've been studying for years, this is the one place to get everything you need to make you a great jazz guitarist. A CD demonstrating the examples in the book is included.
General Reference
Provides exercises for jazz guitar techniques, including jazz riffs, breaks, fill-ins, and solos.
In Rhythm Is My Beat: Jazz Guitar Great Freddie Green and the Count Basie Sound, Alfred Green tells the story of his father, rhythm guitarist Freddie Green, whose guitar work served as the pulse of the Count Basie Band. A quiet but key figure in big band jazz, Freddie Green took a distinct pride in his role as Basie’s rhythm guitarist, redefining the outer limits of acoustic rhythm guitar and morphing it into an art form. So distinct was Green’s style that it would eventually give birth to notations on guitar charts that read: “Play in the style of Freddie Green.” This American jazz icon, much like his inimitable sound, achieved stardom as a sideman, both in and out of Basie’s band. Green’s signature sound provided lift to soloists like Lester Young and vocalist Lil’ Jimmy Rushing, a reflection of Green’s sophisticated technique, that produced, in Green’s words, his “rhythm wave.” Billie Holiday, Ruby Braff, Benny Goodman, Gerry Mulligan, Teddy Wilson, Ray Charles, Judy Carmichael, Joe Williams and other recording artists all benefited from the relentless fours of the man who came to be known as Mr. Rhythm. The mystique surrounding Freddie Green’s technique is illuminated through generous commentary by insightful interviews with other musicians, guitar professionals and scholars, all of whom offer their ideas on Freddie Green’s sound. Alfred Green throughout demystifies the man behind the legend. This work will interest jazz fans, students, and scholars; guitar enthusiasts and professionals; music historians and anyone interested not only in the history of jazz but of the African American experience in jazz.