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With his 1543 herb catalog, botanical pioneer Leonhart Fuchs created a masterpiece of Renaissance botany and publishing. This fresh reprint is based on Fuchs's personal, hand-colored original and features over 500 illustrations, including the first visual record of New World plant types such as maize, cactus, and tobacco.
The Inca civilization of Peru was one of the gratest of the ancient civilizations of the Americas. Famous for their massive temples and fortresses built from huge blocks of stone and decorated with sheets of pure gold, the Incas also developed a system of government, capable of holding a vast area of territory together, and an extensive system of roads, connecting administrative centres, which acted as a means of colonization. Their religion of human sacrifice, worshipping Inti, the Sun God, was forcibly imposed throughout the empire. The population in 1500 numbered between six and seven million, but in the 1530s the Spanish, led by conquistador Pizarro, arrived in Peru. In their search for gold they devastated the Inca culture, destroying its treasures, killing its leaders and bringing to an end the infrastructure of its empire. By the 1570s, native American control in Peru had been completely lost and the civilization was no more. With Pizarro came Mansio Serra de Leguizamon, who became the last of the Spanish conquistadors to die. This book tells his story. After crossing the Atlantic when still in his teens, he played a central part in the conquest of the Incas, survived imprisonment and torture, took an Inca princess as his lover, abandoned his wife for the gaming tables of Lima, and spent the rest of his life in Peru. He died at the age of 78, leaving a famous apology for the conquest in his will. This book takes this document as its starting point, weaving a tale of the vicious subjugation of the Inca civilization.
Presents a collection of botanical paintings along with descriptions of the artists' techniques and backgrounds.
Now back in print, “the ultimate book-lover’s gift book” (Los Angeles Times) In 1561–62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand’s grandson, the Emperor Rudolf II, commissioned Europe’s last great manuscript illuminator, Joris Hoefnagel (1542–1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image. Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date—a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay’s words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks. Unavailable for nearly a decade, this gorgeous volume features over 180 color illustrations, as well as scholarly commentary and biographies of both artists to inspire scholars, bibliophiles, graphic designers, typographers, and calligraphers.