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With his 1543 herb catalog, botanical pioneer Leonhart Fuchs created a masterpiece of Renaissance botany and publishing. This fresh reprint is based on Fuchs's personal, hand-colored original and features over 500 illustrations, including the first visual record of New World plant types such as maize, cactus, and tobacco.
Book published on the occasion of exhibition at Shirley Sherwood Gallery of Botanical Art at Royal Botanic Gardens, Kew, in 2009.
Collins shows how the principal herbal traditions of Classical descent were replaced by a new observation of nature that itself paved the way for the magnificent paintings of later French and Italian herbals.
Images in medieval and early modern treatises on medicine, pharmacy, and natural history often confound our expectations about the functions of medical and scientific illustrations. They do not look very much like the things they purport to portray; and their actual usefulness in everyday medical practice or teaching is not obvious. By looking at works as diverse as herbals, jewellery, surgery manuals, lay health guides, cinquecento paintings, manuscripts of Pliny's Natural History, and Leonardo's notebooks, Visualizing Medieval Medicine and Natural History, 1200-1550 addresses fundamental questions about the interplay of art and science from the thirteenth to the mid-sixteenth century: What counts as a medical illustration in the Middle Ages? What are the purposes and audiences of the illustrations in medieval medical, pharmaceutical, and natural history texts? How are images used to clarify, expand, authenticate, and replace these texts? How do images of natural objects, observed phenomena, and theoretical concepts amplify texts and convey complex cultural attitudes? What features lead us to regard some of these images as typically 'medieval' while other exactly contemporary images strike us as 'Renaissance' or 'early modern' in character? Art historians, medical historians, historians of science, and specialists in manuscripts and early printed books will welcome this wide-ranging, interdisciplinary examination of the role of visualization in early scientific inquiry.
"Celebrating the 500th Anniversary of the College and the 400th Anniversary of the College's Pharmacopoea Londinensis--first pharmacopoeia to be mandatory for a whole country. This book contains specially commissioned paintings and drawings, and late medieval woodcuts, of nearly 200 plants growing in the Medicinal Garden of the Royal College of Physicians of London which were ingredients in the College's Pharmacopoea Londinensis of 1618. Their contemporary uses are given from the publications of Nicholas Culpeper in 1649 and John Parkinson in 1640. The 17th century names of the 634 medicinal plants used in the Pharmacopoea have been painstakingly identified and listed with their modern botanical names--an invaluable resource for all interested in the history of plant-based medicine. The artists directory is included for all who seek commissions from them"--Publisher's description.