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In 'The Great Galeoto; Folly or Saintliness', José Echegaray explores themes of jealousy and obsession through the interplay of two intertwining plots. Echegaray's literary style is characterized by its emotional intensity and moral complexity, drawing inspiration from both classical tragedy and Spanish romanticism. The juxtaposition of folly and saintliness serves as a reflection on the duality of human nature, ultimately questioning the thin line between good and evil. Written in the late 19th century, these plays showcase Echegaray's mastery in delving into the depths of the human psyche. José Echegaray, a Spanish playwright and Nobel laureate in Literature, was known for his dramatic works that often grappled with philosophical and ethical dilemmas. His background in mathematics and science influenced his writing, leading to intricate plots and thought-provoking themes. Echegaray's exploration of morality and human nature in 'The Great Galeoto' showcases his profound understanding of the human condition. I highly recommend 'The Great Galeoto; Folly or Saintliness' to readers interested in classic Spanish drama and psychological introspection. Echegaray's poignant portrayal of jealousy and virtue makes this work a timeless and captivating read that continues to resonate with audiences today.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from The Great Galeoto Folly, or Saintliness: Two Plays Done From the Verse of Jose Echegaray Into English Prose by Hannah Lynch Jose Echegaray was born at Madrid in 1832. The years of childhood were passed in Murcia, where at the university he studied and took out his degrees. His tendency in youth was towards the exact sciences, with which he still coquets in the same spirit of pride that pushed Goethe to glory in his devotion to painting. He more readily Offers to his friends a volume of his Modem Theories of Physics or the Union of Material Force: by which he is known to a select few, than one Of his popular dramas. Of the scientific value of these works I am not in a position to Offer any Opinion. For career, he chose that of engineer, and, we are told, gave evidence in this line Of quite exceptional diligence and quickness. Certain it is that in this department as well as in others that followed, he has amply proved that in individual circumstances the Don may be carried into a permanent frenzy of industry. In 1853 his studies in engineering terminated. Echegaray was appointed successively to posts in various provinces, until he returned to Madrid as professor Of the School of Engineers. Here he taught theoretical and applied. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
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