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Not everything is what it seems. In a desperate bid to free her twin sister from an evil caster, Kellen flees her sheltered life under the cover of darkness. Lost and on the run from the cursed beasts lurking in the Dark Forest, she stumbles upon a clearing where seven handsome men reside. Despite their wariness towards her, Kellen finds herself drawn to them. Their laughter, camaraderie, and the way they gaze at her awaken a longing she’s never known. Her intuition whispers that she must stay, yet her loyalty to her sister compels her to find a way to leave. To plot her escape and save her sister, Kellen will need to navigate the seductive charm of the seven men and her yearning for acceptance in this darker version of Snow White that’s as spell-binding as the seven hot and endearing men who hold her captive.
In Germany the end of World War II calls forth images of obliterated cities, hungry refugees, and ghostly monuments to Nazi crimes. Drawing on diaries, photographs, essays, reports, fiction and film, Werner Sollors makes visceral the sorrow and anger, guilt and pride, despondency and resilience of a defeated people--and the paradoxes of occupation.
During the Great Depression, economic, political, and social crises converge with a rapidly expanding movie industry to create a product that offers a unique history of the period. This text studies 1930s films as a unique and sometimes camouflaged record of the great crisis.
A SECOND VISIT TO THAIBURLEY: THE CITY OF DREAMS, THE FABLED CITY OF A HUNDRED ROWS. Dark forces are gathering in the shadowy depths, and the whole city is under threat. The former street-nick, Tom, embarks on a journey to discover the source of the great river Thair, said to be the ultimate power behind all of Thaiburley. Accompanying him are the assassin Dewar and the young Thaistess Mildra. It soon becomes evident that their journey has more significance than any of them realise, as past secrets catch up with them and unknown adversaries hunt them... to the death! File Under: Fantasy [ Towering City | Ancient Secrets | Assassins & Gods | Soul Thief! ]
'The Great Despair' is book one of a trilogy titled 'After the Coming' and is set in the year 2081, fifty nine years after the end of the War of the Great Despair when the Coming of the Darkness took hold of them all. Today, the new world is organised under the banner of the United Federation of Terran Nations; it's governing body residing in the capital of Destiny and founded by a Council of Elders known as the Consortium of Trust. They had decided that society was owed a second chance to make amends for humanities past sins. The story then follows the plight of one man's journey as a Federal Continental Ranger, as he struggles with new revelations from his past and an uncertain future. It will be a shocking truth that will threaten all their lives as he struggles to now write the wrongs of his past. He is a much loved husband and father of three, as well as an accomplished Ranger and commander of the UFTN Peace Makers. The preservation of all life is paramount as ideals of peace, unity, equality, trust, honour and courage are the tenets of a utopian society the Consortium of Trust strive to uphold. But a turn of events will see this man take a different direction that could not only bring his own family undone, but could affect the new Terran Earth that they all live in today. Love, loss and the answers to his many questions will slowly avail themselves, as eventually he will come to understand the purpose and meaning of his own life. Things happen for a reason and every reason has a purpose. His fate, his destiny and that of humankind will see him ultimately prepare to leave this world in search of another, for their salvation.
A New York Times Bestseller A Wall Street Journal Bestseller A New York Times Notable Book of 2020 A New York Times Book Review Editors’ Choice Shortlisted for the Financial Times and McKinsey Business Book of the Year A New Statesman Book to Read From economist Anne Case and Nobel Prize winner Angus Deaton, a groundbreaking account of how the flaws in capitalism are fatal for America's working class Deaths of despair from suicide, drug overdose, and alcoholism are rising dramatically in the United States, claiming hundreds of thousands of American lives. Anne Case and Angus Deaton explain the overwhelming surge in these deaths and shed light on the social and economic forces that are making life harder for the working class. As the college educated become healthier and wealthier, adults without a degree are literally dying from pain and despair. Case and Deaton tie the crisis to the weakening position of labor, the growing power of corporations, and a rapacious health-care sector that redistributes working-class wages into the pockets of the wealthy. This critically important book paints a troubling portrait of the American dream in decline, and provides solutions that can rein in capitalism's excesses and make it work for everyone.
Hailed as one of the most important works on the Hitler period, this is an “astonishing, compelling, and unnerving” portrait of life in Nazi Germany between 1936 and 1944—from a man who nearly shot Hitler himself (The New Yorker) Friedrich Reck might seem an unlikely rebel against Nazism. Not just a conservative but a rock-ribbed reactionary, he played the part of a landed gentleman, deplored democracy, and rejected the modern world outright. To Reck, the Nazis were ruthless revolutionaries in Gothic drag, and helpless as he was to counter the spell they had cast on the German people, he felt compelled to record the corruptions of their rule. The result is less a diary than a sequence of stark and astonishing snapshots of life in Germany between 1936 and 1944. We see the Nazis at the peak of power, and the murderous panic with which they respond to approaching defeat; their travesty of traditional folkways in the name of the Volk; and the author’s own missed opportunity to shoot Hitler. This riveting book is not only, as Hannah Arendt proclaimed it, “one of the most important documents of the Hitler period,” but a moving testament of a decent man struggling to do the right thing in a depraved world.
**Soon to be appearing on Netflix as "Obsession," starring Richard Armitage and Charlie Murphy** This New York Times bestselling novel, now in a brand-new edition, is a daring look at the dangers of obsession and the depth of its shattering consequences. Damage is the gripping story of a man’s desperate obsession and scandalous love affair. He is a man who appears to have everything: wealth, a beautiful wife and children, and a prestigious political career in Parliament. But his life lacks passion, and his aching emptiness drives him to an all-consuming, and ultimately catastrophic, relationship with his son’s fiancée. Chilling and brilliant, Damage is a New York Times bestselling masterpiece of the romantic suspense genre.
A bear gobbles up a wolf, a lion, and an elephant after each animal steals the bear's teddy bear and refuses to return it.
The literature on Kierkegaard is often content to paraphrase. By contrast, Michael Theunissen articulates one of Kierkegaard's central ideas, his theory of despair, in a detailed and comprehensible manner and confronts it with alternatives. Understanding what Kierkegaard wrote on despair is vital not only because it illuminates his thought as a whole, but because his account of despair in The Sickness unto Death is the cornerstone of existentialism. Theunissen's book, published in German in 1993, is widely regarded as the best treatment of the subject in any language. Kierkegaard's Concept of Despair is also one of the few works on Kierkegaard that bridge the gap between the Continental and analytic traditions in philosophy. Theunissen argues that for Kierkegaard, the fundamental characteristic of despair is the desire of the self "not to be what it is." He sorts through the apparently chaotic text of The Sickness unto Death to explain what Kierkegaard meant by the "self," how and why individuals want to flee their selves, and how he believed they could reconnect with their selves. According to Theunissen, Kierkegaard thought that individuals in despair seek to deny their authentic selves to flee particular aspects of their character, their past, or the world, or in order to deny their "mission." In addition to articulating and evaluating Kierkegaard's concept of despair, Theunissen relates Kierkegaard's ideas to those of Heidegger, Sartre, and other twentieth-century philosophers.