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With hundreds of illustrations by Currier and Ives, America's preeminnet printmakers, The Great Book Of Currier and Ives America also includes a fascinating history of everyday life in the country's turbulent formative years. 439 illustrations, 328 in full color.
The top hat and stars and stripes that characterize Uncle Sam today were first worn by Yankee actors portraying Brother Jonathan. This book explores the complex emblematic function of the Brother Jonathan figure and its changing meaning through the decades and in a multitude of popular media.
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Winner of the Ewell L. Newman Award from the American Historical Print Collectors Society (2009) Winner of the Betty M. Linsley Award from the Association for the Study of Connecticut History (2010) This is the first book-length account of the pioneering and prolific Kellogg family of lithographers, active in Connecticut for over four decades. Daniel Wright Kellogg opened his print shop on Main Street in Hartford five years before Nathaniel Currier went into a similar business in New York and more than twenty-five years before Currier founded his partnership with James M. Ives, yet Daniel and his brothers Elijah and Edmund Kellogg have long been overshadowed by the Currier & Ives printmaking firm. Editor Nancy Finlay has gathered together eight essays that explore the complexity of the relationships between artists, lithographers, and print, map, and book publishers. Presenting a complete visual overview of the Kelloggs' production between 1830 and 1880, Picturing Victorian America also provides museums, libraries, and private collectors with the information needed to document the Kellogg prints in their own collections. The first comprehensive study of the Kellogg prints, this book demands reconsideration of this Connecticut family's place in the history of American graphic and visual arts. CONTRIBUTORS: Georgia B. Barnhill, Lynne Zacek Bassett, Candice C. Brashears, Nancy Finlay, Elisabeth Hodermarsky, Richard C. Malley, Sally Pierce, Michael Shortell, Kate Steinway.
Paperbound reprint of a 1989 study that provides background for understanding the works of black American writers in the late 19th and early 20th centuries. Annotation copyrighted by Book News, Inc., Portland, OR
Focusing on the popular prints used by the Northern side of the American Civil War, this book examines the importance of graphic arts in rallying support for the Union during the war and in shaping the national memory after the war.
The former American History editor explores the creation and restoration of an essential part of a twentieth-century home’s identity—the American porch. “In this delightful look at an American icon, journalist and documentary scriptwriter . . . Dolan traces the history of the porch, using this history to explore subjects such as architecture, history, slavery, colonialism, trade, anthropology, sociology, consumer behavior, and publishing.” —Library Journal In 1981, Michael Dolan and his wife, Eileen O’Toole, bought a 1926 suburban bungalow in the Palisades area of Washington, DC. It was a fixer-upper and DIY project that consumed their lives for twelve years. As rooms were transformed with updated electrical wiring and plumbing, the house’s porch became a storage area, rotating appliances, furniture, and construction materials as they were used and discarded. After the interior renovation was completed, Michael finally turned his attention to the porch, working with contractors to resurrect it—a reconstruction that inspired him to uncover the history of porches and their significance as a symbolic piece of Americana. “In praise of the porch: Come up and sit a spell.” —USA Today “A wry, well-researched look at the place and the people who rocked, talked and courted on [the American porch] for three centuries.” —Parade “The porch is making a comeback, gradually replacing its humbler rival the deck, which the traditionalist Dolan refers to as the platform shoe or leisure suit of American architecture.” —Time “Dolan amply demonstrates that the porch is primarily a means of escaping the heat and, almost as important, a locus for casual social interaction.” —Publishers Weekly
Echoes from a Distant Frontier is an edited, annotated selection of the correspondence of Corinna and Ellen Brown, two single women in their twenties, who left a comfortable New England home in 1835 for the Florida frontier. Within a month of their arrival, the frontier erupted in Indian war. The Browns witnessed the terror and carnage firsthand, and their letters paint a vivid picture of the Second Seminole War (1835-1842).