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This early work by Richard Dehan was originally published in 1917 and we are now republishing it with a brand new introductory biography as part of our Cryptofiction Classics series. 'The Great Beast of Kafue' is a short story about a the hunt for a mysterious creature in South-eastern Rhodesia. Clotilde Augusta Inez Mary Graves - who wrote under the pseudonym 'Richard Dehan' - was born at Buttevant Castle, County Cork, Ireland in 1863. Graves' short stories - usually about witchcraft and pagan religions - were also well-regarded, appearing in the two collections 'Off Sandy Hook and Other Stories' (1915) and 'Under the Hermes' (1917), as were her high novels of high adventure. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
These early works by various authors were originally published in the early 20th century and we are now republishing them with a brand new introduction as part of our Cryptofiction Classics series. 'Cryptofiction - Volume III.' contains a collection of short stories that include 'The She-Wolf' by H. H. Munro, 'The Horror of the Heights' by Arthur Conan Doyle, 'After Dark in the Playing Fields' by M. R. James, and many other classic tales of strange creatures. The genre of cryptofiction has grown up in the shadow of its older brothers, science fiction and fantasy, and specialises in the concept of mysterious creatures such as sea monsters, wolf-men, and lost pre-historic creatures. Cryptofiction takes its name from another, non-literary practice: cryptozoology. This is generally regarded as a pseudoscience by mainstream scientists, relying as it does upon anecdotal, often unverifiable evidence. However, it still boasts many enthusiasts, and continues to exert considerable artistic allure. Cryptofiction is here to stay, and the stories in this collection map the development of a genre which is as strange as it is fascinating. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
In the face of an Atlantic hurricane, a boatload of mis-matched crew and passengers find themselves aboard a life-boat and must pit their strength against the rigours of the open sea. Tension mounts both inside and outside the rescue vessel - the desirable Synolda is forced into the arms of a man who knows her past and uses that knowledge. A man with hatred in his eyes – a hatred that can only be satisfied with blood. There is mutiny and murder before the unrelenting Sargasso weed entombs them all. But suddenly land is sighted – land unmarked on the chart, concealing further, unimaginable horrors.
The burnt-red badlands of Montana's Hell Creek are a vast graveyard of the Cretaceous dinosaurs that lived 68 million years ago. Those hills were, much later, also home to the Sioux, the Crows, and the Blackfeet, the first people to encounter the dinosaur fossils exposed by the elements. What did Native Americans make of these stone skeletons, and how did they explain the teeth and claws of gargantuan animals no one had seen alive? Did they speculate about their deaths? Did they collect fossils? Beginning in the East, with its Ice Age monsters, and ending in the West, where dinosaurs lived and died, this richly illustrated and elegantly written book examines the discoveries of enormous bones and uses of fossils for medicine, hunting magic, and spells. Well before Columbus, Native Americans observed the mysterious petrified remains of extinct creatures and sought to understand their transformation to stone. In perceptive creation stories, they visualized the remains of extinct mammoths, dinosaurs, pterosaurs, and marine creatures as Monster Bears, Giant Lizards, Thunder Birds, and Water Monsters. Their insights, some so sophisticated that they anticipate modern scientific theories, were passed down in oral histories over many centuries. Drawing on historical sources, archaeology, traditional accounts, and extensive personal interviews, Adrienne Mayor takes us from Aztec and Inca fossil tales to the traditions of the Iroquois, Navajos, Apaches, Cheyennes, and Pawnees. Fossil Legends of the First Americans represents a major step forward in our understanding of how humans made sense of fossils before evolutionary theory developed.
Sectarians generally dread meeting a "Mormon" Elder in discussion, for they well know the humiliating defeat which has been the result to their compeers in hundreds of instances. But there is another class of persons who often bring formidable-looking arguments against the truths of the gospel. This class is composed frequently of persons of considerable learning, research and intelligence. They have long ago become disgusted with the absurdities of so-called Christianity; and are not slow in showing the disagreement of sectarian dogmas with the teachings of the Bible, or contrasting the Bible with supposed science. In some instances, otherwise valuable scientific works are marred by sneers at the books of inspiration. In this age of earnest thought and research into all branches of knowledge, many of these works fall into the hands of the young and hence the growth of skepticism in the minds of many. Many of the facts contained in this work have been collected from, and references made to larger works not easily accessible to the general reader.