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(Piano/Vocal/Guitar Songbook). Crooners, wailers, shouters, balladeers some of our greatest pop vocalists have poured their hearts and souls into the musical gems of the Great American Songbook. They sang in nightclubs and concert halls, on television and in films, and left us a legacy of recordings still in play today. Their interpretations entertained us, moved us to tears, and wove lyrics and music into the fabric of our lives, making us see ourselves in these quintessentially American songs. This folio features 100 of these classics by Louis Armstrong (Hello Dolly * What a Wonderful World), Tony Bennett (I Left My Heart in San Francisco), Rosemary Clooney (Count Your Blessings Instead of Sheep), Nat "King" Cole (Route 66), Bing Crosby (True Love), Doris Day (Bewitched), Ella Fitzgerald (How High the Moon), Judy Garland (Rock-a-Bye Your Baby with a Dixie Melody), Dean Martin (Everybody Loves Somebody), Frank Sinatra (Young at Heart), Barbra Streisand (People), Mel Torme (Heart and Soul), and many, many more.
An acclaimed cultural historian--drawing on previously untapped archival sources and interviews with such voices as Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--presents a social history of the great American songwriting era.
In A Fine Romance, David Lehman looks at the formation of the American songbook—the timeless numbers that became jazz standards, iconic love songs, and sound tracks to famous movies—and explores the extraordinary fact that this songbook was written almost exclusively by Jews. An acclaimed poet, editor, and cultural critic, David Lehman hears America singing—with a Yiddish accent. He guides us through America in the golden age of song, when “Embraceable You,” “White Christmas,” “Easter Parade,” “Bewitched, Bothered and Bewildered,” “Can’t Help Lovin’ Dat Man,” “My Romance,” “Cheek to Cheek,” “Stormy Weather,” and countless others became nothing less than the American sound track. The stories behind these songs, the shows from which many of them came, and the shows from which many of them came, and the composers and lyricists who wrote them give voice to a specifically American saga of love, longing, assimilation, and transformation. Lehman’s analytical skills, wit, and exuberance infuse this book with an energy and a tone like no other: at once sharply observant, personally searching, and attuned to the songs that all of us love. He helps us understand how natural it should be that Wizard of Oz composer Harold Arlen was the son of a cantor who incorporated “Over the Rainbow” into his Sabbath liturgy, and why Cole Porter—the rare non-Jew in this pantheon of musicians who wrote these classic songs shaped America even as America was shaping them. (Part of the Jewish Encounter series)
Finalist • The Marfield Prize [National Award for Arts Writing] “Not since the late Leonard Bernstein has classical music had a combination salesman-teacher as irresistible as Kapilow.” —Kansas City Star “If you want to understand American history, listen to its popular music,” writes renowned NPR host Rob Kapilow. “If you want to understand America’s popular music, listen to its history.” Through the songs of eight legendary American composers—Kern, Porter, Gershwin, Arlen, Berlin, Rodgers, Bernstein, and Sondheim—Kapilow listens for the history not just of musical theater, but of America itself. Combining close readings of Broadway hits like “Summertime” and “Stormy Weather” with a wide-angled historical point of view, Listening for America shows us how we too can listen along as America discovered its identity through the epochal transformations of the twentieth century.
(Piano Solo Songbook). 15 timeless classic standards as arranged for piano solo by Phillip Keveren: All the Things You Are * All the Way * Autumn in New York * Blue Skies * Come Rain or Come Shine * If Ever I Would Leave You * In the Still of the Night * Isn't It Romantic? * Mona Lisa * Skylark * Summertime * Take the "A" Train * There Will Never Be Another You * Time After Time * When You Wish upon a Star.
For voice and piano or guitar(s), with chord symbols and guitar chord diagrams.
Old favorites such as Beautiful Dreamer and Oh! Susanna as well as patriotic, plantation, and minstrel songs by the American composer are presented along with reproductions of original covers
In this warm and affectionate book, William Zinsser describes his lifelong love affair with American popular song and the American musical theater.
(Ukulele). Romance, heartbreak, optimism, melancholy, or just a lovely autumn day it's all been captured by American songwriters. A generation of the country's finest songwriters captured universal feelings and experiences in such an infectious combination of words and music that their songs have never disappeared. This collection features 100 classics by treasured composers arranged for ukulele: All the Things You Are (Jerome Kern) * Blue Skies (Irving Berlin) * Come Fly with Me (Sammy Cahn) * Georgia on My Mind (Hoagy Carmichael) * Mood Indigo (Duke Ellington) * On the Street Where You Live (Lerner & Loewe) * People Will Say We're in Love (Rodgers & Hammerstein) * Somebody Loves Me (George Gershwin) * You'd Be So Nice to Come Home To (Cole Porter) * and more.
(Ukulele). If you've been learning ukulele for a little while, you are probably eager to put your new skills to work and learn some familiar songs. This book features 50 favorite Disney songs arranged with melody, lyrics and chord diagrams for standard G-C-E-A tuning. Songs include: The Bare Necessities * Beauty and the Beast * Can You Feel the Love Tonight * Chim Chim Cher-ee * Do You Want to Build a Snowman? * Evermore * Hakuna Matata * How Does a Moment Last Forever * How Far I'll Go * I See the Light * Into the Unknown * Lava * Let It Go * The Place Where Lost Things Go * Remember Me (Ernesto de la Cruz) * Speechless * Supercalifragilisticexpialidocious * True Love's Kiss * Under the Sea * When She Loved Me * A Whole New World * You've Got a Friend in Me * and more!