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This book is about a little boy’s obsession or attraction to little girls and their body parts. This obsession became so much a part of his daily activities that it grew with intensity and continued to do so throughout his life. This very special body part was once referred to as the rabbit. His attraction to the rabbit soon became an addiction. As a young man, he found himself purposely becoming involved with older women. Sometimes he would ask them to train him in the art of making love. Staying with the theme of his desires, he achieved his objective in learning by trying any and all possible acts of sex ladies could subject him to. As a result, his sexual escapades or rendezvous mounted in number and became written or taped memoirs to be used in processing this particular book and others. His hope is to enlighten the readers as to how much happiness can be found in life if one works hard at doing things for not only self-satisfaction but the satisfaction of others as well. (Or maybe he just wants people to know how much fun it can be to live in afterglow!)
Americans are being lied to ... We are lied to by our government, misled by the entertainment media, indoctrinated by our educational institutions, defrauded by our banking institutions, and subjugated by our employers. Nevertheless, we willingly grant these institutions power over nearly every aspect of our lives, and we even admire and assist those who are exploiting us. What is the purpose of the lies? To con each and every one of us out of our property rights, and to coerce us into consenting to our own fleecing--while venerating and revering the thieves. This is true no matter if one is truly poor, or one is a member of the upper-middle class. It doesn't matter if you are black, white, Latino, Asian, straight, gay, lesbian, Democrat, Republican, employee, manager, small-business owner, or greyhound dog. No matter how you earn your living, all those in the middle class have one thing in common. Like the greyhounds in a dog race, we have all been duped into pursuing an illusion, a goal that has been held in front of us as "The American Dream," a goal that has been deliberately rendered unattainable. This is because the act itself of "chasing the rabbit" is what enriches those few who benefit from our daily economic activity. Making the rabbit uncatchable ensures that we can never stop running after it. If you're a parent who cares about your children's future, if you're elderly and burdened with constant worry about surviving on a fixed income from social security, if you're a small business owner drowning in the quicksand of onerous taxes and crippling regulation, if you're a college student or recent graduate crippled with student loan debt--struggling or even unable to find a decent paying job, or if you're simply fed up with government lies and propaganda touting false hope and change for greater economic prosperity, financial security, and opportunity--all of which remain perpetually out of reach ... ...within these pages, you will learn what you can do about it.
Gumboots is a beautiful pet rabbit, but he likes to escape. A story that celebrates what it means to live in a community and a reminder that life is full of surprises.
THE WILD DUCK CHASE is the basis for “The Million Dollar Duck,” a documentary feature film, directed by Brian Golden Davis and written by Martin J. Smith, premiering at The Slamdance Film Festival in January 2016. The book takes readers into the peculiar world of competitive duck painting as it played out during the 2010 Federal Duck Stamp Contest-the only juried art competition run by the U.S. government. Since 1934, the duck stamp, which is bought annually by hunters to certify their hunting license, has generated more than $750 million, and 98 cents of each collected dollar has been used to help purchase or lease 5.3 million acres of waterfowl habitat in the United States. As Martin J. Smith chronicles in his revealing narrative, within the microcosm of the duck stamp contest are intense ideological and cultural clashes between the mostly rural hunters who buy the stamps and the mostly suburban and urban birders and conservationists who decry the hunting of waterfowl. The competition also fuels dynamic tensions between competitors and judges, and among the invariably ambitious, sometimes obsessive and eccentric artists--including Minnesota's three fabled Hautman brothers, the "New York Yankees" of competitive duck painting. Martin Smith takes readers down an arcane and uniquely American rabbit hole into a wonderland of talent, ego, art, controversy, scandal, big money, and migratory waterfowl.
Dogs serve us, adore us, entertain us, work for and with us, but most of all they warm our hearts. An homage to our canine companions, Great American Dog Stories presents a collection of enduring tales penned by an impressive array of authors. These are stories to laugh, weep, and shake your head over, knowing that the nature of dogs (and their human friends) has not altered in all the years since these stories were first written. Exemplars of unconditional love, dogs offer companionship without complaint and loyalty without a price. Whether these stories make you laugh or cry, they will also make you appreciate our most loyal friends. Great American Dog Stories is a rich treasury, filled with tales of unforgettable dogs, that will make a perfect gift for any dog lover. With contributions from O. Henry • Jack London • Stephen Crane • Bret Harte • and many others.
“For fans of Kate Morton and Daphne du Maurier, Black Rabbit Hall is an obvious must-read.”—Bookpage A secret history. A long-ago summer. A house with an untold story. Amber Alton knows that the hours pass differently at Black Rabbit Hall, her London family’s Cornish country house, where no two clocks read the same. Summers there are perfect, timeless. Not much ever happens. Until, one terrible day, it does. More than three decades later, Lorna is determined to be married within the grand, ivy-covered walls of Pencraw Hall, known as Black Rabbit Hall among the locals. But as she’s drawn deeper into the overgrown grounds, she soon finds herself ensnared within the house’s labyrinthine history, overcome with a need for answers about her own past and that of the once-golden family whose memory still haunts the estate. Eve Chase's debut novel is a thrilling spiral into the hearts of two women separated by decades but inescapably linked by the dark and tangled secrets of Black Rabbit Hall.
“Magisterial . . . make[s] you suddenly see new things in familiar books . . . brilliant analyses of a dozen or so front-runners in the Great American Novel sweepstakes.” —Michael Dirda, Virginia Quarterly Review The idea of “the great American novel” continues to thrive almost as vigorously as in its nineteenth-century heyday, defying more than 150 years of attempts to dismiss it as amateurish or obsolete. In this landmark book, the first in many years to take in the whole sweep of national fiction, Lawrence Buell reanimates this supposedly antiquated idea, demonstrating that its history is a key to the dynamics of national literature and national identity itself. The dream of the G.A.N., as Henry James nicknamed it, crystallized soon after the Civil War. In fresh, in-depth readings of selected contenders from the 1850s onward in conversation with hundreds of other novels, Buell delineates four “scripts” for G.A.N. candidates and their themes, illustrated by such titles as The Scarlet Letter, The Great Gatsby, Invisible Man, Uncle Tom’s Cabin, Beloved, Moby-Dick, and Gravity’s Rainbow—works dwelling on topics from self-invention to the promise and pitfalls of democracy. The canvas of the great American novel is in constant motion, reflecting revolutions in fictional fashion, the changing face of authorship, and the inseparability of high culture from popular. As Buell reveals, the elusive G.A.N. showcases the myth of the United States as a nation perpetually under construction. “Engaging and provocative . . . ultimately affirms the importance of literature to a nation’s sense of itself.” —Sarah Graham, Times Literary Supplement “Rich in critical insight . . . Buell wonders if the GAN isn’t stirring again in surprising new developments in science fiction. An impressively ambitious literary survey.” —Booklist (starred review)
In this sequel to Rabbit, Run, John Updike resumes the spiritual quest of his anxious Everyman, Harry “Rabbit” Angstrom. Ten years have passed; the impulsive former athlete has become a paunchy thirty-six-year-old conservative, and Eisenhower’s becalmed America has become 1969’s lurid turmoil of technology, fantasy, drugs, and violence. Rabbit is abandoned by his family, his home invaded by a runaway and a radical, his past reduced to a ruined inner landscape; still he clings to semblances of decency and responsibility, and yearns to belong and to believe.
The perfect Easter gift for readers age 7+! The adventure begins for brave little Shylo and his Royal Rabbit friends in this charming series from bestselling authors Santa Montefiore and Simon Sebag Montefiore and illustrator Kate Hindley, that proves even the smallest rabbit can be the biggest hero. Life is an adventure. Anything in the world is possible – by will and by luck, with a moist carrot, a wet noise and a slice of mad courage! Shylo has always been the runt of the litter, the weakest and quietest of all of his family. His siblings spend their days making fun of him for not being like the rest of them. But when Shylo stumbles across a band of ratzis and overhears their evil plan to take a photo of the Queen in her nightie, it's up to this unlikely hero to travel to London and inform the Royal Rabbits of London about the diabolical plot! The Royal Rabbits have a proud history of protecting the royal family and now the secret society need to leap into action to stop the ratzis... But can a rabbit as feeble and shy as Shylo convince them that Queen is in danger? Praise for The Royal Rabbits: ‘Packed with fun, fantasy and the sort of adventure guaranteed to have sticky little fingers hungrily turning the pages’ The Mail on Sunday ‘The Royal Rabbits is sweet, funny and beautifully illustrated' The Times