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Buxom bombshells: Pictures from an age when eroticism was still innocent They've been exciting generations of men, on calendars and covers, as centrefolds or even on playing cards: pin-ups. What started as an exercise in oils was soon taken up in various media - pin-up mascots graced the fuselages of American fighters, and became an essential feature of the male world of garages and barracks. And the age of political correctness hasn't ended their appeal. This book tells the tale of a genre as utterly American as the paintings of Edward Hopper, describing its origins and development in detail and showcasing the most important artists. With over 500 illustrations, The Great American Pin-Up is a comprehensive studies of the genre. Text in English, French, and German
A collection of pin-up paintings and illustrations by Gil Elvgren.
Sumário - A 'Bela' Arte de Ilustração - Louis K. Meisel; O Pin-up Americano - Charles G. Martignette; Nota dos autores; Rolf Armstrong; Joyce Ballantyne; Al Buell; Edward D'Ancona; Billy DeVorss; Peter Driben; Harry Ekman; Freeman Elliot; Gil Elvgren; Art Frahm; Pearl Frush; Earl Mac Pherson; Bill Medcalf; Al Moore; Earl Moran; Zoë Mozert; K.O. Munson; George Petty; Edward Runci; T.N. Thompson; Alberto Vargas; Ted Withers; Índice de artistas.
One big slice of cheesecake brought to you by Dian Hanson. Based on the acclaimed XXL compendium, this accessible volume gathers nearly 100 pin-up artists, with showcase chapters for the top 10, including Gil Elvgren, George Petty and Alberto Vargas. Each chapter opens with a reproduction of an original calendar or magazine cover and boasts...
This funny, fast-moving entertainment evokes the bright world of 1940s Hollywood musicals, in which an obscure young singer and her equally obscure songwriting boyfriend play out their romance against a theatrical background of auditions, misunderstandings, self-sacrifice, overnight stardom, and a full score of songs.
A collection of pin-up paintings and illustrations by Gil Elvgren.
This book collects original research essays to explore the diverse uses of photographs and photography in oral history, from the use of photos as memory triggers to their deployment in the telling of life stories. The book's contributors include both oral historians and photography scholars and critics.
Subverting stereotypical images of women, a new generation of feminist artists is remaking the pin-up, much as Annie Sprinkle, Cindy Sherman, and others did in the 1970s and 1980s. As shocking as contemporary feminist pin-ups are intended to be, perhaps more surprising is that the pin-up has been appropriated by women for their own empowerment since its inception more than a century ago. Pin-Up Grrrls tells the history of the pin-up from its birth, revealing how its development is intimately connected to the history of feminism. Maria Elena Buszek documents the genre’s 150-year history with more than 100 illustrations, many never before published. Beginning with the pin-up’s origins in mid-nineteenth-century carte-de-visite photographs of burlesque performers, Buszek explores how female sex symbols, including Adah Isaacs Menken and Lydia Thompson, fought to exert control over their own images. Buszek analyzes the evolution of the pin-up through the advent of the New Woman, the suffrage movement, fanzine photographs of early film stars, the Varga Girl illustrations that appeared in Esquire during World War II, the early years of Playboy magazine, and the recent revival of the genre in appropriations by third-wave feminist artists. A fascinating combination of art history and cultural history, Pin-Up Grrrls is the story of how women have publicly defined and represented their sexuality since the 1860s.