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-- An enlightened and scientific look at the black bear. -- Over 150 captivating color photos.
Since their inception with New York's Crystal Palace Exhibition in the mid-nineteenth century, world's fairs have introduced Americans to “exotic” pleasures such as belly dancing and the Ferris Wheel; pathbreaking technologies such as telephones and X rays; and futuristic architectural, landscaping, and transportation schemes. Billed by their promoters as “encyclopedias of civilization,” the expositions impressed tens of millions of fairgoers with model environments and utopian visions. Setting more than 30 world’s fairs from 1853 to 1984 in their historical context, the authors show that the expositions reflected and influenced not only the ideals but also the cultural tensions of their times. As mainstays rather than mere ornaments of American life, world’s fairs created national support for such issues as the social reunification of North and South after the Civil War, U.S. imperial expansion at the turn of the 20th-century, consumer optimism during the Great Depression, and the essential unity of humankind in a nuclear age.
The nostalgic glamor of the American fairs attracts visitors of all ages, every year in the USA.
From the award-winning author of Five, Six, Seven, Nate! and Better Nate Than Ever comes “a Holden Caulfield for a new generation” (Kirkus Reviews, starred review). Quinn Roberts is a sixteen-year-old smart aleck and Hollywood hopeful whose only worry used to be writing convincing dialogue for the movies he made with his sister Annabeth. Of course, that was all before—before Quinn stopped going to school, before his mom started sleeping on the sofa…and before the car accident that changed everything. Enter: Geoff, Quinn’s best friend who insists it’s time that Quinn came out—at least from hibernation. One haircut later, Geoff drags Quinn to his first college party, where instead of nursing his pain, he meets a guy—okay, a hot guy—and falls, hard. What follows is an upside-down week in which Quinn begins imagining his future as a screenplay that might actually have a happily-ever-after ending—if, that is, he can finally step back into the starring role of his own life story.
A summertime entertainment staple of most states, these eagerly anticipated annual get-togethers present fair-goers with a dizzying juxtaposition of divergent sights, sounds, and aromas, not to mention entertainment options that range from high-flying midway thrills to more staid livestock shows and farm equipment displays. Step right up and take a closer look at this nostalgic photo history which begins with the advent of State Fairs as agricultural expositions in the 1800s and continues through the 1960s.
Robert W. Rydell contends that America's early world's fairs actually served to legitimate racial exploitation at home and the creation of an empire abroad. He looks in particular to the "ethnological" displays of nonwhites—set up by showmen but endorsed by prominent anthropologists—which lent scientific credibility to popular racial attitudes and helped build public support for domestic and foreign policies. Rydell's lively and thought-provoking study draws on archival records, newspaper and magazine articles, guidebooks, popular novels, and oral histories.
This book offers a lively and entertaining read for world- and armchair travelers alike. Consider such roadside treasures as the Cabazon Dinosaurs, Lucy the Elephant, Igloo City, and the world's largest killer bee. You just have to see them. If you're planning a fun trip on the open road, read this first . . . or better yet, bring it along. There are plenty of colorful (and weird) places that you wouldn't want to miss. Gorgeous photography and tongue-in-cheek text will steer you to some of the most garish, inelegant, and unbelievable sights in the United States!
Argues that the American frontier and city developed together by focusing on Chicago and tracing its roots from Native American habitation to its transformation by white settlement and development.
From the Pulitzer Prize–winning author of American Pastoral—a richly imagined novel featuring America’s only homeless big-league baseball team in history delivers “shameless comic extravagance…. Roth gleefully exploits our readiness to let baseball stand for America itself" (The New York Times). Gil Gamesh, the only pitcher who ever literally tried to kill the umpire. The ex-con first baseman, John Baal, "The Babe Ruth of the Big House," who never hit a home run sober. If you've never heard of them—or of the homeless baseball team the Ruppert Mundys—it's because of the Communist plot, and the capitalist scandal, that expunged the entire Patriot League from baseball memory. In this ribald, wickedly satiric novel, Roth turns baseball's status as national pastime and myth into an occasion for unfettered picaresque farce, replete with heroism and perfidy, ebullient wordplay and a cast of characters that includes the House Un-American Activities Committee.