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Artists, craftspeople and antique toy buffs will welcome this magnificent collection of antique toy illustrations reproduced from rare original trade catalogs. Spanning 66 years of toy production in America, this volume comprises a trove of 5,000 royalty-free illustrations, perfect for adding old-fashioned charm to advertisements, book and magazine illustrations—almost any graphics project. Dating from 1879 to 1945, these graphics originally appeared in the catalogs of such well-known merchants as Best and Company, Butler Brothers, Marshall Field & Co., Montgomery Ward, and many others. They depict an extraordinary variety of toys and old-time amusements, including rocking horses, toy carriages and wagons, antique bicycles, lively mechanical toys, trains, sleds, all manner of dolls, an amazing array of novelty items, and much more. Each toy appears with its original descriptive caption and price, making this not only a rich source of immediately usable illustrations, but an important reference tool for antique toy collectors, and a fascinating browsing book for lovers of nostalgia. 5,000 black-and-white illus.
By the middle 1800s, toys were appearing in forms that drew upon--and that inspired--advances in areas such as optics, biology, geography, transportation, and automation. In these decades, too, a new type of wonder tale was being brought to maturity by a Poe-inspired Jules Verne. The modern wonder tale's highly-charged vision expressed the hopes and the fears, and the delights and the traumas, engendered by "new worlds idealism"--that Western pursuit of both mechanical and geographical conquest. Exploring realms belonging to childhood, literature, science, and history, this innovative study weaves together the histories of wonder tales and children's toys, focusing specifically on their modern aspects and how they reflect and express the social attitudes of that time period beginning around 1859 and ending around 1957.
Magnificent collection of antique toy illustrations — reproduced in catalogs from Marshall Field, Wanamaker, Sears, Schoenhut, and other merchandising establishments — depict model trains, miniature fire engines, bicycles and scooters, teddy bears and dolls, banks, games, and scores of other old-fashioned playthings. More than 500 black-and-white illustrations with identifications.
Over 200 black-and-white photographs and incisive commentary on one of the most popular decorative styles of the 20th century, including remarks by Lewis Mumford, Frank Lloyd Wright, Norman Bel Geddes, and Edward Steichen.
This book explores the history of children’s toys and games bearing racial stereotypes, and the role these objects played in the creation and maintenance of structures of racialism and racism in the United States, from approximately 1865 to the 1930s. This time period is one in which the creation of structures of childhood and children’s socialization into race was fostered. Additionally, commodities, like toys, were didactic and disciplinary media in the creation, modification and reproduction of Victorian society. This volume: will shed light on issues of identity, ideology, and hegemony; will appeal to those interested in historical archaeology, critical theory, and constructions of racism and class, as well as material culture scholars, and antiques collectors; will be suitable for upper-level courses in historical archaeology, modern American history, and material culture studies.
Over 450 black-and-white photos, royalty-free, show great ironwork from all over Europe — doors, gates, railings, grilles, lanterns, candelabra, firedogs, chandeliers, much more.
The Coloniality of Animal Monstrous Othering in Children’s Books, Films, and Toys examines how the portrayal of animals as physically distorted, behaviorally depraved, and intellectually defective serves to justify their debasement, violation, and destruction in materials directed toward young consumers. The author argues that this animal monstrous Othering arises from the Eurocentric belief in humans’ natural superiority over animals and the right to categorize animals in accordance with a scale of worthiness that parallels the subjugation of racialized persons. The chapters examine a variety of canonical figures like the dissolute wolf of Red Riding Hood stories and the disfigured titular character of the Wonky Donkey picture book alongside non-canonical animals including reprobate pigs, degenerate sharks, self-centered flamingos, and wicked piranhas. To counter this animal debasement, Varga juxtaposes these readings with an examination of materials that articulate harmonious animal-human interrelationships without dependence on styles of anthropomorphism that diminish animality.
Nearly 200 beautiful examples of wrought iron gates, screens, balustrades, and other architectural adornments.
It is true to say that toys reflect their times. Indeed, the development of great warships and ocean liners from the late 19th into the 20th century is shown through Dick Claus's collection of toy ships.