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The Great American Aran Afghan booklet features 24 squares by twenty-four knitters. Combine 20 squares of your choice for the throw and pair the additional four into accent pillows. All the information you'll need to knit The Great American Aran Afghan is included in this convenient booklet.
Whether they are called blankets or throws, warm and colorful afghans are an ever popular item for the home and project for knitters, and this guide takes knitters from the basics of creating afghan squares through the mechanics of laying out those squares in a design to the final product. Four project patterns—two that combine texture and color, one with cables, and one for kids—are included. Step-by-step illustrations are featured for stitches such as intarsia, duplicate stitch, cable and twist stitches, modular, entrelac, and two-color stranding. Both written and charted pattern directions, finishing hints, and border treatments are also provided. Since squares are made one at a time, crafters can easily transport projects and switch up designs any time.
Provides patterns and instructions for a variety of afghans, including picture afghans, and demonstrates basic stitches
Make room for more yarn when you use up your stash on these irresistible scrap afghans. Offering a contemporary take on the traditional scrappy afghan, each of the 20 designs requires a main color, plus no more than one skein each of the scrap colors.
The 2001 invasion of Afghanistan by United States and coalition forces was followed by a flood of aid and development dollars and “experts” representing well over two thousand organizations—each with separate policy initiatives, geopolitical agendas, and socioeconomic interests. This book examines the everyday actions of people associated with this international effort, with a special emphasis on small players: individuals and groups who charted alternative paths outside the existing networks of aid and development. This focus highlights the complexities, complications, and contradictions at the intersection of the everyday and the geopolitical, showing how dominant geopolitical narratives influence daily life in places like Afghanistan—and what happens when the goals of aid workersor the needs of aid recipients do not fit the narrative. Specifically, this book examines the use of gender, “need,” and grief as drivers for both common and exceptional responses to geopolitical interventions.Throughout this work, Jennifer L. Fluri and Rachel Lehr describe intimate encounters at a microscale to complicate and dispute the ways in which Afghans and their country have been imagined, described, fetishized, politicized, vilified, and rescued. The authors identify the ways in which Afghan men and women have been narrowly categorized as perpetrators and victims, respectively. They discuss several projects to show how gender and grief became forms of currency that were exchanged for different social, economic, and political opportunities. Such entanglements suggest the power and influence of the United States while illustrating the ways in which individuals and groups have attempted to chart alternative avenues of interaction, intervention, and interpretation.
Since 9/11 there has been a cultural and political blossoming among those of the Afghan diaspora, especially in the United States, revealing a vibrant, active, and intellectual Afghan American community. And the success of Khaled Hosseni's The Kite Runner, the first work of fiction written by an Afghan American to become a bestseller, has created interest in the works of other Afghan American writers. One Story, Thirty Stories (or "Afsanah, Seesaneh," the Afghan equivalent of "once upon a time") collects poetry, fiction, essays, and selections from two blogs from thirty-three men and women—poets, fiction writers, journalists, filmmakers and video artists, photographers, community leaders and organizers, and diplomats. Some are veteran writers, such as Tamim Ansary and Donia Gobar, but others are novices and still learning how to craft their own "story," their unique Afghan American voice. The fifty pieces in this rich anthology reveal journeys in a new land and culture. They show people trying to come to grips with a life in exile, or they trace the migration maps of parents. They navigate the jagged landscape of the Soviet invasion, the civil war of the 1990s and the rise of the Taliban, and the ongoing American occupation.
Rugged, remote, riven by tribal rivalries and religious violence, Afghanistan seems to many a country frozen in time and forsaken by the world. Afghan Modern presents a bold challenge to these misperceptions, revealing how Afghans, over the course of their history, have engaged and connected with a wider world and come to share in our modern globalized age. Always a mobile people, Afghan travelers, traders, pilgrims, scholars, and artists have ventured abroad for centuries, their cosmopolitan sensibilities providing a compass for navigating a constantly changing world. Robert Crews traces the roots of Afghan globalism to the early modern period, when, as the subjects of sprawling empires, the residents of Kabul, Kandahar, and other urban centers forged linkages with far-flung imperial centers throughout the Middle East and Asia. Focusing on the emergence of an Afghan state out of this imperial milieu, he shows how Afghan nation-making was part of a series of global processes, refuting the usual portrayal of Afghans as pawns in the “Great Game” of European powers and of Afghanistan as a “hermit kingdom.” In the twentieth century, the pace of Afghan interaction with the rest of the world dramatically increased, and many Afghan men and women came to see themselves at the center of ideological struggles that spanned the globe. Through revolution, war, and foreign occupations, Afghanistan became even more enmeshed in the global circulation of modern politics, occupying a pivotal position in the Cold War and the tumultuous decades that followed.
Crafters who wish to showcase their skills, pamper themselves or someone special, or mark an occasion with a one-of-a-kind remembrance, will love knitting or crocheting the luxurious afghans in this new book. All are heirloom-quality afghans--displayed in breathtaking color photos--featuring deluxe yarns such as silk blends, mohair, or cashmere. And it's an anything-but-ordinary collection that includes new takes on classic afghans, afghans with hundreds of bullion stitches, and those that look like the finest lace. You'll be proud to give any one as a gift for a wedding, christening, anniversary, dedication ceremony or whenever you want to show love or appreciation with a gift well worth the time and cost--one that will be cherished for a lifetime!
"Exceptionally useful are (Aseel's) reflections on what it has meant to be a Muslim in America after September 11 . . . A fascinating multicultural coming-of-age story."--"Booklist."
2,300 years ago an unbeaten army of the West invaded the homeland of a fierce Eastern tribal foe. This is one soldier’s story . . . The bestselling novelist of ancient warfare returns with a riveting historical novel that re-creates Alexander the Great’s invasion of the Afghan kingdoms in 330 b.c. In a story that might have been ripped from today’s combat dispatches, Steven Pressfield brings to life the confrontation between an invading Western army and fierce Eastern warriors determined at all costs to defend their homeland. Narrated by an infantryman in Alexander’s army, The Afghan Campaign explores the challenges, both military and moral, that Alexander and his soldiers face as they embark on a new type of war and are forced to adapt to the methods of a ruthless foe that employs terror and insurgent tactics. An edge-of-your-seat adventure, The Afghan Campaign once again demonstrates Pressfield’s profound understanding of the hopes and desperation of men in battle and of the historical realities that continue to influence our world.