Download Free The Graves Book in PDF and EPUB Free Download. You can read online The Graves and write the review.

"Things are looking good for Abby: she's top pick to be the next District Attorney, and her musician boyfriend Ty has moved in, despite her upper crust family's objections. But a serial killer is on the loose, and with two college-aged girls dead and another missing, time is running out. When the sons of a prominent government official are linked to the murders, Abby pushes back, stopping at nothing to find justice for the girls"--
This book is based on research conducted in Bosnia and Croatia from 1992 to 1997. Some of the name of individuals in the book have been changed to protect them from possible retaliations and further hardship.
The poems in Tsitsi Ella Jaji’s Beating the Graves meditate on the meaning of living in diaspora, an experience increasingly common among contemporary Zimbabweans. Vivid evocations of the landscape of Zimbabwe filter critiques of contemporary political conditions and ecological challenges, veiled in the multiple meanings of poetic metaphor. Many poems explore the genre of praise poetry, which in Shona culture is a form of social currency for greeting elders and peers with a recitation of the characteristics of one’s clan. Others reflect on how diasporic life shapes family relations. The praise songs in this volume pay particular homage to the powerful women and gender-queer ancestors of the poet’s lineage and thought. Honoring influences ranging from Caribbean literature to classical music and engaging metaphors from rural Zimbabwe to the post-steel economy of Youngstown, Ohio, Jaji articulates her own ars poetica. These words revel in the utter ordinariness of living globally, of writing in the presence of all the languages of the world, at home everywhere, and never at rest.
Returning to her hometown of Catawissa, Pennsylvania, in 1867 to marry a man she has never met, seventeen-year-old Verity Boone gets caught up in the a mystery surrounding the graves of her mother and aunt and a dangerous hunt for Revolutionary-era gold.
The Graves family has just moved to Union City, and they definitely don't fit in. With giant spiders in the living room, a voracious Venus flytrap named Phoebe in the kitchen, and a secret laboratory in the basement, the neighbors are afraid to visit! Except for Seth and Sara Miller, the kids next door, who decide to help them make friends. Maybe if Mr. Graves gives all the bald men in town his amazing hair-growing tonic, which he developed from the follicles of house cats? It seems like a great idea-until the tonic-dosed town council starts chasing birds and running up trees! And then Phoebe nearly devours the Ladies' Auxiliary Garden Club-will the Graves family ever find a way to fit in?
The Graves of Tarim narrates the movement of an old diaspora across the Indian Ocean over the past five hundred years. Ranging from Arabia to India and Southeast Asia, Engseng Ho explores the transcultural exchanges—in kinship and writing—that enabled Hadrami Yemeni descendants of the Muslim prophet Muhammad to become locals in each of the three regions yet remain cosmopolitans with vital connections across the ocean. At home throughout the Indian Ocean, diasporic Hadramis engaged European empires in surprising ways across its breadth, beyond the usual territorial confines of colonizer and colonized. A work of both anthropology and history, this book brilliantly demonstrates how the emerging fields of world history and transcultural studies are coming together to provide groundbreaking ways of studying religion, diaspora, and empire. Ho interprets biographies, family histories, chronicles, pilgrimage manuals and religious law as the unified literary output of a diaspora that hybridizes both texts and persons within a genealogy of Prophetic descent. By using anthropological concepts to read Islamic texts in Arabic and Malay, he demonstrates the existence of a hitherto unidentified canon of diasporic literature. His supple conceptual framework and innovative use of documentary and field evidence are elegantly combined to present a vision of this vital world region beyond the histories of trade and European empire.
A literal star-studded anthology that delivers a love story for every star sign straight from the hearts of thirteen multicultural YA authors. A haunted Aquarius finds love behind the veil. An ambitious Aries will do anything to stay in the spotlight. A foodie Taurus discovers the best eats in town (with a side of romance). A witchy Cancer stumbles into a curious meet-cute. Whether it’s romantic, platonic, familial, or something else you can’t quite define, love is the thing that connects us. All Signs Point to Yes will take you on a journey from your own backyard to the world beyond the living as it settles us among the stars for thirteen stories of love and life. These stories will touch your heart, speak to your soul, and have you reaching for your horoscope forevermore. Contributors: g. haron davis (Aries) Adrianne White (Aquarius) Cam Montgomery (Ophiuchus) Tehlor Kay Mejia (Gemini) Mark Oshiro (Libra) Eric Smith (Scorpio) Emery Lee (Pisces) Byron Graves (Virgo) Karuna Riazi (Cancer) Roselle Lim (Taurus) Alexandra Villasante (Capricorn) Lily Anderson (Sagittarius) Kiana Nguyen (Leo)
From Last Call to On Stranger Tides to Declare to Three Days to Never, any book by the inimitable Tim Powers is a wonder. With Hide Me Among the Graves, it’s possible that the uniquely ingenious Powers has surpassed even himself. A breathtaking historical thriller in which art and the supernatural collide, Hide Me Among the Graves transports readers back to mid-19th century London and features a reformed ex-prostitute, a veterinarian, and the vampire ghost of Lord Byron’s onetime physician, uncle to poet Christina Rossetti and her brother, the painter Dante Gabriel Rossetti. A novel that, like all his others, is virtually impossible to pidgeonhole—or to resist—Hide Me Among the Graves is the taut, gripping, and utterly remarkable literary thrill ride that Tim Powers fans have been eagerly waiting for.
“Though the story of the potato famine has been told before, it’s never been as thoroughly reported or as hauntingly told.” —New York Post It started in 1845 and before it was over more than one million men, women, and children would die and another two million would flee the country. Measured in terms of mortality, the Great Irish Potato Famine was the worst disaster in the nineteenth century—it claimed twice as many lives as the American Civil War. A perfect storm of bacterial infection, political greed, and religious intolerance sparked this catastrophe. But even more extraordinary than its scope were its political underpinnings, and The Graves Are Walking provides fresh material and analysis on the role that Britain’s nation-building policies played in exacerbating the devastation by attempting to use the famine to reshape Irish society and character. Religious dogma, anti-relief sentiment, and racial and political ideology combined to result in an almost inconceivable disaster of human suffering. This is ultimately a story of triumph over perceived destiny: for fifty million Americans of Irish heritage, the saga of a broken people fleeing crushing starvation and remaking themselves in a new land is an inspiring story of revival. Based on extensive research and written with novelistic flair, The Graves Are Walking draws a portrait that is both intimate and panoramic, that captures the drama of individual lives caught up in an unimaginable tragedy, while imparting a new understanding of the famine’s causes and consequences. “Magisterial . . . Kelly brings the horror vividly and importantly back to life with his meticulous research and muscular writing. The result is terrifying, edifying and empathetic.” —USA Today
In this gripping and provocative “ethnography of death,” anthropologist and MacArthur "Genius" Fellow Jason De León sheds light on one of the most pressing political issues of our time—the human consequences of US immigration and border policy. The Land of Open Graves reveals the suffering and deaths that occur daily in the Sonoran Desert of Arizona as thousands of undocumented migrants attempt to cross the border from Mexico into the United States. Drawing on the four major fields of anthropology, De León uses an innovative combination of ethnography, archaeology, linguistics, and forensic science to produce a scathing critique of “Prevention through Deterrence,” the federal border enforcement policy that encourages migrants to cross in areas characterized by extreme environmental conditions and high risk of death. For two decades, systematic violence has failed to deter border crossers while successfully turning the rugged terrain of southern Arizona into a killing field. Featuring stark photography by Michael Wells, this book examines the weaponization of natural terrain as a border wall: first-person stories from survivors underscore this fundamental threat to human rights, and the very lives, of non-citizens as they are subjected to the most insidious and intangible form of American policing as institutional violence. In harrowing detail, De León chronicles the journeys of people who have made dozens of attempts to cross the border and uncovers the stories of the objects and bodies left behind in the desert. The Land of Open Graves will spark debate and controversy.