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Dame Laura Knight (1877-1970) was one of Britain's most popular artists during the first half of the 20th century. Although she is known chiefly for her technically accomplished paintings of circus and ballet scenes, this book considers the full range of her graphic work - the drawings, linocuts, lithographs and etchings.
A major survey of Dame Laura Knight, first female Royal Academician and popular British artist of the 20th century. Laura Knight (1877–1970) was one of the most famous and popular English artists of the twentieth century. She was the first woman to have a solo exhibition at the Royal Academy of Arts, in 1965. In the following decades her realist style of painting fell out of fashion and her work become largely overlooked. A new generation has rediscovered her work, finding a contemporary resonance in her depictions of women at work, of people from marginalized communities and her contributions as a war artist. This beautifully illustrated book, which accompanies a major exhibition at MK Gallery, provides an overview of Knight's illustrious career: from her training at Nottingham Art School at the age of 13 and her time in North Yorkshire and Cornwall, to her visits to traveller communities and a segregated American hospital. It also features her circus, ballet and theatre scenes, paintings of women during the war and her late paintings of nature. The selection of over 160 works combines celebrated paintings with less known graphic and design works, including ceramics, jewellery and costumes that reflect the artist's enduring interest in the everyday activities of people from all walks of life.
Dame Laura Knight RA (1877-1970) was the first female member to be elected to the Royal Academy of Arts, submitting Dawn, her now famous painting of two female nudes, as her Diploma Work in 1936. In 1965 the Academy's major retrospective of her work recognised her importance in British art.0This autumn an exhibition of Knight's drawings opens at the RA. Drawing was a key part of her practice, and allowed her to capture at speed her various subjects, which include travellers, circus performers, boxers, ballet dancers and ice skaters. Drawing allowed her to capture with immediacy the exuberant life of her models, as well as being a vital recording tool when she witnessed one of the most important events of the twentieth century: the Nuremberg trials.0In this new publication on the artist, Annette Wickham and Helen Valentine present the Academy's holdings of her drawings with an in-depth analysis focused on three key subjects within her work: the nude, the working woman and country life.00Exhibition: Royal Academy of Arts, Tennant Gallery, London, UK (02.09.2019-02.02.2020).
Catalog of an exhibition held at Penlee House Gallery & Museum, Penzance, June 16-Sep. 8, 2012; at Djanogly Art Gallery, Nottingham, Sept. 22-Nov. 4, 2012; and at Worcester City Art Gallery, Nov. 17, 2012-Feb. 10, 2013.
A unique and spirited graphic novel reminiscent of the works of Raina Telgemeier and Neil Gaiman! Katia and Victoria are sisters and scholarship students at a private boarding school. While Victoria tries to fit in, Katia is unapologetic about her quirks, even though their classmates tease her. After a big fight, Katia runs away from school. And when Victoria goes looking for her, she accidentally tumbles into the underworld of a nearby graveyard. It is inhabited by ghosts, ghouls, and a man named Nikola, who is preparing a sinister spell that's missing one key ingredient.Victoria teams up with adorable Little Ghost and Nikola's kindhearted son, and together they search for Katia. They must find her before she becomes Nikola's next victim!
I am going to write every single day and tell you about my life here in Spitalfields at the heart of London... Drawing comparisons with Pepys, Mayhew and Dickens, the gentle author of Spitalfields Life has gained an extraordinary following in recent years, by writing hundreds of lively pen portraits of the infinite variety of people who live and work in the East End of London.
Paintings and drawing of the ballet and the stage
Laura Knight, the first woman elected to the Royal Academy of Arts, is widely acknowledged as one of the most important English artists of the twentieth century. Her autobiography--originally published in 1936 and now back in print with forty color images--offers a fascinating look inside the life of a trailblazing polymath. Although she is best known for her paintings of the worlds of ballet and theater, Knight's work also shed light on marginalized communities, including itinerant gypsies and laborers in the American South. She served as an official war artist in World War II and later recorded the Nuremberg trials. Oil Paint and Grease Paint tells the inside story of a multifaceted original.
A long overdue reappraisal of an outstanding and pioneering female artist features over 35 of her finest works from across her long and prolific career.