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How gunpowder technology exploded heroes, heroics, and war stories from 1400 to 1700, and how German writers tried to glue them back together
How did German composers brand their music as Venetian? How did the Other fare in other languages, when Cabeza’s Relación of colonial Americas appeared in translations? How did Altdorf emblems travel to colonial America and Sweden? What does Virtue look like in a library collection? And what was Boccaccio’s Decameron doing in the Ethica section? From representations of Sophie Charlotte, the first queen in Prussia, to the Ottoman Turks, from German wedding music to Till Eulenspiegel, from the translation of Horatian Odes and encyclopedias of heraldry, these essays by leading scholars explore the transmission, translation, and organization of knowledge in early modern Germany, contributing sophisticated insights to the history of the early modern book and its contents.
'A New History of German Literature' offers some 200 essays on events in German literary history.
A study of the discourse of gender in 16th-century German popular literature.Writers of sixteenth-century German popular literature took great interest in describing, debating, commenting on, and prescribing gender roles, and discourses of gender can be traced in texts of all kinds from this period. This book focuses on popular works by Georg Wickram, Jakob Frey, Martin Montanus, and Johann Fischart, all of whom published novels, joke books, plays and/or moral treatises on marriage and family life in Strasbourg in the sixteenth century. Their works express not only their own ideas on women's roles as wives and mothers, but also societal values at a time of religious, political, and cultural change. The view of gender issues provided by these writers is nota simple one, as they ascribed widely varying characteristics to "woman" and her relationship to "man." The book thus analyzes the social and cultural construction of the concept of "woman" as indicated not only by the narrators'comments, but also by the relationships and roles of men and women characters in the narratives. Overall, the focus is on the disparities that persisted in the sixteenth-century discourse of gender, confusing all attempts to arrive at definitive gender roles. In the end, the study argues for something that can best be described as a "flowing continuity" or a "continuous flow" in the discourses that form the sixteenth-century concepts of "woman" and "man." Elisabeth Wåghäll-Nivre is associate professor of German at Växjö University, Sweden.ationships and roles of men and women characters in the narratives. Overall, the focus is on the disparities that persisted in the sixteenth-century discourse of gender, confusing all attempts to arrive at definitive gender roles. In the end, the study argues for something that can best be described as a "flowing continuity" or a "continuous flow" in the discourses that form the sixteenth-century concepts of "woman" and "man." Elisabeth Wåghäll-Nivre is associate professor of German at Växjö University, Sweden.ationships and roles of men and women characters in the narratives. Overall, the focus is on the disparities that persisted in the sixteenth-century discourse of gender, confusing all attempts to arrive at definitive gender roles. In the end, the study argues for something that can best be described as a "flowing continuity" or a "continuous flow" in the discourses that form the sixteenth-century concepts of "woman" and "man." Elisabeth Wåghäll-Nivre is associate professor of German at Växjö University, Sweden.ationships and roles of men and women characters in the narratives. Overall, the focus is on the disparities that persisted in the sixteenth-century discourse of gender, confusing all attempts to arrive at definitive gender roles. In the end, the study argues for something that can best be described as a "flowing continuity" or a "continuous flow" in the discourses that form the sixteenth-century concepts of "woman" and "man." Elisabeth Wåghäll-Nivre is associate professor of German at Växjö University, Sweden.niversity, Sweden.
This book explores the metaphor of topography as a mechanism for the inscription of gender roles in Arthurian romance.
Capitalizes on the ripeness of the German case for interdisciplinary investigation
A collection of original essays, Saints, Sinners, and Sisters showcases the diverse questions currently being asked by gender scholars dealing with French, Netherlandish and German art from the medieval and early modern periods. Moving beyond the reclamation of personalities and oeuvres of 'lost' female artists, the contributors pose questions about gender and sex within specific historical contexts, addressing such issues as intended audience, use of the object, and patronage. These avenues of inquiry intersect with larger cultural questions concerning societal control of women. The book's three sections, 'Saints,' 'Sinners,' and 'Sisters, Wives, Poets' are each preceded by a concise introductory essay, detailing themes and offering reflective comparisons of theses and information. In 'Saints,' contributors look at women who were positive exemplar used by society to uphold standards. In the second section, the essays focus on the power of women's sexuality. The third section expands beyond the customary dichotomous division of the first two to examine women in diverse roles not widely studied as positions of women in those times. This final section expands our definitions of women's responsibilities and realigns them historically; it argues that women, and thus gender, need to be understood within a much broader historical context and beyond simplistic approaches sometimes superimposed by present-day readers on past times. This volume answers an acute need for research on the art of Northern Europe prior to the 20th century, and highlights the possibilities of new directions in the field. The effect of the new scholarship presented here is to broaden the discursive field, allowing fluidity of disciplinary boundaries, resulting in a volume that is illuminating to historians of more than art alone.
This text brings together eleven important pieces by Merry Wiesner, several of them previously unpublished, on three major areas in the study of women and gender in early modern Germany: religion, law and work. The final chapter, specially written for this volume addresses three fundamental questions: "Did women have a Reformation?"; "What effects did the development of capitalism have on women?"; and "Do the concepts 'Renaissance' and 'Early Modern' apply to women's experience?" The book concludes with an extensive bibliographical essay exploring both English and German scholarship.
During the oppressive reign of Louis XIV, Gabrielle Suchon (1632–1703) was the most forceful female voice in France, advocating women’s freedom and self-determination, access to knowledge, and assertion of authority. This volume collects Suchon’s writing from two works—Treatise on Ethics and Politics (1693) and On the Celibate Life Freely Chosen; or, Life without Commitments (1700)—and demonstrates her to be an original philosophical and moral thinker and writer. Suchon argues that both women and men have inherently similar intellectual, corporeal, and spiritual capacities, which entitle them equally to essentially human prerogatives, and she displays her breadth of knowledge as she harnesses evidence from biblical, classical, patristic, and contemporary secular sources to bolster her claim. Forgotten over the centuries, these writings have been gaining increasing attention from feminist historians, students of philosophy, and scholars of seventeenth-century French literature and culture. This translation, from Domna C. Stanton and Rebecca M. Wilkin, marks the first time these works will appear in English.