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'The Grandeur That Was Rome by J.C. Stobart' is a history book that examines Roman culture and civilization from the point of view of humanity and the progress of civilization. The author makes a deliberate attempt to adjust the historical balance by emphasizing the value of Rome's contribution to the lasting welfare of mankind. This book presents a new interpretation of Rome's history, where the author believes that the Empire without the Republic is almost as incomplete as the Republic without the Empire. It is a derivative history intended for readers who are not specialists, and its point of view is derived from the author's own. The pictures in the book have been chosen to convey an impression of grand building, vast, solid, and utilitarian, rather than of finished sculpture by Greek hands. This book will greatly appeal to readers who are interested in ancient history and want to gain a fresh perspective on the Roman Empire.
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"The Glory That Was Greece: a survey of Hellenic culture and civilisation" by J. C. Stobart. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Rupert Brooke, Wilfred Owen, Isaac Rosenberg, and Charles Sorley all died in the First Word War. They came from diverse social, educational, and cultural backgrounds, but for all of the writers, engagement with Greek and Roman antiquity was decisive in shaping their war poetry. The world views and cultural hinterlands of Brooke and Sorley were framed by the Greek and Latin texts they had studied at school, whereas for Owen, who struggled with Latin, classical texts were a part of his aspirational literary imagination. Rosenberg's education was limited but he encountered some Greek and Roman literature through translations, and through mediations in English literature. The various ways in which the poets engaged with classical literature are analysed in the commentaries, which are designed to be accessible to classicists and to users from other subject areas. The extensive range of connections made by the poets and by subsequent readers is explained in the Introduction to the volume. The commentaries illuminate relationships between the poems and attitudes to the war at the time, in the immediate post-war years, and subsequently. They also probe how individual poems reveal various facets of the poetry of unease, the poetry of survival, and the poetics of war and ecology. References to the accompanying online Oxford Classical Receptions Commentaries will enable readers to follow up their special interests. This volume differs from the shorter volume Greek and Roman Antiquity in First World War Poetry: Making Connections in that it covers the whole output of the four poets, and not just their war poems.
Includes the library's annual reports for 1909-