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Grandchildren of the Ghetto (1892) is a novel by Israel Zangwill. Raised in London by parents from Latvia and Poland, Zangwill understood the plight of the city’s Jewish community firsthand. Having risen through poverty to become an educator and author, he dedicated his career to the voiceless, the oppressed, and the needy, advocating for their rights and bearing witness to their suffering in some of the most powerful novels and stories of the Victorian era. “People who have been living in a Ghetto for a couple of centuries, are not able to step outside merely because the gates are thrown down, nor to efface the brands on their souls by putting off the yellow badges. The isolation imposed from without will have come to seem the law of their being.” As a Jewish immigrant who grew up in poverty in London, Israel Zangwill knows that the condition of life in the ghetto changes not just lives, but mentalities. Even if the Jews living in squalor on the East End of London were given the same rights as native Britons, they would still live with fear and doubt every day of their lives. In the second novel of his Ghetto series, Zangwill explores the day-to-day existence of these very people, illuminating their hopes and their dreams, illustrating their struggle to uphold traditions threatened by assimilation and the increasing secularism of modern life. A new generation experiences wealth and comfort beyond the wildest dreams of those who came before them. But what will they do with their newfound privilege? The tales of Jewish life in Grandchildren of the Ghetto earned Zangwill comparisons to Dickens upon publication and helped to establish him as an author with a gift for intensive character study and a passion for political themes. With a beautifully designed cover and professionally typeset manuscript, this edition of Israel Zangwill’s Grandchildren of the Ghetto is a classic of British literature reimagined for modern readers.
First appearing in 1892, CHILDREN OF THE GHETTO gave an inside look into an immigrant community that was almost as mysterious to the more established middle-class Jews of Britain as to the non-Jewish population, providing a compelling analysis of a generation caught between the ghetto and modern British life.
Presents the story of a Holocaust rescuer to reveal the formidable risks she took to her own safety to save some 2,500 children from death and deportation in Nazi-occupied Poland during World War II.
In this disturbing but ultimately hopeful personal account, Jean Anyon provides compelling evidence that the economic and political devastation of America's inner cities has robbed schools and teachers of the capacity to successfully implement current strategies of educational reform. She argues that without fundamental change in government and business policies and the redirection of major resources back into the schools and the communities they serve, urban schools are consigned to failure, and no effort at raising standards, improving teaching, or boosting achievement can occur. Based on her participation in an intensive four-year school reform project in the Newark, New Jersey public schools, the author vividly captures the anguish and anger of students and teachers caught in the tangle of a failing school system. Ghetto Schooling offers a penetrating historical analysis of more than a century of government and business policies that have drained the economic, political, and human resources of urban populations. Provocative and controversial, this book reveals the historical roots of the current crisis in ghetto schools and what must be done to reverse the downward spiral.
In his historic play The Melting Pot, Israel Zangwill (1864-1926) introduced into our discourse a potent metaphor that for nearly a hundred years has served as a key definition of the United States. The play, enthusiastically espoused by President Theodore Roosevelt, to whom it was dedicated, offered a grand vision of America as a dynamic process of ethnic and racial amalgamation. By his own admission, The Melting Pot grew out of Zangwill's intense involvement in issues of Jewish immigration and resettlement and was grounded in his interpretation of Jewish history. Zangwill, Anglo Jewry's most renowned writer, began writing seriously for the stage in the late 1890s. At the time, the negative stereotype of the so-called Stage Jew was still deeply entrenched in the theatrical mainstream, so much so that Jewish playwrights writing for the English-language stage avoided altogether the portrayal of Jewish life. Zangwill shattered this silence in 1899 with the American premiere of Children of the Ghetto-his first full-length drama, and the first English-language play devoted in its entirety to the depiction of Jewish life in an authentic and positive fashion. The play's groundbreaking production drew tremendous attention and generated heated debates, but since the script was never published, the memory of the passions it generated dimmed, and its whereabouts eventually became unknown. After more than a century, theater historian Edna Nahshon has discovered the original manuscript of this milestone text, as well as that of another unpublished Zangwill play, The King of Schnorrers, and the original version of The Melting Pot. Nahshon brings these three works together in print for the first time in From the Ghetto to the Melting Pot. Edna Nahshon's in-depth introduction to this volume includes a biography of Israel Zangwill that especially pertains to these works and situates them within the Anglo-American theater of the time. The essays preceding each play provide rich and hitherto unknown information on the scripts, their stage productions, and their popular and critical reception. While some issues addressed in From the Ghetto to the Melting Pot are uniquely Jewish, others are universal and typical of the negotiation of self-presentation by ethnic and minority groups, particularly within the American experience.
After winning an international audience with his novel Children of the Ghetto, Israel Zangwill went on to write numerous short stories, four additional novels, and several plays, including The Melting Pot. Author Meri-Jane Rochelson, a noted expert on Zangwill’s work, examines his career from its beginnings in the 1890s to the performance of his last play, We Moderns, in 1924, to trace how Zangwill became the best-known Jewish writer in Britain and America and a leading spokesperson on Jewish affairs throughout the world. In A Jew in the Public Arena, Rochelson examines Zangwill’s published writings alongside a wealth of primary materials, including letters, diaries, manuscripts, press cuttings, and other items in the vast Zangwill files of the Central Zionist Archives, to demonstrate why an understanding of Israel Zangwill’s career is essential to understanding the era that so significantly shaped the modern Jewish experience. Once he achieved fame as an author and playwright, Israel Zangwill became a prominent public activist for the leading social causes of the twentieth century, including women’s suffrage, peace, Zionism, and the Jewish territorialist movement and rescue efforts. Rochelson shows how Zangwill’s activism and much of his literary output were grounded in a universalist vision of Judaism and a commitment to educate the world about Jews as a way of combating antisemitism. Still, Zangwill’s position in favor of creating a homeland for the Jews wherever one could be found (in contrast to mainstream Zionism’s focus on Palestine) and his apparent advocacy of assimilation in his play The Melting Pot made him an increasingly controversial figure. By the middle of the twentieth century his reputation had fallen into decline, and his work is unknown to many modern readers. A Jew in the Public Arena looks at Zangwill’s literary and political activities in the context of their time, to make clear why he held such a place of importance in turn-of-the-century literary and political culture and why his life and work are significant today. Jewish studies scholars as well as students and teachers of late Victorian to Modernist British literature and culture will appreciate this insightful look at Israel Zangwill.
Angel of the Ghetto tells the remarkable story of Sam Solasz, a boy born into a warm and loving Jewish family in Poland in 1928. Sam inhabited a protected world until the Nazi invasion of Poland in 1939. which tore his world apart. Ripped from his family, young Sam lived a nomadic and dangerous life. He had to learn to depend on his resourcefulness and the keen ability he had to size up people and events around him. Trapped in the Bialystok Ghetto, in inhuman conditions and hounded by the brutal Gestapo, Sam helped other starving and fearful souls. He did this by risking his life each day to smuggle in food, medicines and other desperately needed goods. He also managed to sneak arms into the ghetto for the Jewish underground in preparation for the Uprising against the Nazis. As the only member of his immediate family to survive the Holocaust, this extraordinary boy grew into an extraordinary man. Sam went on to fight for the independence of Israel in the Israeli Defense Forces and eventually achieved his dream and made his way to New York City. He arrived with ten dollars in his pocket. Once there he used his strength and hard-won business savvy to build a highly successful business as well as a new and loving family. This unforgettable memoir is a different kind of Holocaust account. It is a gripping tale of love and loss, of survival and courage, but also of reconnection, regeneration and hope.