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Extending the scholarly discussion of visual history, this book examines eighteenth-century engraved book illustrations in order to outline the genealogy of the modern visualisation of the past in Britain. This study is based on a body of more than a hundred engraved historical plates designed in the second half of the eighteenth century in Britain and published in more than a dozen pictorial histories. Focusing on these previously unstudied engravings, this work contributes to the study of eighteenth-century visual culture and is informed by current interdisciplinary approaches at the intersection of visual and book studies. Eighteenth-Century Engravings and Visual History in Britain is about the urge to envision the past and about the establishment of the new relationship between visual media, visuality, and history in eighteenth-century Britain. The book will be of interest to scholars working in art history, British history, book studies, and visual culture.
Every year the Grand National produces very different stories from jockeys and horses alike; uplifting scenes from a victor and heartbreak when a mere inch divides the loser from the winner at the end of nearly four-and-a-half miles and thirty challenging fences. In 1839 the first winner was aptly named Lottery. Back then, huge crowds rode to Aintree by horseback, in carriages, carts or on foot. Today the Grand National is probably the world's most famous horse race, with a global television audience of some 600 million in 140 countries. This richly informed book focuses on the race's various record-breakers, rather than being a purely chronological history of this greatest of all steeplechases. Many records have stood the test of time: in 2019, Tiger Roll's second consecutive victory was the first time that the feat had been achieved since Red Rum in 1973-74. Anne Holland's authoritative history celebrates one of the world's greatest sporting spectacles. 'A well-organised and cheerily anecdotal volume' Spectator
Volume two of a bibliography documenting all that has been written in the English language on the history of sport and physical education in Britain. It lists all secondary source material including reference works, in a classified order to meet the needs of the sports historian.
Volume three of a bibliography documenting all that has been written in the English language on the history of sport and physical education in Britain. It lists all secondary source material including reference works, in a classified order to meet the needs of the sports historian.
Innovatively extending counterfactual thought experiments from history and the social sciences to literary historiography, criticism and theory, Counterfactual Romanticism reveals the ways in which the shapes of Romanticism are conditioned by that which did not come to pass. Exploring various modalities of counterfactual speculation and inquiry across a range of Romantic-period authors, genres and concerns, this collection offers a radical new purchase on literary history, on the relationship between history and fiction, and on our historicist methods to date – and thus on the Romanticisms we (think we) have inherited. Counterfactual Romanticism provides a ground-breaking method of re-reading literary pasts and our own reading presents; in the process, literary production, texts and reading practices are unfossilised and defamiliarised.

History of the French Revolution, and of the Wars Produced by that Memorable Event; from ... 1792, to the Second Restoration of Louis XVIII. And the Deportation of Napoleon Buonaparte ... Including a Complete Account of the War Between Great Britain and America; and the ... Battle of Waterloo, to which are Appended, Biographical Sketches of the Heroes of Waterloo, and Other ... Public Characters ... Embellished with ... Portraits ... Engravings, and ... Maps

Christopher Kelly

Published: 1817

Total Pages: 782


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