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What do Adolf Hitler, Mahatma Gandhi, and Ed Sullivan have in common? Ottavio Canestrelli crossed paths with each. He performed with the Krone Circus in Italy and Germany from 1922 to 1924 on the eve of Hitler's rise to power; he witnessed a rally for Mahatma Gandhi in India in 1931; and he appeared twice on the Ed Sullivan Show during the 1960s. In The Grand Gypsy, Canestrelli, with his grandson, Ottavio Gesmundo, tells the story of a man who witnessed historical events as he toured with his family through five continents and countless nations, including experiences fighting in World War I and the excavation of the Sphinx in Egypt. It shares memories of life in the circus, filled with daring feats and tragic mishaps. With over one hundred and seventy historical photographs included, this memoir chronicles a circus dynasty from the late nineteenth-century in Europe to the new millennium in the United States.
Recounts the author's early experiences as a fifteen-year-old Gypsy emigrating with her family from the Soviet Union to the United States.
Whenever stripper Gypsy Rose Lee encountered public criticism, she spoke frankly in her own defense. "Thousands have seen me at my--ah--best; and thousands have made no objections." Noralee Frankel's lively biography, Stripping Gypsy, the first ever published about the highly mythologized Gypsy, examines the struggles Lee faced in making a lucrative and unconventional career for herself while maintaining a sense of dignity and social value. Frankel shows that the famous Miss Lee was an enigma, clearly struggling with her choices and her desire to be respected and legitimized. Those who know Gypsy Rose Lee only from the musical and film based on her rise to stardom will be surprised by what they uncover in Stripping Gypsy. In all ways, Lee trafficked in the incongruous: she was at once sex object, intellectual, and activist. In addition to her highly successful strip-tease act and film career, she published two mystery novels and a memoir, wrote two plays, and showed her original artwork in famed Modern Art-impresario Peggy Guggenheim's gallery. Lee also gained notoriety for her participation in liberal politics. As photographer Arnold Newman said, "She was a lady, a brilliant, bright woman who was the friend of many writers and intellectuals." Though she wasn't above using her femininity to full advantage, Lee aspired to much more than admiration for her physical beauty. Frankel places Lee's life in social and political context while detailing a fascinating entertainment career, in which Lee created and recreated her own identity to fit changing times. Frankel's biography transcends the sensationalism of stripping and asks the public to see the woman beneath the costume, a woman who always kept a little of herself shrouded in mystery.
A true icon of America at a turning point in its history, Gypsy Rose Lee was the firstand the onlystripper to become a household name, write novels, and win the adulation of intellectuals, bankers, socialites, and ordinary Americans. Her outrageous blend of funny-smart sex symbol with the aura of high cultureshe boasted that she liked to read Great Books and listen to classical music while taking off her clothes on-stageinspired a musical, memoirs, a portrait by Max Ernst, and a species of rose. Gypsy is the first book about Gypsy Rose Lees life, fame, and place in America not written by a family member, and it reveals her deep impact on the social and cultural transformations taking shape during her life. Rachel Shteir, author of the prize-winning Striptease, gives us Gypsys story from her arrival in New York in 1931 to her sojourns in Hollywood, her friendships and rivalries with writers and artists, the Sondheim musical, family memoirs that retold her history in divergent ways, and a television biopic currently in the making. With verve, audacity, and native guile, Gypsy Rose Lee moved striptease from the margins of American life to Broadway, Hollywood, and Main Street. Gypsy tells how she did it, and why.
In a lifetime traversing Britain's lanes and byways, Dominic Reeve has witnessed a changing world for the Romani Gypsies. Since the 1950s, the horse-drawn wagons have given way to brightly chromed vehicles, stopping-places have disappeared - but the Travellers still cling to the precious old traditions and the freedom of an outdoor life. Beneath the Blue Sky tells of horse-fairs and fireside deals, of snowbound Christmases and the joy of taking possession of a new motor. Dominic Reeve recalls feuds and friendships, cycles of parting and meeting, and the struggle in the face of prejudice. Above all, he paints an unforgettable picture of the self-reliance, wit and courage of the Romani people.