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Hate speech continues to be an issue of key social significance, yet while its lexical and discursive aspects have been widely studied, its grammatical traits have been hitherto overlooked. This book seeks to address this gap by bringing together a global team of scholars to explore the morphosyntactic features of hateful and aggressive discourse. Drawing on thirteen diverse cross-linguistic case studies, it reveals how hate is expressed in political discourse, slang, and social media, and towards a range of target groups relating to gender, sexual orientation, and ethnic identity. Based on ideas from functional and cognitive linguistics, each thematic part demonstrates how features such as morphology, word formation, pronoun use, and syntactic structures are manipulated for the purpose of expressing hostility and hate. An innovative approach to an age-old problem, this book is essential reading for researchers and students of hate speech and verbal aggression.
Bringing together research from a global team of scholars, this innovative volume explores the morphosyntactic features of verbal aggression, an aspect of hate speech that has been hitherto overlooked. It will be essential reading for researchers and students of hate speech and verbal aggression.
Improve Your Writing Quickly! What spell check and grammar check can't do for you, this book will. For more than 30 years, Ron Mead has helped countless college students, government, military, and corporate personnel improve their writing. This book is an invaluable resource for editors, authors, technical writers, high school and college teachers, students, journalists, bloggers, public speakers, and for writers in the public and private sectors. See how to correct the most common errors. Clear, concise explanations help you to quickly grasp the grammar rules. A Concise Grammar Book for Those Who Hate Grammar is written in an easy-to-read format and is organized using a numbering system to make answers easy to find.
In today's digital world, grammar mistakes last forever. Write it right the first time with Kathleen Watson's Grammar for People Who Hate Rules. Packed with word and punctuation tips, this book is perfect for improving your writing at school, at work - everywhere clear communication matters. Write and speak with authority and confidence!
MORE missspellings! MORE badder grammar! MORE than 150 photos of laugh-out-loud funny signs from the creators of the smash-hit book (and Facebook group) I Judge You When You Use Poor Grammar. After the success of her first hilarious collection of poorly worded signs—and with 430,000 members on her Facebook page—Sharon Eliza Nichols returns with an all-new assortment of the most ungrammatical, outrageous, and ridiculous mistakes ever put into print. Featuring actual photos of actual signs in actual locations, these billboard blunders are sure to delight grammar groupies, punctuation sticklers, and pretty much anyone who can read. Whether you groan in frustration, shake your head in disbelief, or howl with laughter, this wonderful humor book will convince you that it's just a sign of the times.
Millions of fans around the globe punctuate properly and communicate clearly thanks to Mignon Fogarty's practical and easy-to-remember advice about writing style and word usage. Her first book, Grammar Girl's Quick and Dirty Tips for Better Writing, hit the New York Times bestseller list, and her weekly grammar podcast has been downloaded more than 100 million times and hailed by USA Today as "authoritative but warm." Now, in tip-of-the-day form, Grammar Girl serves up 365 lessons on language that are sure to inspire. Filled with new, bite-size writing tips, fun quizzes and puzzles, and efficient memory tricks, The Grammar Devotional gives you a daily dose of knowledge to improve your writing and also serves as a lasting reference you'll use for years to come.
Novelist and critic Alexander Theroux analyzes the pop song. National Book Award nominee, critic and one of America’s least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock: silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic; and the excesses of awful Christmas recordings. Praising (and critiquing) the gems of lyricists both highbrow and low, Theroux does due reverence to classic word-masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn, lyricists as diverse as Hank Williams, Buck Ram, the Moody Blues, and Randy Newman, Dylan and the Beatles, of course, and more outré ones like the Sex Pistols, the Clash, Patti Smith, the Fall (even Ghostface Killa), but he considers stupid rhymes, as well ― nonsense lyrics, chop logic, the uses and abuses of irony, country music macho, verbal howlers, how voices sound alike and why, and much more. In a way that no one else has ever done, with his usual encyclopedic insights into the state of the modern lyric, Theroux focuses on the state of language ― the power of words and the nature of syntax ― in The Grammar of Rock. He analyzes its assaults on listeners’ impulses by investigating singers’ styles, pondering illogical lunacies in lyrics, and deconstructing the nature of diction and presentation in the language. This is that rare book of discernment and probing wit (and not exclusively one that is a critical defense of quality) that positively evaluates the very nature of a pop song, and why one over another has an effect on the listener.
Do you hate teaching some aspects of grammar? Do you ever feel frustrated that your students just don’t get it? Well, in Grammar Nonsense, Andrew Walkley and Hugh Dellar argue that you shouldn’t really blame yourself. The fault lies largely with the way grammar rules and methods have been passed down through training and published material and become established as the way of doing things: a straightjacket that we need to escape from. Through an entertaining series of rants and meditations on all things grammatical, from the use of the word grammar to the horror of teaching verb patterns, they aim to pull apart rules which we give without thinking and to question approaches to practice that are seen as a must. Along the way, you’ll not only learn how published materials get written and about ideas such as the transformation fallacy and grammar olives, but you’ll also get plenty of practical suggestions as to what to do about all this nonsense.
Grammar Choices is a different kind of grammar book: It is written for graduate students, including MBA, master’s, and doctoral candidates, as well as postdoctoral researchers and faculty. Additionally, it describes the language of advanced academic writing with more than 300 real examples from successful graduate students and from published texts, including corpora. Each of the eight units in Grammar Choices contains: an overview of the grammar topic; a preview test that allows students to assess their control of the target grammar and teachers to diagnose areas of difficulty; an authentic example of graduate-student writing showing the unit grammar in use; clear descriptions of essential grammar structures using the framework of functional grammar, cutting-edge research in applied linguistics, and corpus studies; vocabulary relevant to the grammar point is introduced—for example, common verbs in the passive voice, summary nouns used with this/these, and irregular plural nouns; authentic examples for every grammar point from corpora and published texts; exercises for every grammar point that help writers develop grammatical awareness and use, including completing sentences, writing, revising, paraphrasing, and editing; and a section inviting writers to investigate discipline-specific language use and apply it to an academic genre. Among the changes in the Second Edition are: new sections on parallel form (Unit 2) and possessives (Unit 5) revised and expanded explanations, but particularly regarding verb complementation, complement noun clauses, passive voice, and stance/engagement a restructured Unit 2 and significantly revised/updated Unit 7 new Grammar Awareness tasks in Units 3, 5, and 6 new exercises plus revision/updating of many others self-editing checklists in the Grammar in Your Discipline sections at the end of each unit representation of additional academic disciplines (e.g., engineering, management) in example sentences and texts and in exercises.