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This book is a collection of new essays on Aquinas and Wittgenstein written by some of the leading theologians and philosophers of religion in the English-speaking world. It is inspired by ' and dedicated to the memory of - Victor Preller, whose powerful interpretations of these figures did much to prepare the ground for recent discussions of religious language, knowledge of God, the role of grace in human life, and the ethical significance of virtue. Grammar and Grace frees Aquinas from the trappings of traditional Thomism, just as it liberates Wittgenstein from the relativism of the Wittgensteinian fideists. But the book is no mere exercise in scholarly revisionism, for its main purpose is to advance our understanding of the issues on which texts like the Summa Theologiae and the Philosophical Investigations have a bearing. This book will be essential reading for all those interested in the interpretation of Aquinas and Wittgenstein, the interface of religion and ethics, and the dialogue between philosophy and theology.
The Literary Culture of the Reformation examines the place of literature in the Reformation, considering both how arguments about biblical meaning and literary interpretation influenced the new theology, and how developments in theology in turn influenced literary practices. Part One focuses on Northern Europe, reconsidering the relationship between Renaissance humanism (especially Erasmus) and religious ideas (especially Luther). Parts Two and Three examine Tudor and early Stuart England. Part Two describes the rise of vernacular theology and protestant culture in relation to fundamental changes in the understanding of the English language. Part Three studies English religious poetry (including Donne, Herbert, and in an Epilogue, Milton) in the wake of these changes. Bringing together genres and styles of writing which are normally kept apart (poems, sermons, treatises, commentaries) Brian Cummings offers a major re-evaluation of the literary production of this intensely verbal and controversial period.
A woman finds love and closure, and rediscovers herself, when she returns to her roots in the enchanting new novel from the author of The Irresistible Blueberry Bakeshop & Café. Newly jobless, newly single, and suddenly apartmentless, writer Grace Hammond has come unmoored. A grammar whiz who's brilliant at correcting other people's errors, she hasn't yet found quite the right set of rules for fixing her own mistakes. Desperate to escape the city and her trifecta of problems, Grace hits pause and retreats to her Connecticut hometown. What begins as a short visit with her parents quickly becomes a far more meaningful stay, though, as she discovers that the answers to what her future holds might be found by making peace with -- and even embracing -- the past. As Grace sets out to change her ways and come to terms, finally, with the tragedy that took her older sister's life so many years ago, she rekindles a romance with her high school sweetheart, Peter, now a famous Hollywood director who's filming a movie in town. Sparks also fly at the local bike shop, where Grace's penchant for pointing out what's wrong rattles the owner's ruggedly handsome schoolteacher son, Mitch. Torn between the promise of a glamorous life and the allure of the familiar, Grace must decide what truly matters -- and whether it's time for her to throw away the rule book and bravely follow her heart.
Engaging and direct, Style: Lessons in Clarity and Grace is the guidebook for anyone who wants to write well. Williams' and Bizup's clear, accessible style models the kind of writing that audiences-both in college and after-will admire. The principles offered here help writers understand what readers expect and encourage writers to revise to meet those expectations more effectively. This book is all you need to understand the principles of effective writing.
1910. Pownal, Vermont. At 12, Grace and her best friend Arthur must leave school and go to work as a “doffers” on their mothers’ looms in the mill. Grace’s mother is the best worker, fast and powerful, and Grace desperately wants to help her. But she’s left handed and doffing is a right-handed job. Grace’s every mistake costs her mother, and the family. She only feels capable on Sundays, when she and Arthur receive special lessons from their teacher. Together they write a secret letter to the Child Labor Board about underage children working in Pownal. A few weeks later a man with a camera shows up. It is the famous reformer Lewis Hine, undercover, collecting evidence for the Child Labor Board. Grace’s brief acquaintance with Hine and the photos he takes of her are a gift that changes her sense of herself, her future, and her family’s future.
Volume II of A Grammar of Christian Faith aims to confront the widespread disarray in the language and practices of Christian faith today. As a 'grammar,' it explains how Christian faith provides special ways of speaking and acting that make sense of human life by giving it meaning, practicality, and hope.
Perhaps no one else has ever faced as much hardship, opposition, or relentless suffering as the apostle Paul. And yet, through it all, Paul stood firm in Christ and remained faithful—to the very end. The power of Paul's example has captivated veteran pastor John MacArthur for years, and here he outlines nine unwavering convictions that contributed to this remarkable perseverance. In an age when pastoral failure and burnout are increasingly common, this book is a call to endurance in ministry, encouraging pastors to stand strong in their role and not lose heart, regardless of what God sends their way.
Strictly alphabetical listing of words written in Hebrew letters, followed by some inflectional forms of the word, its English meaning, and relevant chapter and verse citations from the Bible.
Neither Nature nor Grace operates at the intersection of systematic and philosophical theology, exploring in particular how St. Thomas Aquinas variously uses the latter in service to the clarification and faithful advancement of the former. More specifically, Neither Nature nor Grace explores the overlooked logical difficulties that have followed the late modern debates in ecumenical Christian theology as to whether knowledge of God is available solely through God’s gracious self-revelation (e.g., Jesus Christ and Holy Scripture), or through revelation and the deliverances of natural reason. Van Wart takes the prominent French Dominican Reginald Garrigou-Lagrange as paradigmatic for the case that knowledge of God can be had by both revelation and natural reason. Representing the opposing position, that God can only be known through divine revelation, Van Wart highlights the work of influential Protestant theologian Karl Barth. By placing these two imposing 20th century theologians in conversation, and by providing a careful theo-philosophical analysis of the logical mechanics of each thinker’s respective arguments, Van Wart shows how both inadvertently overreach their self-professed epistemological bounds and just so run into significant problems maintaining the coherence of their relative theological positions. That is, against their expressed intentions to the contrary, both thinkers unwittingly evacuate the divine essence of the mystery Christian tradition has always previously claimed it to have, effectively reducing the being of God to mere creaturely being writ large. As a contrasting corrective to this problem, Van Wart proffers a constructive grammatical reading of Aquinas’s measured account of the crucial but often overlooked logical differences between what can be said of the divine, on the one hand, versus what can be known of God, on the other. While many recent works have attempted to solve the ongoing arguments which Garrigou-Lagrange and Barth epitomize regarding the epistemic use of God’s effects, Van Wart’s contribution constructively pushes the conversation to a different level in showing how Aquinas’s grammar of God provides a salutary means of dissolving and moving beyond these contentious debates altogether.