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Author, dramatist and satirist, Nikolay Gogol (1809-1852) deeply influenced later Russian literature with his powerful depictions of a society dominated by petty beaurocracy and base corruption. This volume includes both his most admired short fiction and his most famous drama. A biting and frequently hilarious political satire, The Government Inspector has been popular since its first performance and was regarded by Nabokov as the greatest Russian play every written. The stories gathered here, meanwhile, range from comic to tragic and describe the isolated lives of low-ranking clerks, lunatics and swindlers. They include Diary of a Madman, an amusing but disturbing exploration of insanity; Nevsky Prospect, a depiction of an artist besotted with a prostitute; and The Overcoat, a moving consideration of poverty that powerfully influenced Dostoevsky and later Russian literature.
"Although it may read to modern audiences like a hilarious slapstick comedy, The Inspector-General is actually much more than that. Famed Russian writer Nikolai Gogol intended it to be a veiled but pointed satire of the ineptitude, corruption, and greed that exemplified the Russian bureaucracy in the ..."A Comedy In Five Acts by Nikolai Gogol Gogol, Thomas Seltzer was published in 1836.
Nikolai Gogol’s novel Dead Souls and play The Government Inspector revolutionized Russian literature and continue to entertain generations of readers around the world. Yet Gogol’s peculiar genius comes through most powerfully in his short stories. By turns—or at once—funny, terrifying, and profound, the tales collected in The Nose and Other Stories are among the greatest achievements of world literature. These stories showcase Gogol’s vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own, outranking its former owner. Written between 1831 and 1842, they span the colorful setting of rural Ukraine to the unforgiving urban landscape of St. Petersburg to the ancient labyrinth of Rome. Yet they share Gogol’s characteristic obsessions—city crowds, bureaucratic hierarchy and irrationality, the devil in disguise—and a constant undercurrent of the absurd. Susanne Fusso’s translations pay careful attention to the strangeness and wonder of Gogol's style, preserving the inimitable humor and oddity of his language. The Nose and Other Stories reveals why Russian writers from Dostoevsky to Nabokov have returned to Gogol as the cornerstone of their unparalleled literary tradition.
This collection contains Gogol's three completed plays The Government Inspector, which satirises a corrupt society was regarded by Nabokov as the greatest play in the Russian language and is still widely studied in schools and universities: "I resolved to gather into one heap everything that was bad in Russia which I was aware of at that time, all the injustices being perpetrated in those places, and in those circumstances that especially cried out for justice, and tried to hold them all up to ridicule, at one fell swoop." (Nikolai Gogol) Marriage is a comedy about the business of matchmaking and matrimony; The Gamblers is an exoriating piece about the excesses of the Moscow aristocracy. "Two and two make five, if not the square root of five, and it all happens quite naturally in Gogol's world... Gogol was a strange creature, but then genius is always strange" (Vladimir Nabokov)
Written in the 1830s and early 1840s, these comic stories tackle life behind the cold and elegant façade of the Imperial capital from the viewpoints of various characters, such as a collegiate assessor who one day finds that his nose has detached itself from his face and risen the ranks to become a state councillor (‘The Nose’), a painter and a lieutenant whose romantic pursuits meet with contrasting degrees of success (‘Nevsky Prospect’) and a lowly civil servant whose existence desperately unravels when he loses his prized new coat (‘The Overcoat’). Also including the ‘Diary of Madman’, these Petersburg Tales paint a critical yet hilarious portrait of a city riddled with pomposity and self-importance, masterfully juxtaposing nineteenth-century realism with madcap surrealism, and combining absurdist farce with biting satire.
This version of A Government Inspector is a Yorkshire take on Gogol's 1836 fantastical Russian satire. The setting is here transposed to a small northern town in the twenty-first century, geographically and culturally remote from the centre of government. Into a small Pennine town a mysterious stranger is mistaken for a government inspector. Fearing discovery of their corrupt goings-on, the town's unscrupulous councillors attempt to ingratiate themselves. Bribes, backhanders and brown envelopes abound, and the young chap, who has an eye for a quick buck, takes full advantage with hilarious results. Deborah McAndrew's version of A Government Inspector goes beyond literal translation, but is absolutely faithful to Gogol's stated intention to peel away the surface layers of ordinary people and expose the corruption beneath. It's exuberant, brilliantly witty and original, and audiences will revel in the references to government officials' expenses claims and women's beach volley ball... Northern Broadsides, one of the country's finest and best-loved touring theatre companies, breathes life and vigour into this nearly 200-year-old story. Absurdly funny, clever and strangely familiar, this feels to be the next One Man Two Guvnors. The production premieres at Harrogate Theatre from 7 - 22 September before embarking on an English national tour until December 1st.
Fresh, stylish new translations of Gogol's greatest short stories collected in a beautiful edition 'One of the most profound, and influential, writers Russia has ever produced, he is probably also the funniest' Guardian 'The most morally complete writer: baffled, outraged, reverent, mock-didactic, mocking, all at once. He honours life by feeling no one way about it' GEORGE SAUNDERS No writer has captured the absurdity of the human condition as acutely as Nikolai Gogol. In a lively new translation by Oliver Ready, this collection contains his great classic stories - 'The Overcoat', 'The Nose' and 'Diary of a Madman' - alongside lesser known gems depicting life in the Russian and Ukranian countryside. Together, they reveal Gogol's marvellously skewed perspective, moving between the urban and the rural with painfully sharp humour and scorching satire. Strikingly modern in his depictions of society's shambolic structures, Gogol plunders the depths of bureaucratic and domestic banalities to unearth moments of dark comedy and outrageous corruption. Defying categorisation, the stories in this collection range from the surreal to the satirical to the grotesque, united in their exquisite psychological acuteness and tender insights into the bizarre irrationalities of the human soul. Nikolai Vasilyevich Gogol (1809-1852) was born in Ukraine and moved to St Petersburg after his studies in 1828 to work, at first, in various government departments. His first collection of stories, Evenings on a Farm Near Dikanka (1831), brought him widespread fame, and he went on to write further collections of stories, as well as the play The Government Inspector. The first part of his great, and only, novel Dead Souls appeared in 1842. In his later life he was increasingly tormented both physically and psychologically and he repeatedly burned his manuscripts, including the second part of Dead Souls. After the final burning in February 1852, he stopped eating and died in great pain ten days later.
A 2020 CHOICE Outstanding Academic Title How officials reporting to both executive officials and congressional representatives work to keep the government honest, efficient, and effective. Inspectors general are important players in the federal government, and their work often draws considerable public attention when one of them uncovers serious misdeeds or mismanagement that make the headlines. This book by two experts in public policy provides a comprehensive, up-to-date examination of how inspectors general have operated in the four decades since Congress established the offices to investigate waste, fraud, and mismanagement at federal agencies and to promote efficiency and effectiveness in government programs. Unique among federal officials, inspectors general are independent of the agencies they monitor, and they report to the executive and legislative branches of government. One key factor in their independence is that they are expected to be non-partisan and carry out their work without regard to partisan interests. The authors of U.S. Inspectors General: Truth Tellers in Turbulent Times emphasize the “strategic environment” in which inspectors general work and interact with a variety of stakeholders, inside and outside the government. Their new book is based on in-depth case studies, a survey of inspectors general, and a review of public documents related to the work of inspectors general. It will be of interest to scholars and students of public policy and public management, journalists, and ordinary citizens interested in how the government works—or doesn’t work—on their behalf.
Short Stories. This first-ever selection of Alice Munro's stories sums up her genius. Her territory is the secrets that cackle beneath the facade of everyday lives, the pain and promises, loves and fears of apparently ordinary men and women whom she renders extraordinary and unforgettable.
"The Cloak" tells the story of the life and death of Akaky Akakievich Bashmachkin, an unremarkable and indeed pathetic middle-aged titular councillor and copying clerk serving in an unnamed department of the Russian civil service. Though Akaky has very little and is cruelly picked on by his coworkers, Akaky displays no discontentment with his plight, in fact even openly relishing his copying work, in which he appears to find some interesting world of his own. His life is thrown into disarray, however, when he finds that he must buy a new overcoat, a great expense for which he is unprepared. Though he is initially upset by the need for the new overcoat, he soon finds in the quest to save up for and design the new overcoat a higher purpose. The thought of the new overcoat becomes a deep comfort to him, like having a steady companion. The day he receives the coat is the happiest day of his life. However, a turn of events leads to the sudden loss of his coat, and shortly thereafter, of his own life. After his death, Akaky returns as a ghost to haunt St. Petersburg for a time, stealing coats, and in particular the coat of a general who had refused to help Akaky.