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A comprehensive study of one of the earliest witnesses to the gospels ("c." 172): its composition, dissemination, description of the surviving witnesses and a history of scholarship; it offers criteria for reconstruction and their application in examples. Exhaustive Bibliography and Catalogue of Witnesses are provided.
This volume combines some of the leading voices on the composition and collection of early Christian gospels in order to analyze Tatian's Diatessaron. The rapid rise and sudden suppression of the Diatessaron has raised numerous questions about the nature and intent of this second-century composition. It has been claimed as both a vindication of the fourfold gospel's early canonical status and as an argument for the canon's on-going fluidity; it has been touted as both a premiere witness to the earliest recoverable gospel text and as an early corrupting influence on that text. Collectively, these essays provide the greatest advance in Diatessaronic scholarship in a quarter of a century. The contributors explore numerous questions: did Tatian intend to supplement or supplant the fourfold gospel? How many were his sources and how free was he with their text? How do we identify a Diatessaronic witness? Is it legitimate to use Tatian's Diatessaron as a source in New Testament textual criticism? Is a reconstruction of the Diatessaron still possible? These queries in turn contribute to the question of what the Diatessaron signifies with respect to the broader context of gospel writing, and what this can tell us about how the writing, rewriting and reception of gospel material functioned in the first and second centuries and beyond.
Two works with separate titlepages and pagination published in one volume.
In the late-second century, Tatian the Assyrian constructed a new Gospel by intricately harmonizing Matthew, Mark, Luke, and John. Tatian's work became known as the Diatessaron, since it was derived 'out of the four' eventually canonical Gospels. Though it circulated widely for centuries, the Diatessaron disappeared in antiquity. Nevertheless, numerous ancient and medieval harmonies survive in various languages. Some texts are altogether independent of the Diatessaron, while others are definitely related. Yet even Tatian's known descendants differ in large and small ways, so attempts at reconstruction have proven confounding. In this book James W. Barker forges a new path in Diatessaron studies. Covering the widest array of manuscript evidence to date, Tatian's Diatessaron reconstructs the compositional and editorial practices by which Tatian wrote his Gospel. By sorting every extant witnesses according to its narrative sequence, the macrostructure of Tatian's Gospel becomes clear. Despite many shared agreements, there remain significant divergences between eastern and western witnesses. This book argues that the eastern ones preserve Tatian's order, whereas the western texts descend from a fourth-century recension of the Diatessaron. Victor of Capua and his scribe used the recension to produce the Latin Codex Fuldensis in the sixth century. More controversially, Barker offers new evidence that late medieval texts such as the Middle Dutch Stuttgart harmony independently preserve traces of the western recension. This study uncovers the composition and reception history behind one of early Christianity's most elusive texts.
Tatian is a significant figure in the early Church, his work both representing and revealing his second-century context. This study offers a detailed exploration of his thought. It is also a valuable introduction to the entire period, particularly the key developments it witnessed in Christianity. Emily Hunt examines a wide range of topics in depth: Tatian's relationship with Justin Martyr and his Oration to the Greeks; the Apologetic attempt to defend and define Christianity against the Graeco-Roman world and Christian use of hellenistic philosophy. Tatian was accused of heresy after his death, and this work sees him at the heart of the orthodox/heterodox debate. His links with the East, and his Gospel harmony the Diatessaron, lead to an exploration of Syriac Christianity and asceticism. In the process, scholarly assumptions about heresiology and the Apologists' relationship with hellenistic philosophy are questioned, and the development of a Christian philosophical tradition is traced from Philo, through Justin Martyr, to Tatian - and then within several key Syriac writers. This is the first dedicated study of Tatian for more than forty years.
This is the first English translation of the commentary by fourth century AD theologian Ephrem the Syrian on the Diatessaron, a Gospel woven from the text of the four Gospels, which predates our earliest evidence of the official Syriac translation of the New Testament.
This volume combines some of the leading voices on the composition and collection of early Christian gospels in order to analyze Tatian's Diatessaron. The rapid rise and sudden suppression of the Diatessaron has raised numerous questions about the nature and intent of this second-century composition. It has been claimed as both a vindication of the fourfold gospel's early canonical status and as an argument for the canon's on-going fluidity; it has been touted as both a premiere witness to the earliest recoverable gospel text and as an early corrupting influence on that text. Collectively, these essays provide the greatest advance in Diatessaronic scholarship in a quarter of a century. The contributors explore numerous questions: did Tatian intend to supplement or supplant the fourfold gospel? How many were his sources and how free was he with their text? How do we identify a Diatessaronic witness? Is it legitimate to use Tatian's Diatessaron as a source in New Testament textual criticism? Is a reconstruction of the Diatessaron still possible? These queries in turn contribute to the question of what the Diatessaron signifies with respect to the broader context of gospel writing, and what this can tell us about how the writing, rewriting and reception of gospel material functioned in the first and second centuries and beyond.
In this book, through a distinctive evangelical and critical approach, Michael Bird explores the historical development of the four canonical Gospels. He shows how the memories and faith of the earliest believers formed the Gospel accounts of Jesus that got written and, in turn, how these accounts further shaped the early church. Bird's study clarifies the often confusing debates over the origins of the canonical Gospels. Bird navigates recent concerns and research as he builds an informed case for how the early Christ followers wrote and spread the story of Jesus -- the story by which they believed they were called to live. The Gospel of the Lord is ideal for students or anyone who wants to know the story behind the four Gospels. Watch an interview with Michael Bird from our Eerdmans Author Interview Series: