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The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.
The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave
Mark's gospel is a rapid fire account of Jesus' ministry focusing primarily on His many miracles. This eyewitness account presents the boldest and clearest witness of Jesus' identity as the Son of God with power!
This volume inaugurates a series of accessibly written yet substantive commentaries for use in Catholic universities, seminaries, and parishes.
Immediately. Let's go. Right away. Now. Get up. Then ... Mark's narrative moves quickly and you sense the action in the story of Jesus' life. It's teaching presented as the gospel - good news powerfully announced in a world of bad news. This gospel emphasizes not only that Jesus is "the Son of God" (1:1; 15:39) but also that this fact demands a response. The Gospel of Mark highlights Jesus' unparalleled spiritual power and authority, leading us to consider for ourselves the question, "Who do you say that I am?" (Mark 8:29) The Gospel of Mark: the Jesus we're aching for partners the compassion of Jesus with the passion of Christ. We see how the heart of God is moved by the heart of humanity and His response to our loud cry for help. We discover the world-changing result of being recipients of His compassion and the reason for His passion, all the way to the cross. Ultimately, Mark intends for the action-packed presentation of who Jesus is to lead us to acknowledge Jesus, find salvation in Him, and follow Him.
In this BST volume, Donald English offers a wise, welcoming, and nontechnical guide to Mark, the smallest of the four Gospels. Along with exposition of each section of the text, English draws out principles and applications about the nature of true faith, the cost of discipleship, and how we should receive God's Word today.
Here Professor Hengel argues with a wealth of documentation that the traditional views of the origin and tradition of the Gospel of Mark have far more to be said for them than has been usually allowed by modern New Testament scholars. He argues that the tradition contained in the Gospel is that handed down by Peter through Mark, and that the Gospel was written in Rome in AD 69. The famous note by Papias quoted in Eusebius' 'Church History' is not to be dismissed, but has every appearance of being reliable. Further evidence in support of this view can be found in a detailed consideration of the titles of the Gospels, which must have been attached to the Gospels at a very early stage, if only to identify them. An appendix, by the distinguished classical philologist Wolfgang Schadewaldt, on 'The Reliability of the Synoptic Tradition,' is used to add further weight to the case. With his customary learning, Professor Hengel has produced a powerful argument which those who have held more radical views than his own will have to consider very carefully indeed if they are to continue to carry conviction.
In this second volume of the Biblical Imagination series, Michael Card leads us on an imaginative journey through the Gospel of Mark. Card teaches us to enter each scene with the eyes of faith, knowing that Mark intended us to be filled with passion at the sight of Jesus.
The story begins in the period immediately after the lifetime of Jesus when as yet there were no written accounts of any sort, but the tradition about him was preserved entirely by word of mouth. So far as the material in our Gospels is concerned, it was preserved during this period exclusively by Christians. Although St. Mark was no biographer, by linking together the various separate stories and groups of stories with summary passages of his own composition, he has produced what is, so far as its form is concerned, a connected historical narrative. It tells of the Lord's baptism by John the Baptist, of a subsequent varied ministry in Galilee, of some journeys outside Galilee ending with a journey to Jerusalem, and finally of a series of events -- the entry upon the ass, the cleansing of the temple, the scene in the treasury, and the like -- which must obviously have taken place in Jerusalem. - Introduction.
In this groundbreaking book, Dennis R. MacDonald offers an entirely new view of the New Testament gospel of Mark. The author of the earliest gospel was not writing history, nor was he merely recording tradition, MacDonald argues. Close reading and careful analysis show that Mark borrowed extensively from the Odyssey and the Iliad and that he wanted his readers to recognise the Homeric antecedents in Mark's story of Jesus. Mark was composing a prose anti-epic, MacDonald says, presenting Jesus as a suffering hero modeled after but far superior to traditional Greek heroes. Much like Odysseus, Mark's Jesus sails the seas with uncomprehending companions, encounters preternatural opponents, and suffers many things before confronting rivals who have made his house a den of thieves. In his death and burial, Jesus emulates Hector, although unlike Hector Jesus leaves his tomb empty. Mark's minor characters, too, recall Homeric predecessors: Bartimaeus emulates Tiresias; Joseph of Arimathea, Priam; and the women at the tomb, Helen, Hecuba, and Andromache. And, entire episodes in Mark mirror Homeric episodes, including stilling the sea, walking on water, feeding the multitudes, the Triumphal E