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Luke's unique literary and linguistic features, its relation to the other gospels and the book of Acts, as well as its distinctive theological slant are all discussed in detail by the author of this translation.
This new Pillar commentary devotes attention throughout to the vocabulary, historical background, special themes, and narrative purpose that make the book of Luke unique among the four Gospels. Though the Gentile focus of Luke is often held to be primary, James Edwards counterbalances that by citing numerous evidences of Luke's overarching interest in depicting Jesus as the fulfillment of the providential work of God in the history of Israel, and he considers the possibility that Luke himself was a Jew. Edwards also draws out other important thematic issues in excursuses scattered throughout the commentary, including discussion of Luke's infancy narrative, the mission of Jesus as the way of salvation, and Luke's depiction of the universal scope of the gospel. This readable, relevant commentary attends to the linguistic, historical, literary, and theological elements of Luke that are essential to its meaning and considers Luke's significance for the church and the life of faith today.
Scholars and students alike will benefit from access to new German scholarship now available to English-language audiences.--Donald Senior, CP "The Bible Today"
The outrageous and often hilarious autobiography of legendary session musician and lead guitarist and singer of Toto. "...one of the most entertaining rock memoirs of recent years..." - Houston Press No one explodes one of the longest-held misconceptions of music history better than Steve Lukather and his band Toto. The dominant sound of the late ‘70s and ‘80s was not punk, but a slick, polished amalgam of rock and R&B first staked out on Boz Scaggs’ Silk Degrees. That album was shaped in large part by the founding members of Toto, who were emerging as the most in-demand elite session crew in LA, and further developed on the band’s self-titled multi-platinum debut. A string of massive hits followed for Toto while Lukather and bandmates David Paich, Jeff Porcaro, and Steve Porcaro also served as creative linchpins on some of the most successful and influential records of the era, including Michael Jackson’s Thriller. In this incisive memoir, Lukather tells the complete Toto story. He also lifts the lid on what went on behind the closed studio doors, shedding light on the unique creative processes of some of the most legendary names in music: from Quincy Jones, Michael Jackson, Paul McCartney, Stevie Nicks, and Elton John to Miles Davis, Joni Mitchell, Bruce Springsteen, Don Henley, Roger Waters, and Aretha Franklin. Lukather’s extraordinary tale also encompasses the dark side of stardom and the American Dream. Frank, engaging, and often hilarious, The Gospel According to Luke is no ordinary rock memoir. It is the real thing.
In this engaging introduction to the New Testament, Professor Dale B. Martin presents a historical study of the origins of Christianity by analyzing the literature of the earliest Christian movements. Focusing mainly on the New Testament, he also considers nonbiblical Christian writings of the era. Martin begins by making a powerful case for the study of the New Testament. He next sets the Greco-Roman world in historical context and explains the place of Judaism within it. In the discussion of each New Testament book that follows, the author addresses theological themes, then emphasizes the significance of the writings as ancient literature and as sources for historical study. Throughout the volume, Martin introduces various early Christian groups and highlights the surprising variations among their versions of Christianity.
With a profound understanding of both the Scriptures and the classical world that influenced Luke, this exposition leads us through the artistry of Luke’s presentation. However familiar the terrain of this Gospel, we will find that having an experienced guide makes a difference. By bringing out the significance of the narrative as a whole, David Gooding’s analysis will help us to arrive at a confident understanding of Luke’s message and open up insightful lines of application at each step along they way. Right from the start of his Gospel Luke makes it clear that the story of Jesus is neither ancient myth nor contemporary fable. It is straightforward history. To emphasize this he provides us with historical co–ordinates. He informs us, for example, that when John began publicly to introduce Christ to His nation it was in the fifteenth year of Emperor Tiberius’ reign, while Pontius Pilate was governor of Judaea, during the high–priesthood of Annas and Caiaphas. This is, then, an historical account. But what does Luke’s history of Jesus mean? And how can we be certain that we have understood the message that he has presented in his account of Christ’s life? David Gooding asks us to begin by recalling that Luke is an ancient and not a modern historian. A modern historian might compile a list of the things that Jesus did and taught, and then add his own explanations. But Luke has more in common with ancient historians such as Thucydides and writers of Old Testament books such as Judges and 1 and 2 Samuel. With minimal comment, he has grouped the material about Christ in a way that leads thoughtful readers to discover for themselves the point and purpose of each incident. Luke is, then, both historian and artist. It has often been lamented that Christ’s public ministry on earth was so short–lived, and His death at the hands of His enemies a tragedy. But Luke will not have it so. Following Christ’s own statements, he divides his Gospel into two parts: the coming of Christ from Glory into our world, and His going back to Glory. David Gooding shows that by arranging the events of each part into discreet stages and movements, Luke is proclaiming that Christ was carrying out a definite mission – His going, by way of His cross, resurrection and ascension was as deliberate as His coming.
This work is a commentary on the passages in the Gospel of Luke in which women figure as characters and in the sayings of Jesus. These include the women of vision and spirit in the Infancy Narratives, the Galilean women who encounter Jesus, and the women empowered to serve. The method makes use of historical-critical, narrative, and feminist-liberationist approaches. This commentary is intended as a resource for students of the New Testament, pastors, seminarians, preachers, retreat directors, and Bible study groups.
The Gospel of Luke was written, says its author, as an historical account of the ministry of Jesus. Not only would it serve as the basis for a sound faith on the part of professing Christians, but it would also claim a place for Christianity in history. Christ's ministry, as Luke shows, is realized prophecy; it is that time during which God's promise of salvation was fulfilled. His teachings, healing, and acts of compassion are all part of the good news. In Luke's Gospel, Christ's message of salvation is directed to the weak, poor, and needy, with an emphasis on the importance of self-denial and of whole-hearted discipleship. Thus, while Luke is the most conscious historian of the Gospel writers, his history is a vehicle of theological interpretation in which the significance of Jesus is expressed. In this commentary I. Howard Marshall calls attention to the theological message of Luke the Evangelist. His primary purpose is to exegete the text as it was written by Luke, so that the distinctiveness of Luke's Gospel may be seen. Basing his commentary on the third edition of The Greek New Testament, Dr. Marshall also refers to many variant readings which are significant in this study. He provides fairly full information on the meanings of the Greek words used by Luke and shows which words and constructions occur frequently and are therefore characteristic of his style. It is by this meticulous analysis of the Greek that Luke's theological intentions can be objectively determined.
Personal study guide for this comprehensive 12-session study of the Gospel of Luke by David Morlan.
In this commentary on the Gospel According to John all of the major Johannine questions - of authorship, composition, dating, the relationship of John to the Synoptics - are discussed, with important theories in Biblical scholarship weighed against the evidence in the text.